Theme Of Redemption In Gran Torino

As a consequence, he avoided the Hmong family. He even expressed distaste for them to their face, not wanting to learn about them or their culture. After much conflict, Walt was presented with the opportunity to help his neighbors and to open his mind to adapting to the inevitable cultural diversity in his town.

Walter seems to be overcome with a search for power and a drive to become wealthy and leave the life of being a worker behind him. It also shows that he cares for his family seeing how he is striving to give them the best, but that aspect is overshadowed by his greed. I feel the scene also shows the Younger family at its lowest point in the movie. Walter is on the complete edge and is thinking of stealing a community's money and the rest of the family, besides Momma, seemed to lose their faith and trust in him. When things seemed hopeless with the loss of the money, they only became worse as a loss in more than money occurred. A loss in their character, faith, history, and respect for each other overcame the family, particularly Walter and Beneatha. Nevertheless, Momma soon sets Beneatha straight with an emotional and positive speech about how there is "always something left to love" and sets the standard that the family should adhere to. It marks the turning point at the end of the movie

Finally, one of the most important moral values a human being can possess is selflessness. It is when a person puts someone else’s needs before their own. In Gran Torino, one of the most heartfelt and saddest moments was when Walt sacrificed his life for Thao and the neighbourhood. He knew that if Thao went after his

For example, Kennedy the construction supervisor asks Walt when he can have “the keys” to his Gran Torino, and looks down on Thao for getting a lift. Without a car, Thao is dependent and still a boy. When Walt lends him the Gran Torino to take Youa on a date, he is giving Thao independence and the possibility of a girlfriend. Furthermore, the Gran Torino represents being a genuine American man. Walt built the car when he worked for Ford, and despises the “Jap-burners” that his son Mitch drives around in and sells. Likewise, Spider (an ‘anti-citizen’) drives a white Honda in every scene he appears in, except the last one. When Walt leaves the Gran Torino to Thao in his will, he is giving him more than a car. He is giving him a reward for work, a source of prestige, independence, and an American identity. The closing scene of the film shows Thao driving the car down an esplanade, a young man with a future, and hope.

“Ever notice how you come across somebody once in a while you shouldn't have fucked with? That's me.” (Walt Kowalski, Gran Torino, 2008) After watching the movie Gran Torino, I certainly can agree with Walt's perspective on himself. Gran Torino was produced in the year of 2008, written by Nick Schenk and directed by Clint Eastwood. In this particular movie we see the cause and effects of several social issues, how through socialization these social issues can be resolved and perspectives can be altered. Previously watching this movie I believed most individuals values were set in stone from experiences learned through the journey of life. However, I now believe that anyone can change their beliefs, forming new attitudes, setting new values

“As an initiation, Thao is asked to steal Walt’s prized 1972 Ford Gran Torino. He botches the attempt, as Walt, rather stumblingly, chases his out of his garage with his M1 rifle. Later, Thao’s sister, Sue (Ahney Her) is set upon by some stereotypically predatory young black man and Walt, brandishing a pistol, rescues her.

Each character expresses this theme in his or own unique, tragic way through interactions with Nazism and the exploration of the Fatherland concept. Central to the message of the movie lies the idea of tribal allegiance versus individual identity. As every character grapples with what it means to be a part of the effort to reestablish the Fatherland, we see a spectrum of positions ranging from outright rejection to fervent adoration of the tribal identity. Each member of the family occupies a different space on the pole, and their position on the spectrum defines their needs and desires within the story.

Clint Eastwood’s Gran Torino (2008) is a portrayal of human sacrifice and the racial intolerance that still exists in modern America. The film is set in a poor neighbourhood of Detroit. Clint Eastwood plays Walt Kowalski, a war veteran who has brooded over his experiences in the war for decades. Past trauma has caused him to believe that he cannot trust anyone, and he has therefore developed a deep racism. Eastwood uses many different techniques, including lighting, camera angles, and dialogue to show how the man Walt Kowalski develops throughout the film. Kowalski begins as an angry,

Racism, prejudice and stereotyping, as the main themes of the movie, control all the sub-stories that are somehow linked to each other. Moreover, as the stories go on and events develop, it becomes possible to see how characters start to have changes in their perspective and attitude towards each other, either in a good or a bad way. An incident which can demonstrate our thesis on racism and stereotyping and how it might change in just one moment which brings people closer could be shown as the conflict between the racist police officer and the African American woman who gets harassed by him, and whose life is saved by him on the next day. The first encounter of the woman and the officer resulted with the woman

1. Walt and the priest had different ideologies on life and death. The priest kept approaching Walt with the offer of confession which he had promised Walt’s wife before she died. Walt did not think much of religion, attending church or confession or the priest. The priest resolved to get Walt into confession with his philosophy, principles and outlook on life as his religion dictated.

The film Gran Torino directed by Client Eastwood challenges The issues of stereotypes through the attributes of contemporary assumptions of status, gender and ethnicity. Exploring the themes of absence of a male dominate figure, enabling protagonist Theo to be a feminine figure exploits the idea of gender portrays the Hmong men to be stereotyped.Ethnicity and status also express multiple meanings through the cinematography and the Hollywood narrative style illustrates many representation  of the western and eastern cultures These key terms gender, ethnicity  and status all intertwine with each other during the entire film. The Hmong culture have been stereotyped by the western culture concerning that the American way is the only way which

The movie Gran Torino, is an American film directed by Clint Eastwood, who also stars as the main character. The movie was set in Highland Park, Michigan which was a nearby suburb of Detroit. In prior years, Highland Park was populated by white families that had come to the area to work in the Ford car factories, but over time, “the damn chinks” moved into the neighborhood as Walt Kowalski would say. This show was the first American film to show Hmong Americans, which were war refugees that had resettled in the U.S. following the communist takeover of Laos in 1975 (Yuen). The main character, Clint Eastwood is a widowed Korean War veteran who often shows bursts of racism and anger towards people of different race, especially the Asian immigrants in his neighborhood. His neighbor, Thao Vang Lor, a young Hmong teenager becomes a key character in the movie after he gets pressured into stealing Walt’s 1972 Gran Torino in an attempt to be initiated into a Hmong gang in which his cousin is involved with. While attempting to steal the car, Walt catches Thao and is sure to prove a point that he is not going to take any slack from him and or the Hmong gang members.

The 2008 movie “Gran Torino” starring Clint Eastwood is filled with an abundance of cultural diversity, which is met with much resistance, stereotype, and prejudice by the movies’ main character, Walt Kowalski. Walt’s world is changing; his Detroit neighborhood is decaying, his relationship with his sons is distant, and his Korean War memories continue to destroy his ability to fully enjoy life. Through an unlikely bond with the Hmong children next door, Walt finally receives redemption by coming face-to-face with the same destructive prejudices consuming neighborhood teenage gang members

The film I have chosen to explore the micro features on is The Pianist (2002) which is directed by Roman Polanski. Polanski assures that the audience gets a sense of belonging to that period of history and gets to explore the theme of discrimination through the characters life risking challenges that they face throughout the film. This micro essay will explore the following features, framing and camera movement in a 5 minute sequence.

Clint Eastwood depicts a sense of transformation in protagonist Walt Kowalski from a racist tormented character to a compassionate father figure through characterisation. Protagonist, Walt is perceived as a tough, worn, old man who has had enough of the people around him. He is viewed as a stereotypical irritable old Korean war