Episode 4 Of Oedipus Rex

Intensions – the very word itself provokes an interrogative stance. The observation of intentions can be utilized as a lens universally in our lives when viewing those that have engaged in wrong doings. A similar lens must be applied when critiquing written pieces, such as the work Oedipus The King, written by Sophocles. In this work, the tragic protagonist Oedipus is revealed throughout the course of the work to have committed several acts of malpractice – including some too heinous to discuss. However, Oedipus’ intentions consistently remain pure. Oedipus is a wholly noble and fearless character despite of his shameful acts, as shown in his actions of defeating the Sphinx, fleeing from

He maintains his focus on Greek myths not only because of the sheer number of myths around the world, making it impossible to interpret and clarify them all, but also because European men, who would have been familiar with the myths from Greece, write most of the classics we analyze. He explains that these myths are not only a part of them but also “so much a part of the fabric of our consciousness, of our unconscious really, that we scarcely notice” (Foster, 51). Which suggests that, we can recognize Greek myths even if we do not realize it. With this simple fact presented to us, we no longer wonder why allusions to Greek myths have been used since they emerged and are still employed today. Myths are often exercised as “overt subject matter for poems and paintings and operas and novels” but more often “writers have…borrowed from and emulated” these myths (Foster, 52, 53). Instead of explaining every detail about every character, place or moment authors rely on other stories, such as myths, to expand and develop their tale. The writer will subtly hint at myths and hope you recognize their allusions to these old legends. Since we established that, we know these myths, whether consciously or not, we can take these allusions and decipher any hidden meanings the author has for us, giving each story a new level.

However, later on in the story, it takes a different tone, and by the very end the tone is that of panic, disdain and fear.

The pursuit of justice is an endeavor that many find to be challenging and a quest itself, as one will come across various trials and complications that may stop them in their pursuit or may mislead them. As humans, we find moral correctness and righteousness a very appealing state to be in, as justice will act as a platform to satisfy the desire for this correctness. In Sophocles’ Oedipus Rex, we meet our miserable anti-hero, Oedipus, in his pursuit for truth and righting the wrong of the plague that is affecting his people of Thebes. As he makes efforts to solve this problem, he comes to find out that he is the source of the issue, thus exposing the tragic flaw of Oedipus and effectively making this play a very effective Greek tragedy. This pursuit of righteousness ends up being the downfall of Oedipus. In Sophocles’ Greek tragedy Oedipus Rex, Oedipus pursues justice through his realization of his past, his interactions with various characters in the play, and comes to understand more of justice in his situation through his reactions to adversity in this play, in order to portray a questionably successful pursuit of justice.

It is said that the truth will set you free, but in the case of Sophocles’ Oedipus, the truth drives a man to imprison himself in a world of darkness by gouging out his eyes. As he scours the city for truth, Oedipus’ ruin is ironically mentioned and foreshadowed in the narrative. With these and other devices Sophocles illuminates the king’s tragic realization and creates a firm emotional bond with the audience.

Throughout the tragedy by Sophocles, the king Oedipus relies on his personal glory to attain long lasting fame and balks when confronted with anything that might shatter this perception that he is the best. While both characters have done marvelous deeds in the past, their inherent arrogance, which is part of the tragic flaw of each of the characters,

The Greek play, Oedipus the King, shows how easy it is for a man to fall apart, while trying to make things right. Sophocles’ tragedy tells the story of Oedipus, a regular man turned king of Thebes. Throughout the tragedy, Oedipus searches for the cause of the chaos and havoc encompassing his land; however, he discovers that he is the one responsible for the hardships plaguing Thebes. As the tragedy continues, Sophocles’ exposes a dark side to power, fame, and ambition. Further, Sophocles’ exposes the fear that many have of the truth, and exposes the grave danger in hiding from it.

Pride is a vital facet in the multi-sided diamond1 that is human psychology. In Sophocles’(n.d.) Antigone, the famous philosopher demonstrates how the mind can be clouded so effortlessly and bear such tragic repercussions when influenced by pride. In this dismal sequel to Oedipus Rex, also written by Sophocles(n.d.), both sides of the moral battle have plenty of justification for their actions.

In this scene the performance is based on a particular delivery and facial expressions of that of one emoting to channel tension, anger and regret.

The characters in the play Oedipus The King, by Sophocles, respond to suffering in a variety of ways. Characters like Tiresias respond altruistically to protect others from the truth, other characters similar to Oedipus tend to approach these situations with gall and are hasty with allegations, and the remaining characters respond like Jocasta with disbelief and extremity. Ironically, although suffering is painful and destructive, the way the characters dealt with suffering brought each of them to find the true value of clarity and healing that can be found when suffering.

When Teiresias asks in Antigone (line 1051), "What prize outweighs the priceless worth of prudence?" he strikes (as usual) to the heart of the matter in Sophocles' Theban Plays. Sophocles dramatizes the struggle between fate and free will, in one sense, but in another sense the drama might be better understood as the struggle between the will of the goods (which it is prudent to follow, according to Teiresias) and man's will (which is often imprudent). Sophocles' characters are moved by their own wills, of course (either in accordance or in conflict with the will of the gods). Oedipus in Oedipus the King is determined to pursue the truth in spite of the objections of Jocasta, the priest, and his own misgivings. In Oedipus at Colonus, Theseus "cannot rest" (line 1773) until he has served both Antigone and the late Oedipus (implying that conscience is his motivator awareness, in other words, of his duty towards them). In Antigone, Antigone acts in accordance to the will of the gods (but in disobedience to the will of Creon) and does so knowing the punishment that awaits her: "Go I, his prisoner, because I honored those things to which honor truly belongs" (lines 178-9). This paper will show how while fate is a powerful force in The Theban Plays, the characters themselves are still left to exercise their own free will (either with respect or disrespect to will of the gods). Thus, the main drama consists not in the

When Rick is limping down the hall, trying to get to the girl before she is found by the bad guys could be seen as a scene of potential fear. His friend was following behind him with a gun draw, ready to do what was needed to stop Rick and the girl from exposing his deception. You did not know what was going to happen to Rick and her but you felt some form of fear that they could be killed and the bad guy could get away with it.

What does Sophocles suggest? What do you think? Use specific references from the text in your response.

Sophocles’s Oedipus has a greater pride that is constantly setting off his temper. From the very beginning when he accuses Creon, the brother of the queen of Thebes, of plotting against him he lashes out and threatens: "(I’ll) Kill you, not banish you." Soph. O.T. 625. This temper lasts throughout the play even towards the end when he is questioning the unwilling Herdsman and says: "You’re a dead man if I ask you again." Soph. O.T. 1167-1168. In a way both characters have the same temper, however Cocteau only shows it once while it is very prevalent in Oedipus the King.

In line 109 it states "we must learn from suffering" which basically means that all the actions we decide to do have a lesson to be taught for example Agamemnon learned what suffering truly meant after killing his daughter. He suffered mentally and physically when Clytemnestra killed him.