Theme Of Time In Kurt Vonnegut's Slaughterhouse-Five

The plot of Slaughterhouse- Five revolves around World War Two, especially the bombing of Dresden from a soldier’s perspective. Vonnegut vividly describes the destructive nature of war through accounts of ambush, mistreatment of prisoners of war, and massacres. However, he also expresses the mentally and emotionally damaging effects of war with the pure insanity of Billy Pilgrim. One of many instances illustrating Billy’s altered state of mind in the war is when he arrives in a prisoner of war camp. The English prisoners put on a production of Cinderella for their American guests and following a comical line Billy loses control. “He not only laughed – he shrieked. He went on shrieking until he was carried out of the shed into another, where the hospital was” (Slaughterhouse 98). This is a single example of the deplorable state of Billy’s mental sanity. The reader is already aware that Billy also begins to hallucinate and have crazy notions that he was abducted by aliens. Billy even acquires a sort of catchphrase that clearly demonstrates how emotionally distant Billy has become because of the war. Every time death is brought up, Billy has only one thing to say about it: “So it goes” (Slaughterhouse 214). This shows that Billy has become numb to pain, anguish, fear, and even life itself. To Billy, the end of the war did not actually bring freedom, but trapped him inside the horrors of his memories and deranged

In his novels, Vonnegut aims to educate readers towards a greater understanding of the human condition (Priest). He imbues Slaughterhouse-Five with a moral about war: it dehumanizes and destroys everything in its path (Priest). Billy’s story helps to expresses the Tralfamadorian saying “so it goes” as a crude life philosophy, “shit happens” (Gordon). The most memorable part of the story, the phrase retains fame not for the expression behind the words but the lack of. These “world-weary words simultaneously accept and dismiss everything” (Gordon). Vonnegut’s experience in war helps him tell the story of the greatest trauma in his life, Dresden, in the only way he knows how. Slaughterhouse-Five skillfully epitomizes Tralfamadorian teachings,

Many writers in history have written science fiction novels and had great success with them, but only a few have been as enduring over time as Kurt Vonnegut's Slaughterhouse-Five. Slaughterhouse-Five is a personal novel which draws upon Vonnegut's experience's as a scout in World War Two, his capture and becoming a prisoner of war, and his witnessing of the fire bombing of Dresden in February of 1945 (the greatest man-caused massacre in history). The novel is about the life and times of a World War Two veteran named Billy Pilgrim. In Slaughterhouse-Five, Kurt Vonnegut uses structure and point of view to portray the theme that time is relative.

Throughout Slaughterhouse-Five, Vonnegut chooses to use special literary techniques that better explain his own encounters in war as well as help his readers bare the horridness of war. Vonnegut adds black humor in his text to benefit readers as well as “an author-as-character” perspective to set barriers and help protect his own memories in the war. Without adding these two specific devices, Vonnegut could possibly have lost reader’s interests in the book or lost his own interest in writing the book.

Vonnegut calls upon his personal experiences to create his breakthrough work, Slaughterhouse Five. Vonnegut expresses his own feeling on war, family, and free will through the non-linear narrative of the protagonist, Billy Pilgrim. His experience as a soldier and death within his family are mirrored into Pilgrim’s character.

In literature authors always have a theme to their book. Typically, authors make use of elements in their book to paint the picture for the central theme. Kurt Vonnegut’s Slaughterhouse-Five is no exception to this norm. Slaughterhouse-Five uses symbolism to support the theme that free will may not exist.

Again, Matheson points out the problem immediately by saying, “the first… [problem] is encountered in the unusual opening chapter where Vonnegut, apparently speaking as himself, gives an account of the novel’s genesis that cannot help but strike us initially as being carelessly written”(Matheson 1). Matheson is not fond of Vonnegut’s work, he not only dislikes the fact that there is not a single meaning to the book, but also the creative and eccentric style Vonnegut used in writing Slaughterhouse-Five. Slaughterhouse-Five is semi-autobiographical; the first and the last chapters are written in first person, and there are many similarities between Vonnegut’s life, and Billy Pilgrim’s life. In the first chapter Vonnegut identifies himself as the author when he is speaking to his friend on the phone by saying, “‘Listen— ’I said, ‘I’m writing this book about Dresden’”(Vonnegut 4). Critics seem to dislike the use of first person and the identification of the author because it is “irrelevant…[and leads] nowhere”(Matheson 1). The first person point of view comes back in the last chapter when Vonnegut says, “Robert Kennedy, whose summer home is eight miles from the home I live in all year round, was shot two nights ago”(Vonnegut 210). Vonnegut uses first person not to be annoying to critics, but to remind the reader that he experienced all of the events in his book, “more or less”(Vonnegut

Kurt Vonnegut’s Slaughterhouse Five is a telling work of fiction that blends the author’s experiences with the horror of war with a touch of science fiction and a healthy dose of humor. The novel guides us through the experiences of a man on a journey in both directions of time, through war, and the delusions brought on by the horrors therein. The pilgrimage Billy is on is broken up by milestones that read “so it goes”. The journey is a vessel for Vonnegut to show the reader how war can desensitize a man to death and cause him to recede into coping mechanisms, but that a man cannot be desensitized to suffering.

“Fate is a misconception, it's only a cover-up for the fact you don't have control over your own life.” –Anonymous. In Kurt Vonnegut’s novel, Slaughterhouse-five, an optometrist named Billy Pilgrim becomes unstuck in time uncontrollably and constantly travels between his past, present, and future. Since Pilgrim is unable to control his time warps, he is forced to re-live agonizing moments such as watching his wartime friend Edgar Derby executed for stealing or going through the Dresden bombing repeatedly. However, he is also able to visit pleasant moments like speaking as president in front of the Lions club or his honeymoon with his wife, Valencia. Vonnegut’s use of repetition and vision of war, time and death are crucial to Pilgrim as he

We all wish we could travel through time, going back to correct our stupid mistakes or zooming ahead to see the future. In Kurt Vonnegut's novel Slaughterhouse-Five, however, time travel does not seem so helpful. Billy Pilgrim, Vonnegut's main character, has come unstuck in time. He bounces back and forth between his past, present, and future lives in a roller coaster time trip that proves both senseless and numbing. Examining Billy's time traveling, his life on Tralfamadore, and the novel's schizophrenic structure shows that time travel is actually a metaphor for our human tendency to avoid facing the unpleasant reality of death.

In many novels, the idea of time is handled in different ways to keep the story at a smooth pace. Kurt Vonnegut, the author of Slaughterhouse-Five, uses time as a way to give the reader an idea of what his main character’s life was like and what he had gone through throughout his life. Vonnegut’s manipulation of time may make the story confusing to some at times, but he effectively explains his character’s background through this different use of time.

The phrase “so it goes” is repeated 106 times in Kurt Vonnegut’s Slaughterhouse Five. From “dead” champagne to the massacre at Dresden, every death in the book is seemingly equalized with the phrase “so it goes”. The continuation of this phrase ties in with the general theme on indifference in the story. If the Tralfamadorian view of time is correct, then everyone is continuously living every moment of their life and dying is not the end. However, if Vonnegut believed in this idea, then he wouldn’t have felt compelled to write about the firebombing of Dresden. It is clear that both Billy Pilgrim and Kurt Vonnegut are affected by the massacre they saw, but they have different ways of rationalizing it. Billy finds comfort in the Tralfamadorian view of life, whereas Vonnegut disagrees, and urges the reader to disagree too. The constant repetition of “so it goes” breaks the reader away from the Tralfamadorian point of view, and allows them to come to their own conclusion that although it would be nice to forget the bad parts of life, it is important to remember all of the past. Vonnegut helps the reader come to this conclusion by repeating the phrase after gruesome moments, and showing how meaningless life can be if the Tralfamadorian ideas are believed, as seen through Billy Pilgrim’s bland life..

This book can be quite confusing if not read with utmost care. Because the main character, Billy, becomes “unstuck in time,” (29) the book does not go in chronological order. That is solely because of this fact one must analyse the plot, making sure one does not get confused. To start out in the explanation of the plot in Slaughterhouse Five one must first look at where the action starts to incline, otherwise known as the rising action. Rising action would be best represented as Vonnegut’s character Billy “was taken prisoner by the Germans” (30). It is here where the rising action is because suspense is created, which locks the reader into the book, which makes them want to keep reading. This is where the reader becomes apprehensive about the characters safety. After the rising action comes the climax of the story. The climax is the moment of the most intensity in the story. The climax includes the reason why this book was written; Dresden. The most intense moment in this book is when Billy Pilgrim traveled to the time that “...Dresden was destroyed.” (226). To the reader this gives them information which they have been waiting for since they Vonnegut first mentioned it. Although a reader could infer what happened to Dresden the reader didn’t know what happened to Billy in Dresden, including whether he was hurt or not. In this case Billy was not hurt because he was “down in the meat locker…[which] was a very safe shelter.” (226). Although since the plot is always flashing back and forth between the present and past the reader knew that Billy did not die. Lastly is the part where all the loose ends are tied up. This is also called the falling action. The falling actions in this book occurs when Billy is about to present his insight on his findings of the subject of death, which the Tralfamadorians taught him. Billy was finally able to conclude that “we will all live forever, no matter how dead we may seem to be…” (269).

Slaughterhouse-five strives to remember the tragedy of the bombing of Dresden. Kurt Vonnegut constructs his novel around a main character who becomes “unstuck in time” (23). Billy Pilgrim’s life is told out of order, which gives him a different perspective than the rest of the world. Billy lives through his memories, and revisits events in his life at random times and without warning. Vonnegut introduces Billy Pilgrim to the Tralfamadorian way of thinking about memory and time so that he can cope with being unstuck in time. The Tralfamadorian ideology is set up as an alternative to the human ideology of life. In the novel Slaughterhouse-five, Kurt Vonnegut constructs a reality where memory is unproductive through the Tralfamadorian

Slaughterhouse-Five, a novel written by Kurt Vonnegut, tells the story of the devastating effects of war on a man, Billy Pilgrim, who joins the army fight in World War II. The semi-autobiographical novel sheds light on one of history’s most tragic, yet rarely spoken of events, the 1945 fire-bombing of Dresden, Germany.