Theme Of The Legend Of Sleepy Hollow

Washington Irving is known as being one of the most famous American authors in history. He has created fresh and exciting stories such as “The Legend of Sleepy Hollow,” “The Devil and Tom Walker,” and “Rip Van Winkle” that continue to captivate those who read them even today. In these three stories, Irving takes a stance on what the early Americas were like as he creates settings full of both mystery and wonder. His settings are symbols of both America’s mystery and potential, and he uses personification and motifs to convey this message.

“The Legend of Sleepy Hollow” is short story of speculative fiction written by Washington Irving, published in 1820. It follows the journey of Ichabod Crane and Brom Bones in their attempt to win over Katrina Van Tassel. Many adaptions have been made of Irving’s original story with one of the most known being “Sleepy Hollow” a 1999 American horror film directed by Tim Burton. The movie follows a different but similar plot to the original story with the murders of the headless horseman being the main focus of the movie. In both versions it can be clearly seen how the setting has a huge impact on all aspects of the book and film particularly the themes, values and characterisation.

The townspeople looked upon Ichabod as a foreigner and responded with opposition to his notions. For example, almost immediately upon his arrival, he took a dead corpse and performed an autopsy, something that was unheard of during this time period. He remained dedicated to his work, but had a hostile, almost mysterious way about him.

One dark and lonely night, after a dance at the Van Tassel estate, Ichabod attempted to travel home. On his old horse, Gunpowder, he slowly made his way through the dark woods that crossed his path. Unfortunately, appearing from the dark shadows came a headless figure, which frightened Ichabod. In an attempt to escape, he ran to the covered bridge where the horseman was supposed to disappear into a burst of fire. Unfortunately, the figure flung its pumpkin head at Ichabod, knocking him off his horse and knocking him unconscious state that the next day, all that remained was a smashed pumpkin. Ichabod had disappeared. The story leaves you guessing what really happened. Did Ichabod run away, or did the Haunted Horseman kill him? Or was it Brom Bones, who married Katrina shortly after his opponent?s disappearance, and laughed every time there was mention of the pumpkin.

Unlike “The Tell-Tale Heart”, ‘The Legend of Sleepy Hollow’ plot is built around the main theme of superstition. Ichabod tends to be horrified and terrified with the Headless horseman stories. ‘Irving depicts a strong, controversial understanding between the supernatural superstitions the townspeople believed and the natural Sleepy Hollow setting ‘(Hoffman, 425). Despite the story describing in details the natural setting such as trees and birds of the area, there is also a vibrant understanding of privileging supernatural ideas. For instance, Irving believes that it is simply Brom Bones in disguise when finally, the headless horseman appeared.

In the film an atmosphere of suspense is created using various film techniques such as lighting, music and through the plot itself. The film also takes on a Gothic tone using different characteristics and techniques such as the settings, symbolism, emotions such as fear and the different atmospheres in the film. The director explores the theme of good vs evil through different elements and characters in the film generally following normal good vs evil stereotypes with some exceptions.

Susan M. Bernardo, a critic of the film, describes the changes done as “the exploration of superstition, the supernatural, and the symbolic (linked with feminine) in opposition to reason, science and the written word (linked with masculine); but also toward the unraveling of patriarchal property and female revenge” (39). The gender roles appear to be switched in the plot, according to Bernardo, when comparing the roles in the film and in the story because it is the women who are strong and fearless in the film. The men appear tense because they worry of being decapitated by the Headless Horseman in the film. All the female characters are stronger and fearless of death. Katrina particularly holds power over Ichabod because he has begun to like her beauty and smiles at the thought of being with her. The reason for his desire to court Katrina is because of her eventual inheritance and marrying her is the only way to attain it. However, Irving’s story fails to develop several of the male characters as important factors in the plot. The story does not provide any

Irving, a Romantic author, wrote many stories besides “The Legend of Sleepy Hollow.” These tales include “Rip Van Winkle” and “The Devil and Tom Walker.” Like these stories, “The Legend of Sleepy Hollow” takes place in early post-colonial America. This aspect greatly influences the historical and cultural backgrounds for the story. The historical backgrounds of this tale comes from post-Revolutionary war America. Because of this, “The Legend of Sleepy Hollow” reflects this new American society described in the physical setting of the story. The cultural background of the story is explained through the background actions of the characters. For example, Ichabod Crane stays with the parents of his students, and Ichabod Crane and Brom Bones fight for the hand of Katrina Van Tassel. These are just two examples of American culture shown in the story.

To begin with, Washington Irving uses imagery to clearly illustrate the story’s development, immersing the reader into what is happening and causing them to feel suspense as they walk through various events together with Ichabod. For example, as Ichabod returns home from the party, Irving portrays his horrifying surroundings, describing Ichabod as a solitary figure in the “dead hush of

Washington Irving’s, the author of the story “The Legend of Sleepy Hollow”, uses imagery throughout the story to interpret the setting and mood of the story. At the beginning of the story, Erving uses suspenseful imagery to describe the location of the valley that he lives in as one of the quietest places on earth . He ackno in the story “Not far from this village, perhaps about two miles down the road, there is a little valley or lap of land among the hills, which is one of the quietest places in the world.” The main character Ichabod Crane is a school teacher, Erving the author uses imagery in such a way to give the readers the full effect of what his classroom looks like. “His schoolhouse was a low building of one large room, rudely constructed of logs; the windows partly glazed, and partly patched with leaves of old copybooks,” he says this in such a way that the reader can imagine the school room as if they were there and it adds suspense to the rest of the story. Washington Irving set the mood of thrilling suspense and the spooky setting of a quiet town by using imagery throughout his story of “The Legend of Sleepy Hollow”.

At first glance, "The Legend of Sleepy Hollow" by Washington Irving seems to be an innocent tale about a superstitious New England town threatened by a strange new comer, Icabod Crane. However, this descriptive narrative is more than just a simple tale because it addresses several gender issues that deserve attention. The pervasiveness of female influence in Sleepy Hollow and the conflict between male and female storytelling in this Dutch community are two pertinent gender issues that complicate Irving's work and ultimately enable the women of Sleepy Hollow to control the men and maintain order.

In Washington Irving’s short story “The Legend of Sleepy Hollow,” the conflict between Enlightenment and Romantic ideals is narrativized. Irving’s story is an exploration of the conflict between these two schools of thought. Irving uses his setting, his characters, and his “moral” (or lack thereof) to critique the Enlightenment. At first reading, “Sleepy Hollow” may seem no more than a dreamy folk tale. But when read in the context of the emerging resistance to Enlightenment thinking, it reveals itself to be a striking denunciation of the ideals of the Enlightenment.

In preparation for the party at the Van Tassel mansion, Ichabod takes extra time to get ready, wears his best clothes, and even borrows a horse in order to attempt a noble and valiant façade. But, Ichabod’s foolish and strange appearance can never be disguised. Not only was the broken-down horse a pathetic sight to be seen, but Ichabod’s clumsily large stature overtook it in the most ridiculous of ways. “He rode with short stirrups, which brought his knees nearly up to the pommel of the saddle; his sharp elbows stuck out like grasshoppers’…and, as his horse jogged on, the motion of his arms was not unlike the flapping of a pair of wings” (Irving 5). There is nothing glorious or particularly attractive about Ichabod’s physical presence, which is the initial indication of his incompetence to fulfill the role of hero. His physical appearance exudes weakness and vulnerability, and it should not come as a surprise that his personality matches his anti-heroic appearance.

Ichabod’s personality does not quite relate precisely from the book to the movie. He is a self-assured smart man in the story that always knows what he is doing. Unlike his written character, Burton’s Ichabod faints frequently and never seems to know what he is doing. Ichabod Crane is two different people in The Legend of Sleepy Hollow and Sleepy Hollow.

The Legend of Sleepy Hollow, written by Washington Irving, fits nicely into the Romanticism period due to its eloquent descriptions and detail to the nature around the village, the attention and focus on the main character and the addition of ghost stories and superstitions. These pieces come together to build a story of conflict and adventure. To further describe how all of the pieces fit together, we must first begin with the author. Washington Irving, born in 1783, was a well-traveled and well-educated young man. He dabbled in the areas of law, family business and even a diplomat for Spain but found the most success in his writing. Irving was considered the first author to write American Short Stories (Irving Biography). The two he is most well-known for is Rip Van Winkle and The Legend of Sleepy Hollow. The Legend of Sleepy Hollow was written in 1819, contains elements from light romanticism and humor (Dincer 219). The piece is about a young man by the name of Ichabod Crane whom tries to win the heart of a young lady by the name of Katrina Van Tassel. This story takes place in a small rural