Theme Of The Circus Animals Desertion

The Night Circus written by Erin Morgenstern depicts the tale of two lovers bound by a challenge that forces them to compete against each other. It is a romantic tale, from which the reader can develop a strong sense of emotion with the two lovers. Morgenstern uses the character Bailey to demonstrate the ideas of, love, passion vs obsession and magic in this novel. She engages the reader with an exciting story line and uses a lot of symbolism.

The similarities between the poems lie in their abilities to utilize imagery as a means to enhance the concept of the fleeting nature that life ultimately has and to also help further elaborate the speaker’s opinion towards their own situation. In Keats’ poem, dark and imaginative images are used to help match with the speaker’s belief that both love and death arise from fate itself. Here, Keats describes the beauty and mystery of love with images of “shadows” and “huge cloudy symbols of a high romance” to illustrate his belief that love comes from fate, and that he is sad to miss out on such an opportunity when it comes time for his own death.

The timeless essence and the ambivalence in Yeats’ poems urge the reader’s response to relevant themes in society today. This enduring power of Yeats’ poetry, influenced by the Mystic and pagan influences is embedded within the textual integrity drawn from poetic techniques and structure when discussing relevant contextual concerns.

William Butler Yeats is one of the most esteemed poets in 20th century literature and is well known for his Irish poetry. While Yeats was born in Ireland, he spent most of his adolescent years in London with his family. It wasn’t until he was a teenager that he later moved back to Ireland. He attended the Metropolitan School of Art in Dublin and joined the Theosophical Society soon after moving back. He was surrounded by Irish influences most of his life, but it was his commitment to those influences and his heritage that truly affected his poetry. William Butler Yeats’s poetry exemplifies how an author’s Irish identity can help create and influence his work.

yeats seems forlorn in the ending because the leaving of the swans symbolize another year lost for him. he describes the swans as always coming back but he knows that one day he own't ciontinue to exsist. Their diction remains the same, yet their tones differ in the course of their last

Conflict is the basis of all human interaction and hence is an integral part of human life. Through ambiguous yet comprehensive treatment of conflict W. B. Yeats has ensured that his works stand the test of time and hence have remained ‘classics’ today. Through my critical study I have recognised that Yeats’ poems Easter 1916 and The Second Coming are no exception. Yeats’ poetic form, language and use of poetic techniques; such as juxtaposition, allusion, and extended metaphors, alert audiences to both the inner and physical conflict that are the foundations of both poems. It is through this treatment of conflict that supplies audiences with the ability to individualise the reading and hence engage a broad range of

Through the use of vigorous, ritualistic imagery and war-like diction, Yeats accentuates the inauspicious course of events the world has faced. Yeats, in the first stanza, uses violent and warlike imagery and diction to illustrates that the world is on the threshold of an apocalyptic revelation. Yeats describes that the world is going to “fall apart,” and that “mere anarchy is [loosened] upon the world,” and ‘everywhere...innocence is drowned.” The use of violent diction in the first stanza contributes to the concept that world is going to end, and that humanity cannot recover from the destruction the world has caused, but Yeats uses ritualistic imagery to describe “a rough beast” with “a shape [of a] lion body and head of a man” to show that this “New Age” will bring some hope. William Yeats uses this violent and ritualistic imagery and diction to illustrate that in order to bring a new era, the old epoch must die violently, which is his concept of “the second coming.” Yeats believes that a violent revolution will bring hope to a new era. Similarly, how the Russian Revolution was destructive and brought an end to an era and started a new age which bought Russia to new heights, Yeats believes that a violent end of the world can bring the new world to new

Yeats’ interest in rhythm was deeply tied to the notion of the sound of the earth and nature, and our relationship with the elements. He also had a profound interest and belief in faery, and the ways in which one could transcend material reality in order to reach that world which ran alongside the natural world. Yet Yeats, who was born in 1865 and died in 1939, lived through an era of immense scientific discovery and change. He lived in a world where, by and large, to believe in faery was to be irrational, and the industrial hum of engines prevailed over the quieter sounds of nature. In his earlier poetry, he conveys a certain reverence towards the ancient rhythms of language and nature, flying in the face of the frenetically busy London life he experienced as a young man. The bewitching beauty of the landscape of Sligo, steeped in folklore, were the true rhythms which brought on the ‘state of perhaps real trance’, allowing him to

John Keats’ poem, When I have fears that I may cease to be, is a well-known work that embodies many Romantic principles. The poem, explored in the context of Keats’ suffering from consumption, laments human impermanence while simultaneously exploring philosophical notions. Keats implements the use of the Shakespearean sonnet with each quatrain, beginning with the ambiguous, but time-bound word ‘when,’ manifesting these ideas in unique ways. When I have fears that I may cease to be uses the structure of the sonnet to delineate between the realms of reality and fantasy, while contributing to the overarching concept of eternity and ultimately reaches the conclusion that even lofty ideas that appear eternal ultimately erode.

As years pass further away from childish thoughts, adults are allowed to reflect on their youth, while the youth dutifully study the already matured. This is exemplified in the writings of E. B. White and W. B. Yeats, and the insight gained upon reading them. In Yeats’s essay, “Reveries over Childhood and Youth”, he recounts of how his grandfather was a feared man deserving of admiration. “Once More to the Lake” is a recollection of White’s experience and emotions pertaining to his childhood summers spent at the lake. In both these essays, Yeats and White show that with age comes wisdom and respect, but it does not inherently entail contentment or satisfaction.

Yeats was a confessional poet - that is to say, that he wrote his poetry directly from his own experiences. He was an idealist, with a purpose. This was to create Art for his own people - the Irish. But in so doing, he experienced considerable frustration and disillusionment. The tension between this ideal, and the reality is the basis of much of his writing. One central theme of his earlier poetry is the contrast

The life of a circus animal is hard and demanding. It is not an acceptable way of life for an animal. Circuses would quickly lose their appeal if the public were more aware of their mistreatments of these animals. Many circuses do not have much money and as a result the animals suffer from inadequate care. These animals spend most of their time in small cages used for transportation. The Animal Welfare Act provides cage requirements, but many circuses fail to follow this law. Even the Ringling Brothers Barnum and Bailey circus was cited for 65 violations over a two-year period according to Florence Lambert. When traveling, animals spend hours, even days between sites in confinement..

Animals have been a main focus in circus performances around the world for many centuries; however, in recent history, there have been far more regulations put on the use of these creatures, stemming mainly from how they are treated by both their trainers and the circus as a whole. Whether it be on the federal or local and state-level, there has been a definite increase in the questionable legality of America’s circus industry due to the neglect and abuse of the participating animals, courts’ decisions highlighting the true importance of the issue. These rulings make one ask the question: What types of regulations could be put in place in all circuses to ensure that the animals involved are not abused in the process? In the end, many

The twenty-four old romantic poet John Keats, “Ode on a Grecian Urn” written in the spring of 1819 was one of his last of six odes. That he ever wrote for he died of tuberculosis a year later. Although, his time as a poet was short he was an essential part of The Romantic period (1789-1832). His groundbreaking poetry created a paradigm shift in the way poetry was composed and comprehended. Indeed, the Romantic period provided a shift from reason to belief in the senses and intuition. “Keats’s poem is able to address some of the most common assumptions and valorizations in the study of Romantic poetry, such as the opposition between “organic culture” and the alienation of modernity”. (O’Rourke, 53) The irony of Keats’s Urn is he likens

In the context of John Keats’ “Ode to a Nightingale,” “The Wild Swans at Coole” by William Butler Yeats raises compelling dialogue with Keats’ piece, which suggests that Yeats, to some degree, draws inspiration from John Keats, in that his pose concerning the nightingale becomes a basis and “touchstone” for “The Wild Swans at Coole.” Aside from commonalities concerning avians, both poems share elements of Romanticism, melancholy, feelings of weariness, and other key ideas, images, and plots as “Ode to a Nightingale” and thus, “The Wild Swans at Coole” strengthens Keats’ initial ideas in a harmonic and resonant fashion using its own unique methods. As a response to Keatsian Romanticism, Yeats revises the ideas surrounding transcendence of