Theme Of The Birds By Alfred Hitchcock

Alfred Hitchcock, in his critically acclaimed horror movie “ The Birds “, uses his camera shots metaphorically as a person rather than a weapon, in a way to add suspense, inner themes of the film, and to express the character’s emotions or intensity.

Have you ever had a discussion with someone person and the first thing you hear, that person is a psycho? What the individual is really describing is a person who is believed to be insane or crazy based off of the way the person interacts with others or along. The movie that I chose to watch is American Psycho. This movie is about a materialistic, wealthy Wall Street investment banker who has a double life in which one of the lives he lives is as a serial killer.( Harron, M Director ,2000, April 14). He is addicted to drugs, sex, and conspicuous consumption. He is obsessed with designer clothes, business cards, alcohol, and music such as Whitney Houston, Robert Palmer, Huey Lewis, and many other artists. Most people think they know the answer after watching this movie but director Mary Harron's answer might surprise you there is a long list of evidence supporting the claim that Patrick Bateman has to be imagining everything.

Psycho is a 1960 American film directed by Alfred Hitchock. The screenplay of the movie written by Joseph Stefano was inspired by the novel of the same name by Robert Bloch on the year 1959. This film is categorized into the horror-thriller genre of film. The starring was Anthony Perkins as Norman Bates, Janet Leigh as Marion Crane, Vera Miles as Lila Crane and John Gravin as San Loomis.

Shocking audiences of the 1960’s, Alfred Hitchcock’s ‘Psycho’ is one of the most influential films in motion picture history, often being referenced to as the the origin of thriller films. Hitchcock successfully incorporates cinematography, music, and multiple techniques, rendering the perfect amount of tension and suspense right until the climax of the film. Thus, evoking the thrill after which the genre is named.

Hitchcock’s Psycho is a great representative of horror and thriller genres. The director masterfully creates an atmosphere of suspense and creates tension. Hitchcock blends characteristics of a thriller with horror, making the audience terrified. The director creates situations that can happen to anybody of the viewers, and thus, makes such scenes even more scaring and disturbing. For instance, the scene of the murder in a shower impresses the audience to a

American Psycho is a movie adaptation directed by Marry Harron released in the year 2000 that was based off of the 1991 novel of the same name authored by Bret Easton Ellis. The movie focuses on the main character Patrick Bateman who is an investment banker in New York in the era of the early 1980’s. Patrick is a perfectionist whose life by day seemingly rotates between his picture-perfect job, his superficial relationship with his fiancée Evelyn, and his shallow interaction with his co-workers and peers. By night, Patrick is a textbook Psychopath and a serial killer.

Rear Window and The Birds were both filmed around the 1960’s a time in which the film industry was experiencing a great downfall. Because there were so many movements going on around the world such as, feminist movements, racial movements, post war movements, political movements etc. many films were not successful and there were many different genres that were being used in films. There were also many different independent films that were produced; this had an influence on American film as well. It is surprising how successful Hitchcock was during this time period where film production was looking grim. In order to be successful in America during this period of struggle Hitchcock had to shy away from the usual style and production of film.

He is know for his use of precisely zooming in the camera to show a specific perspective to allow the viewers to be more perceptive of certain details, giving us hints based on the surrounding objects. It helps the audience to figure out what might be coming or which direction the storyline may be going in. For example, the famous shower scene in Psycho, when Norman Bates’ mother is about to murder Marion Crane. When the shower curtain is pulled back and we see the killer, her face is completely darkened and out of focus, but the knife with which the mother kills Crane, is captured perfectly. This camera effect, as well as the close up of Crane’s face when she is about to be killed, allows the spectators to truly be the voyeurs and fully experience the tension the scene is trying to encapsulate. We experience similar shots throughout The Birds, but specifically when Hendren’s character Melanie Daniels approaches the attic, investigating some suspicious sounds. When she opens the door, almost immediately she is swarmed by hundreds of malicious birds attacking her from all angles. Hitchcock meticulously places the camera on Daniels’ face, getting a close up shot of her terror, in order to present a more urgent sense of

In the essay ‘“Oh, I see…’: The Birds and the Culmination of Hitchcock’s Hyper-Romantic Vision,” John McCombe attempts to connect The Birds to literary Romanticism. McCombe begins by citing a text from Robin Wood’s book Hitchcock’s Films Revisited. In the text, Wood discusses how Hitchcock controls the audience through editing and camera movement like a poet controls the reader through verse rhythms. To illustrate his point, Woods discusses how traumatic horror is conveyed in E.M. Forster’s A Passage to India and Hitchcock’s film. Woods conclude that it is better conveyed through visual images in Hitchcock’s film rather than through the text in the novel. Because of this, Hitchcock is considered to be more of a poet than a novelist.

During times of disorder, it is natural to feel a sense of fear and loneliness that requires you to search for control in your life. These emotions send you to the point of having to isolate yourself, as you believe if you do so, you have control over your life. In Alfred Hitchcock’s 1963 psychodrama film “The Birds”, Melanie is a young woman who travels to Bodega Bay to reunite herself with a stranger by the name of Mitch. Melanie uncovers that he had a romantic relationship with Annie, the woman she claims to have come to town for. Annie advises Melanie that her relationship with him did not last due to Lydia, his mother, fearing that he will leave her now that her husband has passed away. As Melanie and Mitch’s relationship begins to develop, birds within the town being to attack them along with everyone else who lives in Bodega Bay. Melanie, Mitch, and the town’s people begin to question why the birds are attacking them. Annie’s body is discovered outside her house as a result from her being killed by birds. By the end of the film, Melanie and Lydia have a close relationship leave the bird infested town with Mitch and his sister Cathy. Alfred Hitchcock uses the these three women to remind us that chaos will always enter our lives no matter what actions we take to keep order, but deep relationships will help overcome the feelings of fear and loneliness.

character. In a way, I believe that American Psycho can almost be seen as a more modern

Norman’s psychotic ways are also revealed through Hitchcock’s use of motifs. His repeated use of birds have an underlying meaning of Norman’s dangerousness. His hobby is avian taxidermy and in numerous shots birds are displayed in the background. A shot of when the mise en scene evokes his eerie connection towards his hobby is in the parlor. The parlor is decorated with his stuffed trophy birds mounted on the walls or on stands - an enormous predatory, nocturnal owl with outstretched wings, and a raven. Both owl and raven are in frame lurking behind Norman and representing his concealed character. Like the owl, he is a predator, in full attack mode on Marian. He also doesn’t wait until the daytime to kill her, he slays her in the shower at night like a nocturnal psychopath. As if with the raven’s knife like beak, Norman murdered Marian, following in the footsteps of killing when it is easiest.

Realism within Alfred Hitchcock’s movie Psycho (1960) is in the form of his camera technique. In this film, Hitchcock used the camera as the diegesis. He manipulates the camera to draw the attention of the audience. When the credits suddenly appear on the screen using editing transiting lines across. He uses a sharp musical score throughout the credits to give the audience the sense of horror and suspense. The symbolism with in the credits is the dark being the dominant color and creates a visual of silent film era movies. At the beginning of the movie the camera pans from the city skyline to the window then a low shot of the bed where Marion Crane (Janet Leigh) and her lover Sam Loomis (John Gavin) are having an affair just like a bird. When Marion returns home from her job. The camera takes on human qualities as it roams around the room looking questionably at the money envelope. Hitchcock uses a close up shot of the money along with suspenseful music to show the audience that Marion Crane (Janet Leigh) is going to steal the money.

Before the Psycho by Alfred Hitchcock made its way into theaters across the world, film was produced in a completely different way. Some of the elements that were in Psycho were things that nobody saw in movies before. According to Entertainment Weekly’s Owen Gleiberman, when the movie came out, it took place in “an atmosphere of dark and stifling ‘50s conformity” and that the elements of the film “tore through the repressive ‘50s blandness just a potently as Elvis had.” (Hudson). Alfred Hitchcock changed the way that cinema was made by breaking away from the old, “safe” way of creating a movie and decided to throw all of the unwritten rules of film making out the window. The main ways he accomplished this task was by adding graphic violence, sexuality, and different ways to view the film differently than any other movie before its time.

A little girl and a young boy play in a field, as the sky gets darker. The clouds are not covering up the sun, but instead there are hundreds of large birds. The birds start to fill up the sky, it is just full of the animals all shape, size and size. The children start to bolt to safety, but they are too late. The birds dive bomb the children like rain, tearing at their fragile skin. This is the picture that Daphne du Maurie painted in your mind and Alfred Hitchcock put on your screen. Daphne du Maurier's short story “The Birds” was written in 1952, which lead to the idea of the movie The Birds in 1963 by Alfred Hitchcock.