Theme Of Redemption

While work songs dealt only with their daily life, spirituals were inspired by the message of Jesus Christ and his Good News (Gospel) of the Bible, “You can be saved”. They are different from hymns and psalms, because they were a way of sharing the hard condition of being a slave. Many slaves in town and in plantations tried to run to a “free country”, that they called “my home” or “Sweet Canaan, the Promised Land”. This country was on the Northern side of Ohio River, that they called “Jordan”. Some negro spirituals refer to the Underground Railroad, an organization for helping slaves to run away.

In the time period of slavery, many famous slave songs were produced, and most of the slave owners and others found their singing as a form of joy. In reality, singing was the slave’s form of sadness, and emotion. Slaves got through the day by singing about their hardships and troubles. Fredrick Douglass in the quote above explains that through all of his hardships, he got through it with his “sorrow songs” to pacify him and his fellow slaves to be able to complete their

The resistance continued when they were put on ships for Jamaica and America. The Africans were forced from their homes, families, and forced to live a life without freedom. They continued to fight after their arrival. The song Buffalo soldier helps many learn the way history truly happened. Jamaicans are still affected by past injustices (Dorsey 5). The majority of this population are the descendants of African slaves, forced to leave their villages some two hundred years ago to labor on Jamaican plantations for white masters.

He realizes that in those songs it made him really understand how much pain and suffering he had to go through as well as other slaves that were so unfathomable that hearing those songs again would only cause him grief beyond belief. Those songs would be the only evidence of what slaves had to encounter and in hearing those songs it explains the very meaning behind what slavery really meant and how inhumane it actually was and only the ones who sung those songs truly understood the agonizing truth behind

The use of emotion on his readers allow them to see the way Douglass sees. “They [slaves] would sometimes the most pathetic sentiment in the most rapturous tone, and the most rapturous sentiment in the most pathetic tone”(29). Harsh lyrics and pathetic tones give readers the thought of despair in slaves. The tune itself is the slave's’ way in giving up. Readers feel sorrow as they imagine the thoughts that went into the tune. Then sorrow leads to sympathy, where readers, then wish to help slaves. “We felt, and very properly too, that we had almost as well be slaves to man as to rum”(85). Many readers could sympathize exactly with the sorrow slaves felt during this time. Alcoholics are common; they feel that they are dependant on alcohol as the slaves are. Yet the difference is that slave drinking was used as a sport by slaveholders. The

Slave songs, therefore, do not pardon the institution of slavery; in fact, they do just the opposite. They are indisputable affirmations of injustice, accentuating the oppressive cage that is slavery. They are the mode of communication of a living dead who yearn for the blessings of a life unfettered: for liberty, and the pursuit of happiness. Slaves sing of ideals that are not theirs to possess—ideals that their country and fellow men have denied them. The caged bird does not sing because it is happy; it sings because it is dreaming of happiness.

As Douglass began to acquire a greater understanding of his condition through reading, he felt as if “the silver trump of freedom had roused [his] soul to eternal wakefulness.”20 Douglass’s use of the word silver helps express the precious nature of freedom, as well as the idea that it’s beckoning the enslaved with its gleam. Through the contrast between the purity of freedom and the corruption of slavery, Douglass’s choice of words humanizes himself because it demonstrates his attention to detail as he constructed this narrative. Likewise, he expresses that “[the slaves selected to go to the Great House Farm] would make [woods] reverberate with their wild songs, revealing at once the highest joys and the deepest sadness.”21 Douglass's usage of juxtaposition to draw attention to the vastness of emotion expressed by these songs demonstrates his own humanity, for this selection highlights Douglass's talent to capture the emotional peaks and troughs that are endured by

In some cases, the songs sung by the slaves do portray happiness, but this is very temporary. When beginning to explain the songs that he is hearing he say that the songs can

Reason: A lot of emphasis of was placed on the effect these songs had on Frederick Douglass’ soul, and his view on slavery. Song was used as an outlet by the slaves to express their sadness and desolate emotions, a rallying cry and proof of their humanity, despite the dehumanization they faced as slaves.

All society hears is the history of slavery and the pain that began with racism, rape and mistreatment of African-Americans. Lines 29 through 43 describe that with African-American history there is hope for success:

The author starts out by describing the harsh situation slaves were put in and how the black experience in America is a history of servitude and resistance, of survival in the land of death. The spirituals are the historical songs which tell us what the slaves did to hold themselves together and to fight back against their oppressors. In both Africa and America, music was directly related to daily life and was an expression of the community’s view of the world and its existence in it. The central theological concept, which is the prime religious factor, in the black spirituals is the divine liberation of the oppressed from slavery. Further, the theological assumption of black slave religion as expressed in the spirituals was that slavery contradicts God, and therefore, God will liberate black people. This factor came from the fact that many blacks believed in Jesus, and therefore, believed that He could save them from the oppression of slavery because of his death and resurrection. The fact that the theme of divine liberation was present in the slave songs is supported by three main assertions: the biblical literalism of the blacks forced them to accept the white viewpoints that implied God’s approval of slavery, the black songs were derived from white meeting songs and reflected the "white" meaning of divine liberation as freeing one from sin (not slavery), and that the spirituals do not contain "clear references to the desire for freedom". The extent of

A spiritual journey dominates these songs, but the concern for physical freedom is there as well. The most pervasive image in the spirituals is that of the chosen people for the slaves believed that they had been chosen by God just as the Israelites had. They also believed that they understood better than anyone what freedom truly meant in both a spiritual and physical sense. The Old Testament characters that the slaves referred to in their songs experienced deliverance by God. The slaves believed that the same God that had granted them spiritual freedom would someday loose the chains of slavery. The wonderful flexibility of the spirituals allowed for that double meaning of freedom. For example, Frederick Douglass claimed that the line” I am bound for Canaan” in one of the songs he frequently sang meant that he was going North, not just that he would experience the freedom of the promised land in a spiritual sense. The flexibility and multiplicity of meanings also allowed for slaves to use these sacred songs as secret communication. Some songs, such as “Steal Away to Jesus,” were used to call a secret meeting where the people could worship without the supervision of the whites. Other songs, such as “Wade in the Water” served as coded directions for runaway slaves. With the eventual emancipation of the slaves, religious music of African Americans became prominently

Douglass corrects white reader’s misconceptions about the slave’s assumed happiness by illustrating the song’s true meaning through his personal experience “within the circle.” Douglass is astounded that northerners believed they were singing songs out of happiness; he says, “I have often been astonished, since I came to the north, to find persons who could speak of the singing, among slaves, as evidence of their contentment and happiness. It is impossible to conceive of a greater mistake” (26). Douglass explains that the songs create a common experience among all slaves. Therefore, those outside the circle are ignorant to believe that their songs are out of happiness or contempt. In actuality, “slaves sing most when they are the most unhappy. The songs of the slave represent the sorrows of his heart; and he is relieved by them, only as an aching heart is relieved by its tears” (26). Douglass makes it clear that slaves are actually evident on a sub-conscious level of deep unhappiness. The singing is a coping mechanism, per say, to the aching hearts. The songs are not a pastime

When delving into the song and trying to grasp the meaning, it can be understood that the author really desires to be free and go back home to where he belongs and desires. The author or writer of the song does not like the idea of slavery, nor does he like being a slave himself, his perspective on the topic shows that he is not happy about the current situation and no one should because of how cruel slavery is. The author also uses certain rhetorical strategies, one of them being metaphors. They can be used to explain his sadness and other feelings he has about the topic of slavery. An example of this is,

The Kite Runner by Khaled Hosseini tells the coming of age story of the main character Amir. Throughout the novel, many themes are apparent as Amir gets older and deals with the events of his past. One of the main themes is regardless of any action there is always a way to redeem yourself. There are many examples of this theme in The Kite Runner, like when Rahim Khan tells Amir that he can redeem himself, another would be when Assef beats up/hurts Amir but he feels healed, finally were Amir is flying a kite with Sohrab and he smiles. The theme of redemption is present throughout the events of the novel.