Theme Of Women In The Yellow Wallpaper

Women in the nineteenth century lived in a time characterized by gender inequality. At the beginning of the century, women could not vote, could not be sued, were extremely limited over personal property after marriage, and were expected to remain obedient to their husbands and fathers.( women’s suffrage movement 1) In most situations, the men would have to go to work and bring home the money, and the women would have no choice but to stay home, clean the

For the longest time, women’s role in society was very narrow and set in stone. Women weren’t given the chance to decide life for their own, and there was a very sharp distinction of gender roles. Women were viewed as inferior, weak, and dependant. They were expected to be responsible for the family and maintainance of the house. But as the 19th century began, so did a drastic change in society. Women started voicing their opinions and seeking change. Trying to break away from this ideology called “cult of domesticity” was a lengthy, burdensome, and demanding struggle.

  The Yellow Wallpaper by Charlotte Perkins Gilman can by read in many different ways.  Some think of it as a tragic horror story while others may find it to be a tale of a woman trying to find her identity in a male-dominated society.  The story is based on an episode in Gilman's life when she suffered from a nervous disease called melancholia.  A male specialist advised her to "live a domestic a life as far as possible.. and never to touch a pen, brush or pencil..."   (Gilman, 669).   She lived by these guidelines for three months until she came close to suffering from a nervous breakdown.  Gilman then decided to continue writing, despite the physicians advice, and overcame her illness.

Charlotte perkins gilman the theme of subordination of the women in marriage in her short story ‘The yellow Wallpaper”. The narrator feels like she is not being heard when she said “You see he does not believes I am sick! And what can you do”. When the narrator says “What can you do” she is saying that if he says she is not then there is nothing she can do. Denying the fact that she is sick “He says no one but myself can help me out of it, i must use my will and self control and not let any silly fancies run away with me”. John is tell her that she has to do it by herself and fight postpartum depression. In the late 1800 was a terrible time for women because they couldn't vote, the men had all the power in the house, and woman's only job is

In her story, The Yellow Wallpaper, Charlotte Perkins Gilman expresses exasperation towards the separate male and female roles expected of her society, and the evident repressed rights of a woman versus the active duties of a man. The story depicts the methods taken to cure a woman of her psychological state during Gilman’s time, and delineates the dominant cure of the time period, “the resting cure,” which encouraged the restraint of the imagination ("The Yellow Wallpaper: Looking Beyond the Boundaries") Gilman uses the unnamed narrator to represent the average repressed woman of her time and how her needs were neglected in an attempt to mark a fixed distinction between the standards and expectations of men and women. John, the narrator’s husband, take the designated and patriarchal role of a man who believes he knows everything there is to know about the human mind. His belief of his superior knowledge pushes him to condescend, overshadow, and misunderstand his wife. As a result, his wife loses control of her life and escapes into her own fantasy world, where she is able dominate her imagination, free her mind, and fall into insanity. Gilman describes her era’s approach toward female psychology in order to criticize the patriarchal society she lived in as well as to reveal its effects on the women of her time.

During the time period from the end of the American Revolution to the Civil War, American womanhood changed greatly. Due to differing beliefs during the time the American women’s ideals became to change. At the time, main beliefs were the “republican motherhood”, or the thought that women had power in the country’s politics in the sense that they raised the next generation, and the “cult of domesticity”, or the thought that women should be submissive, moral, and take care of their husbands and family. These beliefs greatly limited the power of the women in the 18th century. Due to these ideas, such as the “republican motherhood” and “cult of domesticity” during the time period from the American Revolution to the Civil War, women

Most women in America nowadays are lucky enough to consider themselves to be an independent individual, but females were not always guaranteed their freedoms. Throughout the early 1900’s, authors would characterize husbands to be controlling figures. In “The Yellow Wallpaper,” Charlotte Perkins demonstrates just how possessive the husband is to his wife in their marriage. This short story shows just how miserable the woman is to be in a marriage with John because John, thinks it would be best that his wife is isolated to get over her postpartum depression.“The Yellow Wallpaper” demonstrates how a male dominated society leads to the woman not being their own individual by using characterization, narrator perspective, and conflict between women and society.

Women’s lives were shaped by the “Cult of true Womanhood” where the general belief of a “true” woman was based upon a variety of expectations from women in the 19th century. The criterion was that women should remain pious, pure, submissive and domestic. Women who were outspoken and who participated in public relations were unattractive to men. Women were part of the private sphere in which they took part in house duties and raising children. The status of women in society changed rapidly during the Progressive Era. Women sought job opportunities as clerical workers and others who were of good wealth took the opportunity to pursue a prominent

Charlotte Perkins Gilman’s story of a woman who goes mad while fixating on a bizarre wall-covering has been used as an early example of post-partum depression. In the latter part of the 1800’s women were seen as inferior subordinates to men who could not be trusted due to the effect of the female organs on their brains. The narrator is almost certainly a victim of the lack of medical knowledge of the day, while the prevailing attitudes in the medical field of women as childlike and the social pressure of male domination contribute to the narrator’s illness. The husband’s role as spouse and physician enable his benevolent manipulation of the narrator by isolating her and removing her

During the early 1800's women were stuck in the Cult of Domesticity. Women had been issued roles as the moral keepers for societies as well as the nonworking house-wives for families. Also, women were considered unequal to their male companions legally and socially. However, women’s efforts during the 1800’s were effective in challenging traditional intellectual, social, economical, and political attitudes about a women’s place in society.

During the 1800s women became more inferior to earlier times. They shifted their roles from a house wife to becoming a more important part of the family life. In the 19th century, America was going through an important change in development and war. Throughout the 19th century, women had one goal, to fight for equal rights under the law and most importantly the right to vote. Women in each ethnic group had different types of “jobs.”

In the early nineteenth century, women were expected to be, “‘angels in the house,’ loving, self-sacrificing, and chaste wives, mothers and daughters or they are… ultimately doomed” (King et al. 23). Women of this time were supposed to be domestic creatures and not tap so far into their intellectual abilities (King et al.). The role of women in the nineteenth century is described:

    Charlotte Perkins Gilman's "The Yellow Wallpaper" has been interpreted in many ways over the years. Modernist critics have applied depth psychology to the story and written about the symbolism of sexual repression in the nursery bars, the chained-down bed, and the wallpaper. Genre critics have discussed the story as an example of supernatural gothic fiction, in which a ghost actually haunts the narrator. But most importantly, feminist critics (re)discovered the story in the 1970s and interpreted it as a critique of a society that subjugated women into the role of wife and mother and repressed them so much that all they could ever hope to be was an "angel in the house."

The yellow wallpaper is a story about John and his wife who he keeps locked up due to her "nervous condition" of anxiety. John diagnoses her as sick and has his own remedy to cure her. His remedy s to keep her inside and deterring her from almost all activities. She is not allowed to write, make decisions on her own, or interact with the outside world. John claims that her condition is improving but she knows that it is not. She eats almost nothing all day and when it is suppertime she eats a normal meal. John sees this and proclaims her appetite is improving. Later in the story, the woman creates something of an imaginary friend trapped behind the horrible looking yellow wallpaper in

The short story, the Yellow Wallpaper by Charlotte Perkins Gilman can be analyzed in depth by both the psycho-analytic theory and the feminist theory. On one hand the reader witnesses the mind of a woman who travels the road from sanity to insanity to suicide “caused” by the wallpaper she grows to despise in her bedroom. On the other hand, the reader gets a vivid picture of a woman’s place in 1911 and how she was treated when dealing what we now term as post-partum depression. The woman I met in this story was constantly watched and controlled by her husband to such an extreme that she eventually becomes pychootic and plots to make her escape.