Theme Of The Fifty-First Dragon

That’s when Danzi and Ping flew away. Ping finds out that Master Lan blames the deaths of the 11 dragons on her and says she’s an evil sorceress. This then leads to the next lot of critical events with Diao the dragon hunter and many other people who want the dragon and his stone. Finally, the resolution decides to show up. They reach the Ocean and Danzi says he’s going to travel alone with Hua to the river of renewal. Ping is stuck with the new baby dragon which just hatched from the dragon stone. The climax in this story would have to be when they reach the Ocean and Danzi says he’s taking Hua but not Ping over to the river of renewal. The main character is Ping. The character is realistic. Ping sounds exactly like a normal slave until they start talking about her being a Dragon Keeper and looking after the dragons. The way she changes during the novel is extraordinary. At first, she is a shy girl, who knows practically nothing and doesn’t believe in herself

A medieval romance is a kind of writing that has a mysterious, supernatural setting, idealizes chivalry and courtly love, and may involve masking a character's real identity. Usually the hero of a medieval romance is a knight who takes an unusual challenge and whose triumph brings glory to the king and the nation. This paper will be an analytical essay, I will examine the writing “Sir Gawain and the Green knight” and show how it fits into the medieval romance genre.

In the books The Big Sleep and Sir Gawain and the Green Knight, both authors, Raymond Chandler (The Big Sleep) and Simon Armitage (Sir Gawain and the Green Knight), create the protagonist of each story into archetypal knights. The protagonist of The Big Sleep is named Phillip Marlowe and in Sir Gawain and the Green Knight the protagonist is named Sir Gawain. The 3 knightly qualities that we will be focusing on in this essay are self-sacrifice, loyalty and courage. These qualities are displayed throughout each story in different and similar ways throughout each book.

The story begins with the description of a deep night and two men bent by their lonely fire. These men are speaking about a strange, mysterious creature, which seems to ruin everything on its way. They are talking about a dreadful dragon, which is described with much detail: “This dragon, they say his eyes are fire. His breath a white gas; you can see him bum across the dark lands”, “Passing, the black brunt of its shoulder smashed the remaining horse and rider a hundred feet against the side of a boulder, wailing, wailing, the dragon shrieking, the fire all about, around, under it, a pink, yellow, orange sun-fire with

Several fictional works set in Arthurian times contain numerous similar elements, whether that be in the structure of its plot or encounters with mythical beings; however, one particular element of these tales stands out among the rest, that being the knights in the stories. Both chivalrous and virtuous, knights are the very embodiment of Arthurian mythology, and are a staple in many Arthurian legends. Their courageous acts of selflessness and loyalty to their lords only add to their reputation, inspiring many authors throughout the ages to capture their likeness in various texts; however, only one author has been able to truly capture what it means to be a knight, that author being the “Gawain Poet.” Also known as the “Pearl Poet,” the “Gawain Poet” is most known for his chivalric romance Sir Gawain and the Green Knight. The story revolves around a central conflict in which the protagonist, Sir Gawain, must fulfill an agreement with a mysterious knight. Gawain’s “debt” must be repaid exactly one year after their agreement, and if Gawain should fail to do so, his honor and reputation would be tarnished. It is through his struggles that Gawain not only grows as a character, but also shows what it means to truly be a knight. Sir Gawain is the epitome of a knight because he is not only chivalrous and virtuous, but also stays true to his word in the face of danger.

Medieval romances are dramatic theatrical narratives that usually include heroes, adventures, and of course the excitement of love. These stories have been around since the 12th century, first appearing in France and then later seen in England. They were some of the most popular texts of the era. Sir Gawain and the Green Knight is one of these stories introduced in the 13th century. In fact, it’s so old that nobody knows who even wrote the poem. Sir Gawain and the Green Knight is an exciting tale where Sir Gawain is tested as a knight by facing challenges and adventures. Sir Gawain and the Green Knight shows us the all the main traits and characteristics of a medieval romance, such as supernatural elements, mistaken identity, larger than life characters, and lastly a hero facing and passing tests of loyalty.

The tale of “Sir Gawain and the Green Knight” focuses primarily on beliefs of honor, bravery, and chivalry. The main character, Sir Gawain, embodies these qualities. His character is meant to be a model of chivalry. He emanates honor when he offers to fight the Green Knight for King Arthur. Medieval people would admire this courageous act. In his struggles to keep his promise Gawain demonstrates chivalry and loyalty until his honor is assessed, in the end, by the Green Knight’s schemes. This tale also includes a larger-than-life character who commands respect, the Green Knight. This superhuman being defies all laws of nature when his head is chopped off, yet he still remains alive and alert. These characters and their extraordinary actions provide perspective for the values and interests of medieval people.

“The Knights Tale” is the first tale in Geoffrey Chaucers “The Canterbury Tales”. The story introduces various typical aspects of the knighthood such as chivalry, ethical dilemmas, and courtly love. Knights all have this characteristic which they call the code that they portray through out the tale. In Geoffrey Chaucers “The Knights Tale” is an effort on the knight’s part to preserve a virtuous code.

Throughout one’s life, a person will go through numerous changes, both physically and mentally. These continuous changes in life are a few of the steps to maturing, which also helps build a person’s identity. In the romantic poem Sir Gawain and the Green Knight, by Pearl Poet, the hero, Sir Gawain goes through a passage which develops his perspective on adulthood leading to his maturity. Gawain’s knight errant mentality is what drives him to mature during the adventures he takes on. While on his journey to adulthood, he passes three major tests. First, he shows courage and initiative when he volunteers to take the place of Arthur and accepts the challenge the Green Knight had demanded. Second, he shows discipline, self-control and honor

An archetypal analysis of Gawain’s quest reveals some significant changes that occur in the hero’s character. We will analyze the progress of the hero, Gawain, as he ventures out to complete his quest. By analyzing the works of Sir Gawain and the Green Knight along with The Hero With A Thousand Faces, and how it completes the Hero’s Journey.

What I noticed at first while reading the story is that, the story is focused mainly only on Gawain’s point of view. Another thing that comes out of the story is that there is some sort of conflict between a civilized world and a natural world. The civilized world is the one ruled by codes of love. On the other side, the natural world is a more chaotic one, where the “animal instinct” dominates. The major conflict that we see, besides the one between Gawain and The Green Knight, is the one that Gawain has with itself, which is the struggle to decide whether his virtues are more important than his life. We also see, another huge theme treated in the story, which is the one that talks about “reputation”; reputation has a big impact in Gawain

The story displays a type of chivalry by Gawain through respect. Knights respect women, their peers, as

Gawain, a knight of the famed King Arthur, is depicted as the most noble of knights in the poem Sir Gawain and the Green Knight. Nonetheless, he is not without fault or punishment, and is certainly susceptible to conflict. Gawain, bound to chivalry, is torn between his knightly edicts, his courtly obligations, and his mortal thoughts of self-preservation. This conflict is most evident in his failure of the tests presented to him. With devious tests of temptation and courage, Morgan le Fay is able to create a mockery of Gawain’s courtly and knightly ideals. Through the knight Gawain, the poem is able to reveal that even knights are human too with less than romantic traits.

In Arthurian romances, the knight Gawain fulfills a central role as a member of the legendary Round Table. Alone or accompanied by other chivalrous knights, Gawain traverses the land of Logres, searching for adventures and achieving great feats of heroism. To those he encounters on his quests, Gawain often represents the epitome of chivalry and knightly valor. However, Gawain’s actual characterization is not constant in every tale where he is present. In Sir Gawain and the Green Knight, Chretien de Troye’s Perceval, and Sir Thomas Malory’s Le Morte D’Arthur, Gawain’s character vacillates from being the paragon of chivalry to the antithesis of heroism, and these characterizations serve as a foil to the figures of

The famous literary work of “Sir Gawain and the Green Knight” is a classic example of Medieval Romance because it includes quests and tests, supernatural elements, and is set within a vast, fairytale-like landscape.