Theme Of Suffering In Oedipus The King

“Oedipus you must stop. I beg you- stop!... I pray to god you never see who you are!... These are the last words I will ever speak, ever Oedipus.” (Sophocles|| 1344-45, 50,56,57). It was too painful for Jocasta to watch the truth slowly yet quickly unfold right in front of Oedipus, so she ran off. Jocasta was afraid to face her fate, and she was probably also ashamed since Oedipus would soon catch up to the truth… There was no running from fate, or more so the truth

In the story of Oedipus the king at the beginning Jocasta does not have any idea of what her husband it is to her. Later on she finds out that her husband it is her own son whom she throw away because when he is born a bad prophecy is giving to him. She tries to stop him when she realize it and she starts begging him, she tries to stop him. As an example, she says to him, “listen to me, I beg you: do not do this thing!”(Sophocles 1088) Also she says “you are fatally wrong! May you never learn who you are!” (Sophocles 1088), that gives us a clue, at that point she knows Oedipus is her own son and that the prophecy has already begin to happen in his life. The journalist Anders

Even though he is given the truth about his past, he is unwilling to hear it because of his pride. Here, Oedipus is given the chance to stop and turn back this quest, because in the end the murderer he must face in the end is himself. Instead, he begins to have self doubts about himself, which damages his pride, and continues on his journey into his past to restore his hurt pride. His pride forces him not to believe the truth, and so it leads toward his own undoing. Oedipus pride pushes him forward, shedding some light on the grim truths of his dark past. Finally, when faced with his wife Jocasta, she begs him not to continue with this mad quest, knowing that there will be nothing good for them in the end. Jocasta states “For God’s love, let us have no more questioning! Is your life nothing to you? My own pain is enough to bear” (Sophocles 1003-1005), realizing that Oedipus may be the murderer of her husband Laius and that the prophecy that the oracle said many years ago may finally come to light and be true. Oedipus however refuses to listen to her insistent pleas, and so gives up the last chance for him to turn back. Oedipus could have easily stopped here and listened to Jocasta but as Arthur Miller states

In the establishment of the play, Jocasta and Oedipus seem as though they are a traditional royal husband and wife, with ordinary children. They love each other, unaware of the truth. Jocasta illustrates what she did to her son as a consequence of an incestual and sinful prophecy that her son would someday kill Laius and marry her, as told by an oracle. She reveals that she and Laius fastened their son’s ankles and left him on a mountain to die. She declares, “[...] My baby / no more murdered his father than Laius suffered -- / his wildest fear -- death at his own son’s hands” (794-796). While both

Moreover, Sophocles’ insightful word choice is used to further explore the themes of free will and fate. While Jocasta is trying to convince Oedipus to go no further in his quest to learn his lineage, she tells him in her dialog, “You’re doomed --/may you never fathom who you are!”(4-5). Sophocles’ choice of the word “doomed” is again a word implying an inescapable fate. However, since Jocasta knows the prophecy has already been fulfilled the ill-fated future that she foreshadows is Oedipus’ tragic fall. Thus it is of significance that with her next line in the script in response to Oedipus calling to a servant to fetch the shepherd, Jocasta says to Oedipus, “Man of agony--/ that is the only name I have for you,/ that, no other-- ever, ever, ever!”(10-12). This is a turning point for Jocasta, not only has her speech become reduced to short clauses, she has also come to the conclusion that Oedipus has inflicted his physical and mental trauma on himself by his choices. As Jocasta exits the stage to commit suicide after

The plot of Oedipus the King, a Greek Tragedy written by Sophocles, revolves around several prophecies. A plague has stricken Thebes, and Oedipus discovers that the plague will only end when the murder of King Laius has been caught. Additionally, another prophecy states that the son of King Laius and Queen Jocasta would kill his father and sleep with his mother. Oedipus vows to the citizens of Thebes that he will find the murderer, but as the plot develops, Oedipus comes to the realization that he himself was the murderer that he had been seeking. There are several scenes in Oedipus the King that incorporate violence, and these violent scenes are a critical aspect of the play because they contribute to the development of the plot; the use of violence, whether verbal or physical, also enhances our understanding of the characters’ personalities and/or emotions.

But unlike Oedipus, Jocasta handles her situation through hypocrisy and denial. As the play progresses, it becomes obvious that Jocasta is terrified of the idea that her life is influenced by the gods. Instead, she forces herself to believe that “life is governed by the operations of chance. Nothing can be clearly foreseen. The best way to live is by hit or miss, as best you can” (53). Jocasta’s life best resembles a balance, with the evidence to support the prophecies on one side and how much she can ignore on the other. She convinces herself that prophetic power does not exist, yet attempted to avoid the prophecy of Laius’ death by sending their child into the mountains. When Laius died, Jocasta reasoned that it was due to chance, thus proving the prophecy wrong. But the moment the Corinthian messenger revealed where he found Oedipus as a baby, Jocasta’s balance tipped. Not even Jocasta, who could ignore Oedipus’ injuries to his ankle and the meaning of his name, could overlook the proof. In her desperation to retain control of her life, Jocasta begs Oedipus to not interrogate the shepherd, and when he refuses, she takes her own life. Ultimately, Jocasta is revealed as a character who would do anything to avoid the truth. When the prophecies came to fruition, Jocasta realizes that she never had any control over her life. Unlike Oedipus, Jocasta refuses to accept her fate, and in her final act of defiance, an act she deems as her own, she commits

Though some characters took suffering with quiet acceptance, other characters like Jocasta have a more skeptical and extremist response to suffering. In the play, when Jocasta first hears of Tiresias’ prophecy, she questions the legitimacy of oracles: “Racked with anguish, he [Oedipus] won’t admit the latest prophecies are hollow as the old.” Although what the Oracle at Delphi said to Jocasta earlier on in the story about her baby’s prophecy matched up with Oedipus’ story of him killing a man where the roads fork, she refuses to believe the Oracle’s power of prophecy. Furthermore, Jocasta’s extremist viewpoint is shown when she finally does find out that Oedipus is truly her son through the shepard’s confession, and she hangs

In Sophocles' Oedipus the King, the element of fate versus freewill shows up frequently all through the play. It is foreseen to Oedipus' parents, Jocasta and Laius, that their child would grow up to slaughter his father and wed his mother. Jocasta and Laius endeavor to dispose of their child, however, fate triumphs. Oedipus' fate all through the play has been chosen by the fate which adds to his annihilation. Various societies and cultures all through history have embraced similar perspectives, accepting a fate or destiny for their lives. Such points of view are very common is Greek myths who had confidence in "the three Fates" — goddesses who controlled the lives of individuals and the world in general. Clotho the youngest spins the thread of human life. She decides who will be born and when. Lachesis, a matron, measures the thread deciding a person’s lot in life. She is shown with a measuring stick, a scroll, a book, or a globe that represents the horoscope. Atropos, the oldest, choses the mechanism of death and ends the life of each mortal by cutting their thread. She is usually portrayed with a cutting instrument, a scroll, a wax tablet, a sundial, or a pair of scales. Even in modern day, some Christian philosophies incorporate destiny as fate. Many Jews acknowledge that their God has an arrangement for their people and nation.

Oedipus, outraged at the accusation, denounces it as a plot of Creon to gain the throne. Jocasta appears just in time to avoid a battle between the two men. Seers, she assures Oedipus, are not infallible. To prove her point she cites the old prophecy that her son should kill his father and have children by his mother. She prevented its fulfillment, she confesses, by abandoning their infant son in the mountains. As for Laius, he had been killed by robber’s years later at the junction of three roads on the route to Delphi.

“A man who has been through bitter experiences and traveled far enjoys even his sufferings after a time.” (Homer) This quote tells us that, like Odysseus, we will overcome hardships in life. In the end, we will remember the suffering that brought us to where we are. The Odyssey, by Homer, tells us that the challenge in front of us doesn't matter. Although, we can all conquer those challenges by never giving up. Like Odysseus, I will face hardships in life. However, in the end I will feel pleasure thinking about how I overcame those hardships. The Odyssey is a like journey through life. He learned many lessons on his trip, and was ultimately brought to his end goal, of getting home.

Often the past will present answers to questions about the future as well as questions of the now, and in Oedipus Rex, Oedipus’ past plays an integral role in his pursuit of righting the wrongs that are affecting him in the present. In the play, Oedipus must identify who has killed Laius in order to exile them to solve the qualms of his people, and in a dialogue with Jocasta, who happens to be his wife as well as his mother, she reveals to him details of the death of Laius that seem far too familiar for his comfort (Sophocles 27). This revelation of information acts as a catalyst that forces Oedipus to make the connection between his past and what Jocasta is telling him. This realization that he may have been responsible for Laius’ death exposes him to the weight of the pursuit of justice sometimes hold for humans. Through this dialogue, Oedipus comes to fear that he is the culprit of the scandal that is plaguing the situation, thus putting him in the position of a criminal who will face the due punishment for the crime. This internal conflict that Oedipus experiences creates and

Fate is defined as a predetermined event that cannot be changed by mortals. In Sophocles’ Oedipus the King, Oedipus is marked by his fate, and he does not realize it until it is too late. Oedipus learns of his fate when he calls for Teiresias, the blind man who can read and interpret the prophecies. After being provoked by Oedipus, Teiresias angrily reveals that Oedipus is destined to kill his own father and marrying his own mother, while eventually gouging out his eyes. However, Oedipus does not fear his fate; he believes that he is invincible to these prophecies. How does one go about escaping fate? Does one have any control over these predetermined events? Oedipus is a man in pursuit of answers, and the idea of his prophecy coming to fruition does not sit well with him. He does not even fully understand fate and how it is going to affect him until he experiences it. Nevertheless, Oedipus understands that free will does exist and is seen throughout the text implementing his own actions into his everyday life. The idea of fate is flawed, and is used by Oedipus and people of today’s society as a scapegoat for one to hide behind their own poor decisions.

Jocasta is forced out of denial and commits suicide at the same time that Oedipus discovers the truth. She feels so guilty for her despicable actions which could not alter the prophecy’s course and for her incestuous sins that she takes her own life to end the suffering.

We are all born little happy babies. Then we start to learn words and understand what surrounds us. We are taught to react to certain things negatively, and have a bias towards some things that other family members do not agree with. You get taught things that make life miserable, like doubt, fear and worry. If you were to be living life in doubt, worry, or fear, you would be unhappy. I agree with the choruses statement saying that the human condition is essentially an unhappy one because we get taught things that are supposed to sadden us during our upbringing. In Oedipus the King, Oedipus’s fate shows his sorrowful life when he went through hardships like the curse on Thebes, denial of himself, and the worry about the fulfillment of his prophecy.