Theme Of Sonnet 73

A distinguished sense of hollowness, and darkness is discernable in George Elliot Clarke’s poem “Blank Sonnet”. This poem expresses, the author’s difficult and awkward communication with a lover through a broken relationship. word choice and imagery is imperative to the overall effect and tone of the poem. The usage of an atypical sonnet stylization, broken sentences, forms of metaphors, symbolism, sensory language, and alliteration form strong imagery, and a sense of disconnect. The overall effect leaves the reader with a resonating feeling of emptiness.

Robert Frost and William Shakespeare have been celebrated by many people because of their ability to express themselves through the written word. Here we are years after their deaths analyzing these fascinating poems about life and death. It’s clear they had similar thoughts about this subject at the time of these writings, even though their characters could not have been more opposite. For both poets, life is too

In "Sonnet 73", the speaker uses a series of metaphors to characterize what he perceives to be the nature of his old age. This poem is not simply a procession of interchangeable metaphors; it is the story of the speaker slowly coming to grips with the finality of his age and his impermanence in time.

In the beginning of the short story, as Brother reflects on Doodle’s life, the author uses personification and foreshadowing to create a mood of remorse. As he gazes out of the window into his backyard, Brother states that “the graveyard flowers were blooming. ...speaking softly the names of our dead” (Hurst 1). The flowers provide flashbacks of the past, and foreshadow a loss of life. The loneliness felt by Brother causes readers to consider how they would feel if their loved one was gone. As Brother observes the seasons, it is noted that “summer was dead but autumn had not yet been born” (Hurst 1). The personifications of the seasons as stages in the cycle of life and death creates an unsure and uncertain mood. The shift between seasons creates an idea of change and uncertainty of events to come. Hurst creates a mood of remorse through

Through isolating that line, it not only emphasises its importance as a statement, with ‘summer’ being a metaphor for his son, and thus showing pure paternal love; but also the importance of the new tone, pride. The word ‘But’, although with negative connotations, is used to positively emphasise the importance of the new phase of acceptance of his son’s death, and the continuation of his paternal love. It is through this line that Shakespeare goes on to explain how his love for his son will never diminish, as it is immortalised, along with his son, in the poem. This is the act of creating an autotelic memorial in that the poem will never fade away, ever when the writer dies. Due to this, Shakespeare is able to show that his concept of love, no matter what form it is in, is so strong and true that it is infinite and can overcome all obstacles, even death itself. To a 16th century reader, the concept of love taking many forms and overcoming even death was unconventional, as it contrasted greatly to the accepted ideal of courtly love, which was limited and weak. To a modern day reader, whose greatest fear is death; being told love overcomes death reassures them of its strength. This promotes Shakespeare’s ideology, especially through contrast in the

You can tell that in the poem the season is fall because of the color of the wood. In the fall the color of the wood turns yellow which indicates that the poem takes place in the fall. The season’s representations of what time frame a person life is in. How spring represents how someone is at that kid stage of their lives and how they are getting ready to bloom into their personalities. Summer shows how people are at the fun stage of their lives. That teenage to adult hood part of life. Winter is that time of life when all the excitement has went away, kind of like the years a person is elderly. Here is a man that has had many outcomes from the decision he had made in life, so he understands how important it is to it is to make a choice and live with whatever comes after making the choices. In lines 11-12 the speakers says “And both that morning equally lay, “In leaves no step had trodden black”. When he says the leaves haven’t been trodden black indicates that the leaves haven’t been crushed from people stepping on them. So this means he was the only that have been on that

Millay and Shakespeare enforce into the audience the negative effects time has on a person after a while in “Sonnet 73,” and “Sonnet II,” through the use of a dreary tone. The speaker in,”Sonnet 73,” states that youth eventually ends up on,”The death-bed whereon it must expire”(11). The use of phrases such as ”death-bed,” to enforce the idea of youth ending add on to the dreary tone as “death-bed” has to do with something dying, which in this case is the youth of a person. The use of words such as “death-bed,” not only add to the dreary tone, but they also further present how terrible it is to leave one’s youth, which is an event that every person must face as time goes on, and age increases. Another example adding to the dreary tone is when the speaker discusses the,”Bare ruined choirs”(4). The use of the words “Bare,” and “Ruined” add on to the dreary tone because something that is “Bare,” means nothing is there, no real life exists in that place. The use of “Bare,” and “Ruined” also engrave the idea of how bad leaving one’s youth is by the speaker comparing that to how he feels as

. . should burn and rave at the close of day”(2). This means that old men should fight when they are dying and their age should not prevent them from resisting death. Another example of personification in the poem is “Their frail deeds might have danced in a green bay”(8). This line personifies the men’s frail deeds by saying that they could have danced. This means that the potential actions of the men could have flourished and contributed greatly to their lives. The metaphor “. . . words had forked no lightning. . .”(5) is about how the men had done nothing significant with their lives. They had not achieved anything great or caused a major change. The simile “Blind eyes could blaze like meteors and be gay” is about how even grave and serious men will fight against death for as long as they can. Another notable example of figurative language within the poem is “. . . blinding sight”(13). This oxymoron details how the men can see very well and it is very obvious to them that they will die soon, but they know that they can control how they will leave this world. There is an abundance of imagery within this poem, a few examples of which are “. . . danced in a green bay”(8), and “. . . caught and sang the sun in flight”(10) . These examples of imagery are both appealing to the sense of sight by using descriptive words such as “Green” and “danced” in the first example and words such as “caught” and “flight” among others. The second example also appeals to the sense of sound by

This idea of memories of the deceased fading with time is touched upon in Shakespeare’s Hamlet as well. Shakespeare explores the dependence of memory not just on the mind, but on a physical presence in the world, and the potential for a person to be forgotten when either of these elements is missing. Beyond a mental or corporeal recollection, Shakespeare shifts to focus on an artistic one in “Sonnet 18” wherein he elucidates that a person’s beauty can be preserved against the decay of time through writing. All three works contend that in spite of mortality, the dead leave physical representations of themselves behind. Nevertheless, these immortalizations do not mean the deceased are impervious to fading from the memory of the living because these depictions can be destroyed, lost, or forgotten as

To start off the analysis, the setting of the entire poem is significant. Though the poem takes place in a house, the atmosphere the house is set in is also important. The month is September which is a month of fall which can be seen as a symbol for decline. It definitely insinuates that the poem is leading towards death. Line 1 has “September rain falls on the house” which gives the feeling of a dark and cold night with a storm on top of that. To further develop that, Bishop gives us the failing light in line 2 to also give us an idea of the grandmother’s struggle. Bishop uses the cyclical theme of changing seasons to show the unending nature of what is transpiring within the

“Because I Could Not Stop for Death” by Emily Dickinson embellishes a battle between among the tranquility of life and the unseen time before death. The author creates the poem to seep deep into our thoughts through imagery, diction and personification. Life tracks along a path and we shouldn’t fear death, but we should also know that it will transpire. She portrays death as a little gloomy but through her imagery and other literary devices she is able to death appeal to the reader. Dickinson describes the cycle of life with death that will end that cycle of life.

Poets and authors alike evoke emotion and pictures from one single word. The imagery and thoughts put into the readers’ heads by these different writers are the base of one’s creativity and imagination while reading the author’s work of art. William Shakespeare is one of the most well-known poets of all time that is able to elicit these emotions from the reader to allow the reader to fully understand what Shakespeare is trying to accomplish with his poems. Shakespeare keeps his audience entertained with a whopping 154 sonnets, each having a different meaning and imagery associated with it. Sonnet 18, “[Shall I Compare Thee to a Summer’s Day]”, and Sonnet 55, “[Not Marble, nor the Gilded Monuments]”, are both one of Shakespeare’s most famous works. Shakespeare uses these sonnets to explore the powerful relationship between humanity, art, and time.

In this sonnet, Shakespeare uses metaphor to create a vivid image in the reader's mind of the passage of time, old age, and death by describing the Fall season, the end of a day, and the burning out of a flame.

In sonnet 95, the speaker depicts a paternal feeling while speaking to the addressee, where indeed the poet reminds his audience about way appearance can be so deceiving. The young man is relying on his good appearance to veil his sexual immorality. Being that he is handsome and attractive, people are reluctant to disapprove his behavior. In the first quadrant, the poet employs different stylistic devices, which include simile, as the young man is likened to a fragrant rose, and on the other hand, he is compared to a destructive worm, but all his dark side of life is hidden under his good looking and charming nature. What is important about this poem is the manner in which the speaker reminds the young man about his bad behavior and draws examples that makes him feel sorry about what he does behind his good-looking nature. By the use of diction, imagery, diction, images, metaphors and other figures of speech, such as tone of voice, allusions, syntax and structure of the speech, the speaker warns the young man against his sexual immorality, and reminds him that there are detrimental risks associated with his behavior if he does not change.

In the late 16th and early 17th century, London was ravaged by the Black Death, causing many people to ruminate on death and their mortality. Shakespeare was arguably affected also, indeed “death as a concept is a reoccurring theme within Shakespeare’s work; prevalent through sonnets, tragedies and medieval morality plays through the character of Death” (Courtney, 1995). Shakespeare’s “Sonnet 12”explores the physicality of death, by describing the physicality and impermanence of the natural world. In the first eight lines this is achieved in a traditional blazon format, perhaps to emphasise the physicality of earthly life. The speaker ruminates on the temporality of life through the image of death and decay and concludes that the only way in which to ensure ‘immortality’ is through procreation and continuation of the family line, so that he may not be forgotten after death.