Theme Of The Red Convertible In The Things They Carried

He had touched these items day by day, wondering who had been beside her while she had retrieved the pebble from the beach, or who placed the shadow in the photo of her. His mind would race day and night, making it difficult for him to provide adequate attention on the war. Cross “would yell at his men to spread out the column, to keep their eyes open, but then he would slip away into daydreams, just pretending, walking barefoot along the Jersey shore; with Martha, carrying nothing” (396). Cross would hope for nothing more than to be carrying nothing. These physical objects weighed him down terribly after the death of Ted Lavender. He had loved Martha much more than his men, and due to his overpowering love he had lost one of them. The pebble was not only a symbol of importance to Cross as he dealt with the trauma of war, but as the physical weight he carried due to the death of his man. These physical symbols helped to identify a shift in the story when Cross decides to open up and make a change to the way he is coping with the war after Lavender’s death. This “wouldn’t help Lavender, he knew that, but from this point on he would comport himself as an officer” (403).

The car was in good shape before Henry went off and joined the Marines but Lyman wanted it in perfect condition for when his brother arrived at home. The red convertible to Lyman is everything that he wants his relationship with his brother to be once he returns. Lyman wants everything to go back to the way things were like the summer before Henry left. When Henry finally does arrive at home, however, Lyman describes him as being "very different" and "jumpy and mean"(367). Henry no longer seems to have any interest in the car or in Lyman any longer. In desperation, to retrieve his old brother, Lyman goes out one night when Henry had gone out and "did a number" on the red convertible(367). This desperate act of Lyman is in order to try to bring the brothers together. Lyman feels that since they were connected through the red convertible in the past that it would bring them together now. When Henry sees the car messed up he becomes upset and instead of bringing the brothers together Henry becomes fanatically obsessed with fixing the red convertible. This event in the story shows how the war has changed their relationship from close knit to distant. However, once Henry gets the car fixed up he asks Lyman to go for a drive once again showing how the car and their relationship are hand in hand. The red convertible continues to bring the brothers together even in the worst of times.

Lieutenant Cross was in love with a girl back home named Martha. He carried around letters that she wrote to him and pictures that she gave him. His obsession of Martha took his focus away from the war. “He had loved Martha more than his

Martha also weighs upon Lt. Cross' actions (or lack thereof). Early in the story, the reader can see how Martha is a distraction during troop movements. Tasting the letter from Martha does not directly distract Lt. Cross from his duties, but it does lead the reader to believe that she is too often the focus of his

In life, everyone has obligations. People have responsibilities they have to tend to everyday, but sometimes there are passions of love or revenge that makes one stop thinking of what their true responsibilities are. For soldiers fighting in war, their responsibility is to take care of their men and make sure no one gets hurt. They fight for their country and protect the men who have become their family. Lieutenant Jimmy Cross went against his honor to protect his men. He let his responsibly go, which caused one of the men in his group to die. Lieutenant Jimmy Cross confronts the demands of the love for Martha, which conflicts with his responsibility in the war, which affects him and the story.

The Image of Lieutenant Cross burning Martha’s photograph is a symbol, it is a symbol of the soldiers coming into war. Cross-represents soldiers and the photograph of Martha represent their attachment to the world outside of the war. O’Brien’s use of Imagery and symbols, paints a vivid picture of the Cross’s actions in the readers head while using Cross and his action as a symbol of what soldiers must give up coming into the war. The Imagery engages the reader with its descriptive properties and draws the readers to character by allowing them to better visualize the character in the setting. The symbol, allows the reader to better understand the hardships the soldiers must face in coming to war. Another effective way that O’Brien develops this theme in the novel is through the use of anecdotes and more symbolism. For example In the chapter titled “Speaking of Courage”, As Norman Bowker returns home from the war, he is still affected by one particular issue, the fact that he didn’t get the medal of

Emotional connections between two people can be fortified with an object in which both people can care for and share with one another. In the story “The Red Convertible” by Louise Erdrich, Lyman and Henry have a special bond. This bond is emphasized in the red convertible because it symbolizes the connection that both brothers have with one another. After Henry goes off to war Lyman takes care of the car. Lyman cares for the car as if he were trying to preserve the bond that he and Henry had. Furthermore, Lyman knows to some extent that the bond between his brother and him is fragile because Henry has been gone away to war. The color of the car which is red has a double meaning which includes emotions such as the love that exists between the brothers, but also disaster like war. The war separated them both emotionally and physically, but despite this, at the end, they were able to relive the old days when their bond was at its strongest.

This quote expresses a hyperbole when Cross believes he loves nothing more than Martha, but then realizes he cares more about his troop's health.

In the story Lieutenant Cross makes both of the changes after the death of Lavender. He changes his values by acknowledging that Martha was not in love with him and now he would not be in love with her and he also burnt the pictures and letters so he was not looking at them anymore. The guilt that they all felt altered how they acted. Some of the men made jokes about tense situations that were not funny because joking made them feel better. The situation grew lighter by laughter, even though the men knew nothing was funny about their situation, and this knowledge made them feel guilty about their insensitive acts because it violated their values. The way the men dealt with their guilt was by passing the blame or trying not to think about how wrong it was, even though they knew. These kinds of strange reactions to normally tense or tragic situations are a way to ease the fear of death.

In Karen’s ‘The Red Convertible,’ the story is narrated by Lyman Lamartine who is the younger brother of Henry Junior who had just got back from Vietnam after the war was over. The whole story is narrated in a flashback unlike Tim’s ‘The Things They Carried’ where the story moves back and forth in time. For example when the author describes the things that the soldiers carried in the very beginning of the story, he mentions Ted Lavender carrying six or seven ounces of premium dope until he was shot. Karen emphasizes more on the relationship between brothers and compares the state of mind in which they were before and after the war. The younger brother Lyman hadn’t changed much where as the elder brother Henry was completely a different person after he got back from Vietnam.

Love is a powerful force, and Lieutenant Cross sometimes gets lost in his musings while thinking of Martha. O’Brien writes: “His mind wandered. He had difficulty keeping his attention on the war. On occasion he would yell at his men to spread out the column, to keep their eyes open, but then he would slip away into daydreams, just pretending, walking barefoot along the Jersey shore, with Martha, carrying nothing.” Like any sane person in his situation, Lieutenant Cross wants to escape – to anywhere else but the war. The war brings terrible experiences – fear, death, hunger, and pain beyond imagination. The only way that Lieutenant Cross can endure these things is by escaping to an imaginary life with Martha. Although to her, he is little more than a friend, to Lieutenant Cross, Martha represents innocence, perfection, and a world free from war.

Through the exchange of letters between Lt. Jimmy Cross and the center of his infatuation Martha in “The Things They Carried”, he allowed himself to become more obsessed with the thought of her. The letters simply state the events Martha encounter in her daily life, lines

Jimmy's transformation begins when he decides to burn the pictures and letters of his girlfriend, Martha. To be a leader in war was meaningless to Jimmy Cross compared to the love he had for Martha. Cross' subsequent burning of Martha's letters suggests that he's determined to put such romantic ideas behind him. He repeatedly convinces himself that there will be no more fantasies about Martha. The burning of Martha’s things is symbolically used by O’Brien to signify a turning point in Cross’ development. Cross realizes that Martha's feelings for him were not those of love, for she is an English major, a girl who lives in the world of words. Cross was rationalizing his un-requiting love for Martha to create a “home world” inside his mind so that he could mentally escape from the war when he needed to.

pictures of her. He would read the letters at the end of a long day in a foxhole he dug. He would sometimes lick the seal of the envelope because he knew that Martha’s tongue had been there. This obsession distracts Cross from the war and from his platoon.

Character growth is also essential to the story. In the beginning Cross fantasized about a girl named Martha. He fantasizes weather or not she is a virgin and subsequently, fantasizes about different ways to take her virginity. This fantasy consumes him until the day his best friend and army compatriot, Lavender, dies. Cross believes Lavenders death to be his fault and decides to put his fantasies to rest and assume, fully, a position of true leadership. This change in character is also marked by Cross’ destruction of the picture.