Theme of Life After Death in the Management of Grief, the Story of an Hour, and the Jewlery

In “Whoever We Are, Loss Finds us and Defines Us”, by Anna Quindlen, she brings forth the discussion grief's grip on the lives of the living. Wounds of death can heal with the passing of time, but in this instance, the hurt lives on. Published in New York, New York on June 5, 1994, this is one of many Quindlen published in the New York Times, centered on death's aftermath. This article, written in response to the death of Quindlen’s sister-in-law, and is focused on an audience who has, currently is, or will experience death. Quindlen-a columnist for the New York Times and Newsweek, Pulitzer Prize winner and author-has written six bestselling novels (Every Last One, Rise and Shine, Object Lessons, One True Thing, and Black and Blue) and has

According to Hart (2012), those people who are suffering from grief often seek help from the health care professionals. This is important for the clinicians to identify and address their own experiences in the clinical settings. The main aim of this article is to explore the facts about grief, the common themes of grief and the different ways in which the patient process of the clinicians can be facilitated.

She took her husband and the all the things he provided for her for granted. Mathidle was not satisfied with just a new dress, she had to have jewels to go with it. “’It annoys me not to have a single jewel, not a single stone, nothing to put on. I shall look like distress. I should almost rather not go at all.’” She also did not care how much money the dress and the jewelry would cost. To her, all that mattered was if she looked good enough to fit in with the wealthy. She was fortunate enough to be able to borrow the perfect necklace from her wealthy friend. “All of a sudden she discovered, in a black satin box, a superb necklace of diamonds; and her heart began to beat with an immoderate desire. Her hands trembled as she took it. She fastened it around her throat, outside her high-necked dress, and remained lost in ecstasy at the sight of

The life transition of death and dying is inevitably one with which we will all be faced; we will all experience the death of people we hold close throughout our lifetime. This paper will explore the different processes of grief including the bereavement, mourning, and sorrow individuals go through after losing someone to death. Bereavement is a period of adaptation following a life changing loss. This period encompasses mourning, which includes behaviors and rituals following a death, and the wide range of emotions that go with it. Sorrow is the state of ongoing sadness not overcome in the grieving process; though not pathological, persistent

Throughout “The Necklace” the couples have opposite character traits which plays an important role in the story. The husband, Loisel was completely fine with the lifestyle they had and was very grateful. Meanwhile his wife was never satisfied, blames herself for not being married into a wealthy family. Prior to the ball she wanted jewelry to compliment the gown, her

Many people define their lives by the relationships within their family. They are someone’s daughter, someone’s wife, or someone’s mother or father. The loss of a family member, especially due to death, creates a radical readjustment to people’s day to day lives and how they see and feel about themselves. Sometimes the process of grief can last over several years and how it is mentally processed and dealt with is different for everyone. “Mud” by Geoffrey Forsyth, shows an insightful view of a grieving man who had already lost his father and grandmother and is now just coming to terms with the loss of his wife two years prior. The entire story is written in first person point of view which allows for the reader to fully engage themselves in the grief and strife of the narrator’s life. Geoffrey’s story “Mud” begins in the home of the narrator where he encounters these dead family members and has to decide if he is ready to move on from his grief and say goodbye or stay behind and be consumed by it.

Anyone who receives notice of a loved ones death is never expected to take it lightly. In Kate Chopin’s “The Story of an Hour,” Mrs. Mallard is informed of her husbands “death” as gently as possible, and immediately she understands the enormous significance this loss will have on her life. Unlike many widow’s, her feelings of utter devastation do not last. Mrs. Mallard’s sobs of loss turn to cries of joy after she reflects upon her own character and discovers truths about her marriage.

Each individual has a unique way of coping with death, and this is evident throughout Christina Rossetti’s, “Remember” and W. H. Auden’s “Stop all of the Clocks”.

Her husband tries and tries until he comes up with a great idea to give her an invitation to a ball. She cheers up a little until she realizes she can’t afford a dress. Her husband asks how much and had given her the money to purchase herself a nice dress. She has the dress but still doesn’t feel pretty nor happy after she put the dress on. She wanted more than just the dress which was jewels but didn’t have any. Someone suggested that she should use flowers, but didn’t find happiness in the flowers. Madame Forestier offer Mathilde to borrow her diamond necklace, which gave her the emptiness that she needed to feel happy. She had a great night and was on her way home when she went to feel for the necklace but found that it was gone. She started to panic and retraced her steps but couldn’t find it anywhere. She and her husband went from jeweler to jeweler to find the exact necklace and to replace it. They worked and worked until they had paid it off and returned it to Madame Forestier. She was a little annoyed since she had got it a few weeks after the ball. Eventually she admitted to what she had done and was surprised with what she was told. She was informed that the necklace was a fake. That it was costume jewelry. In this story the Madame was an outsider towards Mathilde. Mathilde didn’t know who she was and had taken the necklace to wear for the

In the short story, “The Story of an Hour,” author Kate Chopin presents the character of Mrs. Louis Mallard. She is an unhappy woman trapped in her discontented marriage. Unable to assert herself or extricate herself from the relationship, she endures it. The news of the presumed death of her husband comes as a great relief to her, and for a brief moment she experiences the joys of a liberated life from the repressed relationship with her husband. The relief, however, is short lived. The shock of seeing him alive is too much for her bear and she dies. The meaning of life and death take on opposite meaning for Mrs. Mallard in her marriage because she lacked the courage to stand up for herself.

Heartache, misery and sorrow; the death of a loved one can be expressed using these three simple terms. But, can the death of a loved one really be described? Alice W. Terry writes the exceptional journal about the stages of grief, how to cope and how it truly feels to lose a loved one, a daughter to be exact. Not having experienced the physical loss of someone as close to me as a daughter is to her mother, this journal gave me a personal perspective of the anguish experienced by those who are grieving.

Following the loss of a loved person, a person usually begins a period where they grieve over the loss of that person. While grieving, a person usually has a hard time accepting that a beloved person is truly gone. A personal activity is usually apparent during this time, and while this activity is usually connected to the person that they have lose, it helps a person deal with the tragedy that has fallen upon them. This idea is apparent in the stories Kitchen and “Moonlight Shadow”, both of which written by Banana Yoshimoto. Throughout both Kitchen and “Moonlight Shadow”, it is clear that grief is the stage when an individual is in denial over a beloved persons, and while there are a number of different ways in order to cope with the grief, the only way to overcome grief for good is by accepting the fact that the individual who passed away is gone.

The astonishing level of agony presented in a person when losing a loved one is described in the poem, “Stop All of the Clocks, Cut off the Telephone” by W.H. Auden. In this poem, the poet describes the pain of ending an intense sensation of love when one of the partners passes away. The inability to cope once one’s love has ended provokes the feeling that life has ended due to the thought of not being able to live alone. This is found in the poem when Auden states, “For nothing now can ever come to any good” (Auden, 16). The author’s use of figures of speech, imagery, and diction allow her audience to understand the speaker’s true emotions over its’ overwhelming grieving period.

Within the story The Story of an Hour there is a train wreck that Louise Mallard’s husband is thought to be on and so his name is on the list of people whom have passed. Mrs. Mallard’s sister and husband’s friend, knowing that she has “heart troubles,” try to keep the news from her before they can enlighten her of the harsh news lightly and smoothly, with much success. She shows a face of how she should react, but on her own she thinks of all of the possibilities that she can do now. She actually feels better about life and wishes for it to be longer than she had when her husband is alive. Through his death she gains a sense of identity for herself. During the time of Mrs. Mallard’s world, a good wife would be one that “accepts the conventions”

“The Story of an Hour” tells the story about Mrs. Mallard, who learns that her husband is dead and right after that faces a great variety of emotions and feelings. Mrs. Mallard has a heart problem. One day she gets news that her husband has died in a railroad disaster. She starts crying at once, goes upstairs and locks herself in her room. She feels very lonely at first but then she starts feeling happy and free from her marriage. After some time she opens the door and descends the stairs. She surprisingly sees Mr. Mallard at the door. When she looks at Mr. Mallard, she dies suddenly. The doctor says that she dies of her heart disease, from the "joy that kills." This story illustrates the dependent condition and status of married women in the 19th century and reveals the fact that there is no way of escaping from marriage except one’s death.