Theme Of Setting In Jane Eyre

Women who had no claim to wealth or beauty received the harshest of realities in America’s Victorian era. Author Charlotte Bronte – from America’s Victorian era – examines and follows the life of a girl born into these conditions in her gothic novel Jane Eyre (of which the main character’s name

In the novel, ‘Jane Eyre’ by Charlotte Bronte, setting is used throughout the novel to illustrate the development in the character. The novel is revolved around five separate locations, ; the Reed family's home at Gateshead, the wretched Lowood School, Rochester's manor, Thornfield, the Rivers family's home at Moor House, and Rochester's rural retreat at Ferndean, these settings all play a very important part in Jane’s life as they all represent the development of Jane’s character and the different period’s of her eventful life.

Throughout Jane Eyre, as Jane herself moves from one physical location to another, the settings in which she finds herself vary considerably. Bronte makes the most of this necessity by carefully arranging those settings to match the differing circumstances Jane finds herself in at each. As Jane grows older and her hopes and dreams change, the settings she finds herself in are perfectly attuned to her state of mind, but her circumstances are always defined by the walls, real and figurative, around her.

Charlotte Bronte’s novel Jane Eyre incorporates vibrant descriptions of nature and weather, which intertwine literally and metaphorically throughout the novel to reflect the protagonist’s state of mind. Furthermore, Bronte’s meticulous description of everyday objects and experiences provide a world that is both real and tangible to the reader. The novel defies the expectations of social-class, and gender, and transcends various literary genres, while the setting purposely enhances the characters inner feelings and emotions meritoriously, allowing more freedom for commentary, and the expression of taboo topics than solely through the dialogue of the characters.

The attic in Thornfield’s mysterious third storey with its high windows, long galleries, and strange unexplained laughter coming from Rochester’s estranged ‘mad’ wife Bertha depicts the novel’s Gothic and supernatural genre, and represents the imprisonment that Jane has felt within her life.

The novel in which Jane Eyre stars in can be seen criticizing many aspects of those times such as the role and nature of women, child negligence and social hardships for those in a lesser class. Jane Eyre’s alienation from society allows for a greater reveal of the story’s culture, values, and assumptions. It’s presented through the use of gender, class and character conflicts throughout the story. On multiple occasions, Jane is judged for the presented factors reflecting the type of society Jane lives in and what the times were like at that time.

Violence is the most recurrent gothic convention used in Jane Eyre, which is prominent in Charlotte Brontë's effective development of the novel and the character of Jane Eyre, who, throughout this novel, is searching for a home in which she would have a sense of belonging and love which would ultimately resolve this exact unfulfilled need she had as a child. The neglect she experienced in her childhood is manifested in the way she is treated by her aunt, Mrs. Reed, as in the first page of the novel Jane Eyre admits: ‘Me, she had dispensed from joining the group, saying, 'She regretted to be under the necessity of keeping me at a distance’’. This opening shows how there is a clear line of separation drawn between Jane and her relatives due to her complicated family background which consequently results in their reluctance to accept her into their environment. These complications lead to her maltreatment, which also adds on to the violence she experiences acting as a catalyst for the development of the character and her subconscious quest.

Once Jane is locked in the red room in chapter two, she is able to reflect on everything that just happened. The red room is the chamber where Jane’s kind uncle died; he took her to Gateshead when her parents died. This shows Jane’s strength of character. Most children would be frightened and would be screaming with fear to be let out of this cold, haunted and dark chamber that they had been locked in. But Jane thinks about it rationally, ‘’superstition was with me at that moment; but it was not yet her hour for complete victory’’. This also proves that Jane believes in superstition and clings onto a magical world. But after a while in the red room Jane does become terrified and begins to convince herself that something is going to

Charlotte Bronte’s “Jane Eyre” has captivated readers for generations. As with all coming of age novels, young adults can relate to the struggles and triumphs of Jane. Jane’s setting influences and parallel her emotions. A reader can see the novel through her eyes and perspective. In Bronte’s “Jane Eyre,” the location often parallels Jane’s emotional growth through the tone presented by the environment, resulting in the different places she lives revealing her journey through depression. Jane’s behavioral patterns and thoughts suggest clinical depression that affected her choices throughout the novel and her life at Gateshead, Lowood, Thornfield, Marsh End, and Ferdean.

“Jane Eyre” is a book centred around female duality. In a time when females were still expected to fulfill their “womanly duties,” Charlotte Bronte wrote a novel dealing with a woman’s view on morality & sexuality, passion & sensibility, and conformity & insanity, among other themes. This motif of duality plays a strong part in the dynamism that makes up the book, and is not limited to the themes, but is also used to relate many of the characters to the titular Jane. In “The Mystery at Thornfield,” Valerie Beattie makes claims that the character Bertha Mason’s insanity is a representation of rebellion toward the limitations of Victorian women. Not only is

Brontë, Charlotte, Fritz Eichenberg, and Bruce Rogers. Jane Eyre. New York: Random House, 1943. Print.

While at Gateshead, Jane is trapped by her relationship to the Reeds, which is reflected in the environment around her. At the beginning of Jane Eyre, Jane states that “there was no possibility of taking a walk that day” (Brontë 6). This beginning immediately puts Jane in her own bubble and exemplifies that she has no other form of positive interaction in her life. Initially, Jane is “[connected to] the natural environment, but also separate[d from it] with an unnatural boundary” (Fuller 152). Thus, this begins the recurring symbolism of how Victorian women were held back by gender roles in society. During her time at Gateshead, Jane is restrained by her

Charlotte Bronte's Jane Eyre is a novel which incorporates gothic features, in an otherwise realist narrative in order to highlight certain realist issues which Jane is forced to encounter in her 'auto-biographical', bildungsroman of a nineteenth-century woman. This is done by including mystery and supernatural characteristics in her experiences in both The Reed Household's 'red room' and Thornfield Hall. Bronte's writing works in a way which allows for us to explore many of the times contemporary issues which faced the protagonist, Jane and how she begins to break them down and understand them herself, by allowing for us to view these issues through the medium of the books gothic moments. By including these, supernatural and somewhat haunting contributions from the gothic entries we are able to explore Jane's desires and passions in a more subjective manner. Her willingness to seek out the seemingly supernatural in Thornfield Hall's attic indicates to us as readers that Jane does not feel content in conforming to the usual responses found in most gothic genres, fear, but instead caters toward her own curiosity and want for excitement.

Jane Eyre is a novel written by Charlotte Brontë. It is distinctly a female Bildungsroman, as it follows the progress and growth of Jane’s character on her quest for selfhood and independence in a society that tries its best to impress upon her the roles and expectations of women in the Victorian era (which is neatly packaged in the figure of the ‘Angel-in-the-house’.) This is something with which this essay seeks to engage by looking at female figures which feature prominently in Jane’s life, how those who embrace the figure of ‘Angel-in-the-house’ are treated and viewed, versus those who do not. Furthermore, important male figures will also be looked at in order to understand Jane’s own feelings to the ‘Angel-in-the-house’ figure and how she approaches it, as well as how the Byronic hero might relate – if it even does.

Charlotte Bronte’s Jane Eyre is a powerful literary masterpiece filled with remarkable and complex characters. Chief among these is Jane Eyre, the main character herself. Ms. Bronte has written Jane Eyre as though Jane were speaking to the reader, inviting him or her to hear the story of her life’s most important challenges and triumphs. It is through the telling of this story that the reader gets to know Jane, and becomes able to draw parallels from Jane’s experiences to their own. While the forms that challenges and triumphs take in one’s life are always diverse, as they are for Jane in the novel, these twists and turns in life’s path tend to serve the same purpose: to renovate and mold one’s character, as they do Jane’s. Throughout the novel Jane Eyre, Jane’s character transitions through several drastic changes: first from a child overwhelmed by injustice to a young woman capable of suffering patiently- then simultaneously from an emotionally isolated young woman to a relationally vivacious one, and from a reserved and submissive young woman to an assertive one- and finally, from a destitute and dependent young woman to one who is wholly independent and confident.