Theme Of Women In The Yellow Wallpaper

"The Yellow Wallpaper" tells the story of a woman living in the nineteenth century who suffers from postpartum depression. The true meaning implicit in Charlotte's story goes beyond a simple psychological speculation. The story consists of a series of cleverly constructed short paragraphs, in which the author illustrates, through the unnamed protagonist's experiences, the possible outcome of women's acceptance of men's supposed intellectual superiority. The rigid social norms of the nineteenth century, characterized by oppression and discrimination against women, are supposedly among the causes of the protagonist's depression. However, it is her husband's tyrannical attitude what ultimately

The story "The Yellow Wallpaper," by Charlotte Perkins Gilman, is a story about control. In the late 1800's, women were looked upon as having no effect on society other than bearing children and keeping house. It was difficult for women to express themselves in a world dominated by males. The men held the jobs, the men held the knowledge, the men held the key to the lock known as society . . . or so they thought. The narrator in "The Wallpaper" is under this kind of control from her husband, John. Although most readers believe this story is about a woman who goes insane, it is actually about a woman’s quest for control of her life.

  The Yellow Wallpaper by Charlotte Perkins Gilman can by read in many different ways.  Some think of it as a tragic horror story while others may find it to be a tale of a woman trying to find her identity in a male-dominated society.  The story is based on an episode in Gilman's life when she suffered from a nervous disease called melancholia.  A male specialist advised her to "live a domestic a life as far as possible.. and never to touch a pen, brush or pencil..."   (Gilman, 669).   She lived by these guidelines for three months until she came close to suffering from a nervous breakdown.  Gilman then decided to continue writing, despite the physicians advice, and overcame her illness.

In The Yellow Wallpaper, Charlotte Perkins describes the story of a woman suffering from a mental illness during the 19th century. The protagonist (an unknown narrator) is a wife and mother suffering from postpartum depression. Her husband John, who is also her doctor, diagnosed her with hysteria and he decided to move away with her to start a “rest cure,” at a mansion, isolated from the village. The narrator was powerless against her husband, and he had the authority of determining what she does, who she sees, and where she goes while she recovers from her illness. Throughout the story, the author used stylistic elements, such as strong symbolism, to show how the mental state of the narrator slowly deteriorates and ends

   The story "The Yellow Wallpaper," by Charlotte Perkins Gilman, is a story about control. In the late 1800's, women were looked upon as having no effect on society other than bearing children and keeping house. It was difficult for women to express themselves in a world dominated by males. The men held the jobs, the men held the knowledge, the men held the key to the lock known as society  - or so they thought. The narrator in "The Wallpaper" is under this kind of control from her husband, John. Although most readers believe this story is about a woman who goes insane, it is actually about a woman’s quest for control of her life.

In “The Yellow Wallpaper,” the narrator, already suffering with Post-Partum Depression, is further constrained when her husband John prescribes her resting treatment for her illness. John clarifies that she must lie in bed in the same, enclosed room, refrain from using her imagination and especially abstain from writing. This, in turn, forces the narrator deeper into her

Charlotte Perkins Gilman’s “The Yellow Wallpaper”, is a short story, published in the late 1800s, about one woman’s descent to madness. Finding herself plagued with postpartum depression after the birth of her son, the narrator’s ailment is overlooked by everyone around her. Her husband, “...a physician of high standing..” (Gilman) describes the narrator’s illness as “temporary nervous depression...a slight hysterical tendency.” Her brother and male doctor, also agree with this diagnosis and because so, the narrator is forced to go through a rather peculiar treatment plan that was commonly practiced on women who were considered hysterical during that time period. Considered a societal norm this treatment plan, created by the dominate male,

Life during the 1800s for a woman was rather distressing. Society had essentially designated them the role of being a housekeeper and bearing children. They had little to no voice on how they lived their daily lives. Men decided everything for them. To clash with society 's conventional views is a challenging thing to do; however, Charlotte Perkins Gilman does an excellent job fighting that battle by writing “The Yellow Wallpaper,” one of the most captivating pieces of literature from her time. By using the conventions of a narrative, such as character, setting, and point of view, she is capable of bringing the reader into a world that society

The structure of the text, particularly evident in the author’s interactions with her husband, reveals the binary opposition between the façade of a middle-class woman living under the societal parameters of the Cult of Domesticity and the underlying suffering and dehumanization intrinsic to marriage and womanhood during the nineteenth century. While readers recognize the story for its troubling description of the way in which the yellow wallpaper morphs into a representation of the narrator’s insanity, the most interesting and telling component of the story lies apart from the wallpaper. “The Yellow Wallpaper” outwardly tells the story of a woman struggling with post-partum depression, but Charlotte Perkins Gilman snakes expressions of the true inequality faced within the daily lives of nineteenth century women throughout the story. Although the climax certainly surrounds the narrator’s overpowering obsession with the yellow wallpaper that covers the room to which her husband banished her for the summer, the moments that do not specifically concern the wallpaper or the narrator’s mania divulge a deeper and more powerful understanding of the torturous meaning of womanhood.

  "The Yellow Wallpaper," written by Charlotte Perkins Gilman in the late nineteenth century, explores the dark forbidding world of one woman's plunge into a severe post-partum depressive state. The story presents a theme of the search for self-identity. Through interacting with human beings and the environment, the protagonist creates for herself a life of her own.

“The Yellow Wallpaper” is a short story written by the American feminist and author Charlotte Perkins Gilman. The story was first published in January 1892 in the New England Magazine and is credited with being one of the first books to talk about mental health issues within females. In 1887, Gilman after battling with depression for a number of years decided to see Silas Weir Mitchell, a well respected physician at the time. Writing it off as another female feigning illness Mitchell prescribed her with the treatment that was all the rage this century called the “rest cure”. Normally prescribed to women, the “rest cure” put the patient in a sort of solitary confinement; prohibiting any type of unnecessary human contact. Following the doctor’s

Throughout history and cultures today, women have been beaten, verbally abused, and taught to believe they have no purpose in life other than pleasing a man. Charlotte Perkins Gillam uses her short story, "The Yellow Wallpaper" as a weapon to help break down the walls surrounding women, society has put up. This story depicts the life of a young woman struggling with postpartum depression, whose serious illness is overlooked, by her physician husband, because of her gender. Gillman 's writing expresses the feelings of isolation, disregarded, and unworthiness the main character Jane feels regularly. This analysis will dive into the daily struggles women face through oppression, neglect, and physical distinction; by investigating each section

The gender roles of the 19th century formed the foundation of societal norms for marriages. The prescribed idea of what marriage should look like focused on the wife’s obedience to her husband and family. This obedience that the speaker has for her husband, John, in Charlotte Perkins Gilman’s short story “The Yellow Wall-Paper” undermined the woman’s mental health, refusing her the ability to express and speak for herself. The speaker’s diagnosis and treatment of her “nervous condition” was completely in her husband’s control, taking away her independence as a person.

    Charlotte Perkins Gilman's "The Yellow Wallpaper" has been interpreted in many ways over the years. Modernist critics have applied depth psychology to the story and written about the symbolism of sexual repression in the nursery bars, the chained-down bed, and the wallpaper. Genre critics have discussed the story as an example of supernatural gothic fiction, in which a ghost actually haunts the narrator. But most importantly, feminist critics (re)discovered the story in the 1970s and interpreted it as a critique of a society that subjugated women into the role of wife and mother and repressed them so much that all they could ever hope to be was an "angel in the house."

The short story, the Yellow Wallpaper by Charlotte Perkins Gilman can be analyzed in depth by both the psycho-analytic theory and the feminist theory. On one hand the reader witnesses the mind of a woman who travels the road from sanity to insanity to suicide “caused” by the wallpaper she grows to despise in her bedroom. On the other hand, the reader gets a vivid picture of a woman’s place in 1911 and how she was treated when dealing what we now term as post-partum depression. The woman I met in this story was constantly watched and controlled by her husband to such an extreme that she eventually becomes pychootic and plots to make her escape.