Theme Of The Awakening

In “The Awakening” by Kate Chopin, the paradoxical nature of Edna’s life is heroic because she

Kate Chopin’s The Awakening depicts Edna Pontellier’s struggle to find and assert herself within the cultural constraints of late 19th century America. Like her name “Pontellier”, which means “one who bridges,” it implies that Edna is in a transition between two worlds but not fully embedded in either. Her intent is to bridge the limited world of the mother-woman to that of selfhood.

Kate Chopin’s book The Awakening published in 1899, provides a snapshot of Creole society through a neutral point of view. The male dominated French-Louisiana society provides a challenge for the main character, Edna Pontellier to adapt to. Through the character of Edna Pontellier, we the audience, see both an emotional and physical awakening. After awakening, Edna tries to combat the societal structures of motherhood which define her as the wife of motherhood and force her identity as the wife of Leoncé and the mother of Raoul and Etienne instead of her own self-defined individual. Chopin’s concentration on two other principal females outlines Edna’s options; either

Edna’s artistic pursuits are very different than Madame Ratignolle’s. Edna’s art represents her quest for individuality (Boren 181). Her form of art does not provide pleasure or enrichment to her household. Instead, it takes her away from her family and her domestic duties (Dyer 87). Edna paints in her “atelier” (Chopin 579). Mr. Pontellier chides Edna for spending too much time in her atelier; he says that she would “be better employed contriving for the comfort of her family” (Chopin (579). Edna makes good progress in her painting; she dreams of “becoming an artist” (Chopin 584). However, her devotion to art is contrasted to that of novel’s true artist.

In Kate Chopin’s The Awakening, two people who have the ultimate influence on Edna are Mademoiselle Reisz, and Robert Lebrun.

The theme of The Awakening is centered on Edna’s journey of individual identification and independence. Chopin condemns gender roles and pleads to the public to look at women as equals and not just commodities to be married off. Women should have all the

     Leonce Pontellier, the husband of Edna Pontellier in Kate Chopin's The Awakening, becomes very perturbed when his wife, in the period of a few months, suddenly drops all of her responsibilities. After she admits that she has "let things go," he angrily asks, "on account of what?" Edna is unable to provide a definite answer, and says, "Oh! I don't know. Let me along; you bother me" (108). The uncertainty she expresses springs out of the ambiguous nature of the transformation she has undergone. It is easy to read Edna's transformation in strictly negative terms‹as a move away from the repressive expectations of her husband and society‹or in strictly positive terms‹as a move toward the love and

In the iconic debated novel “The Awakening”, Kate Chopin’s novel takes place in the Victorian Era, which is in the 19th- century, similarly the novel was published in 1899. Edna is depicted as a woman longing for more, a woman who was looking for more than just a life of complacency and living in the eyes of society. The story uses Edna to exemplify the expectations of women during this era. For example, a woman’s expression of independence was considered immoral. Edna was expected to conform to the expectations of society but the story reveals Edna’s desires which longed for independence in a state of societal dominance. Throughout The Awakening, Chopin’s most significant symbol,

In Kate Chopin’s novel, The Awakening a wife and a mother of two, Edna Pontellier, discovers her desires as a woman to live life to the fullest extent and to find her true self. Eventually, her discovery leads to friction between friends, family, and the dominant values of society. Through Chopin's use of Author’s craft and literary elements, the readers have a clear comprehension as to what the author is conveying.

After returning from vacation, Edna is a changed woman. When her husband and children are gone, she moves out of the house and purses her own ambitions. She starts painting and feeling happier. “There were days when she was very happy without knowing why. She was happy to be alive and breathing when her whole being seemed to be one with the sunlight, the color, the odors, the luxuriant warmth of some perfect Southern day” (Chopin 69). Her sacrifice greatly contributed to her disobedient actions.

Throughout “The Awakening”, Edna is immersed in a constant clash with society over the significance of the difference between her life and her self. To Edna, the question of whether or not she would die for her children is somewhat simple. Edna attempts to explain this concept to her good friend, Adele Ratignolle, but to no avail, “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t give myself” (Chopin 62). Not only does Edna consider her life unessential, she categorizes it as equal with material objects such as money. The idea of self, on the other hand, lies on a completely different level in Edna’s mind. The most important goal to Edna in her life is the journey to discover her true character. The idea that her inner self is more essential than life or even her children causes Edna to stray farther from the social constraints of the typical domestic woman. Kathleen M. Streater weighs in on Edna’s situation and placement in

Chopin tells of this younger woman with an older husband who runs with her intuition in search of her own mind. Another presentation of Romanticism in The Awakening is described during Edna's search for individualism when she says of her that "...no longer was she content to 'feed upon opinion' when her own soul had invited her" (124). Edna Pontellier has a desire to be her own person in her own world when she is placed in a setting that refuses to permit such an action.

In Kate Chopin’s novel, The Awakening, the constant boundaries and restrictions placed on Edna Pontellier by society will lead to her struggle for freedom and her ultimate suicide. Her husband Leonce Pontellier, the current women of society, and the Grand Isle make it evident that Edna is trapped in a patriarchal society. Despite these people, Edna has a need to be free and she is able to escape from the society that she despises. The sea, Robert Lebrun, and Mademoiselle Reisz serve as Edna’s outlets from conformity. “Edna's journey for personal independence involves finding the words to express herself. She commits suicide rather than sacrificing her independent,

Leonce is so caught up in his own ideals that he fails to see the reaction of his wife, and children. He is caught in turmoil between society and typically uses the Kliens hotel as a way out. “Then Mr. Pontellier got up, saying he had half a mind to go over to Kliens hotel and play a game of billiards. (Chopin, 174)” Leonce does not spend time with his family while at the summer cottage, and never cultivated intimacy with his children and wife. Leonce would rather be with the boys, leaving all the everyday responsibilities to his wife, or hired help. While at home Leonce expects his wife to be attentive to his every word, treating him more like a prospective business partner than her husband. Leonce does not accept Edna’s lack of attention, and gets at her the only way he can, through her children. Leonce has a chance to vent his discouragement toward his wife. “He thought it very discouraging that his wife, the sole object of his existence, envinviced so little interest in things which concerned him and valued so little his conversation. (177)” “He reproached his wife with inattentions (178)” It is obvious that Edna’s inattentions were of Leonce and not the children. Leonce wanted to get at his wife from her lack of interest in his time at Kliens. “After he reproaches Edna he goes outside and smokes a cigar like it was the most natural thing in the world to do. (178)” The real event is that Leonce has gotten even with his wife, for her inattention to him. The next

Caring for one child is hard and a fulltime job, now caring for four children is twenty times harder. There was Marcline, Marclette, Ti Nomme, and Lodie who were know in the care of Mamzelle and, day by day, Mamzelle begins to learn what each child enjoys and needs. She figured they were going to be fairly simple by just needing to be fed, bathed, and put to bed. Taking her by surprise, “it made Marcline and Marclette laugh merrily -- the idea that Mamzelle Aurlie should for a moment have believed that Ti Nomme could fall asleep without being told the story of Croque-mitaine or Loup-garou, or both; or that Lodie could fall asleep at all without being rocked and sung to” (Chopin). Chopin begins to make the character realize how much love and affection a child needs and wants. Each day Mamzelle grew more and more accustomed to the routine of having children basing her day around them. After two weeks, Mamzelle grew familiar to them and completely stopped complaining (Chopin). Then, in the story, is the realization that Mamzelle has grown to love and cherish the children’s company, but at the end of the two weeks, they were taken away from her.