Essay on Theme of Self-discovery in The Awakening and A Doll's House

Illogical, submissive, and sensual are some of the words used to describe the view of women during the nineteenth century. In the novel The Awakening, Kate Chopin tells the controversial story of a woman, Edna Pontellier, and her spiritual growing. Throughout the story, Edna constantly battles between her heart’s desires and society’s standard. The novel shows how two women’s lives influence Edna throughout the novel. Mademoiselle Reisz and Madame Ratignolle are both in their own way strong, motherly influences in Edna’s life. Mademoiselle Reisz is Edna the mother who wants Edna to pursue her heart’s desires. Madame Ratignolle however, is the type of mother to Edna who wants Edna to do what is socially right. The way the two live

Consequently, when Edna starts opposing Leonce’s commands, their relationship starts to collapse. This is evident during Leonce and Dr. Mandalet’s conversation about Edna’s sanity when Leonce mentions “…and—you understand—we meet in the morning at the breakfast table” (100). Usually, both husband and wife sleep together as it is normal for married couples to do so. However, Edna is opposing this due to being under stress with her marital life with Leonce and affairs with Robert and Alcee causing her to seem abnormal to the males in her life. Edna’s wellbeing is excluded because she is not given a chance to speak about the challenges she is facing.

The time period of the 1880s that Kate Chopin lived in influenced her to write The Awakening, a very controversial book because of many new depictions of women introduced in the book. The Awakening is a book about a woman, Edna Pontellier. In the beginning, she is a happy woman with her husband and 2 kids vacationing at Grand Isle. While there, Edna realizes she is in love with Robert Lebrun and that she was just forced into an unloving/dissatisfying marriage with Mr. Pontellier. Robert however, leaves for Mexico. While there, Edna picks up a relationship with Alcee Arobin who helps her realize her sexual passions. Edna has a sexual awakening, and is determined to get independence and she eventually leaves Mr. Pontellier. She shows her independence and sexual passions through painting. Edna moves into a house of her own. Robert comes home and tells her he loves her. However, Edna can't handle all of the social "rules" and commits suicide before finishing her conversation with Robert. The book contained a lot of sexual passion shown by Edna, which is a new depiction of women in the 1880s. The new tone Kate Chopin wrote in was influenced by society and her life. The Awakening caused a lot of controversy due to this new tone.

    A second similarity is that Edna and Nora each had an awakening about her own marriage.  Edna's awakening took place early in the novel, while Nora's awakening occurred at the end of the play.  The realization that she was not happy taking care of her husband, house or children began Edna's awakening.  Represented by the quote, "An indescribable oppression, which seemed to generate in some unfamiliar part of her consciousness, filled her whole being with a vague anguish" (Chopin 14).  Edna feels the entrapment of her marriage that has been present subconsciously, and it fills her mind and soul with pain and hurt.  At the end of "A Doll's House," Nora announces to her husband the need to leave the marriage due to the oppression caused by his power over her.  Nora feels as though their marriage has never been a true marriage, and that Helmer and herself never truly knew

When Edna receives gifts from Mr. Pontellier she is forced to realize that she loves him, yet what she also realizes is that she truly does not love him. In her romance with Robert, she feels great affection and love for him. He as well feels that same for her, yet he cannot corrupt the union of marriage by being with Edna so he decides to leave and not further the relationship. Edna’s inability to attain

Leonce Pontellier, the husband of Edna, is the story 's antagonist. He is materialistic, due to him being a wealthy businessman, and also forty years old. His high status came at a cost; he is very concerned with appearance and how others view him."The way to become rich is to make money, my dear Edna, not to save it," he said. He regretted that she did not feel inclined to go with him and select new fixtures. He kissed her goodbye, and told her she was not looking well and must take care of herself. She was unusually pale and very quiet” (18). He also treats Edna as mere property "You are burnt beyond recognition," he added, looking at his wife as one

Torvald would never have thought she were capable of it, since during that era it was unrealistic of women to leave their houses but rather put up with the difficulties they faced. Ibsen highlights society's domineering outlooks of marriage and the interactions of two people naïvely pretending to be in love. Throughout the play Ibsen reveals the fragile attributes of his characters to help enhance the play-like nature of their relationship, the role of women, and Nora's course of self-discovery.

But they need not have thought that they could possess her, body and soul" (504).  Although Edna did perform her duties as a wife for some time, she is not the typical housewife.  She does not worship her husband or idolize her children, which makes both Edna and Leonce begin to sense that Edna is different from the other mother-women (Lin 1).  Edna never realized the reasons she neglected her duties as a wife until she fell in love with Robert and acknowledged that her desires and needs exist outside of her marriage.  Thus, after her experiences with Robert, Edna is ready to neglect her husband even more, because she now realizes that her husband is holding her back from her needs.  When Leonce tries to make Edna act like the other women that obey their husbands, his attempts to control Edna further instigate Edna's desire for independence from him.  For example, the scene when Edna is lying in the hammock, Leonce says: "I can't permit you to stay out there all night.  You must come in the house instantly," Edna replies: "I mean to stay out here.  I don't wish to go in, and I don't intend to.  Don't speak to me like that again; I shall not answer you" (492).  Edna is carefree and spirited, and she refuses to conform to her husband because she does not want to lose herself.  Becoming the perfect, obedient wife would mean losing her individuality, and Edna realizes she can gain no fulfillment

In The Awakening, Kate Chopin portrays women as being loving wives and mothers that live their life to care for their family and worship their husbands. According to literary critic, Dana Kinninson, this story indicates two types of women, which are expressed by Adele Ratigndle and Mademoiselle Reisz. Adele Ratigndle is "the ideal wife and mother who never experiences an impulse that deters her from the sole concern of caring for her family. She also embodies every womanly grace and charm." Then you have Mademoiselle Reisz, which is the complete opposite of Adele. She has devoted her time and energy to the development of her own abilities instead of a husband and home. Reisz is a pianist older woman who lives alone and is depicted as homely and disagreeable. (Kinnison, 22)

The Awakening by Kate Chopin introduces the reader to the life of Edna Pontellier, a woman with an independent nature searching for her true identity in a patriarchal society that expects women to be nothing more than devoted wives and nurturing mothers.

In direct contrast with Edna was her friend, Adele Ratignolle. As Mr. Pontellier states in chapter four, Adele was the embodiment of every womanly grace and charm. Mrs. Ratignolle was the queen or ideal mother-woman. This separates Edna and Adele throughout the story. While they are good friends, it is obvious that they think and feel very different when it comes to marriage, children and their place in society. It is also quite apparent that Adele is disapproving of Edna’s lifestyle. Adele Ratignolle seems to be completely oblivious to the oppression of women. She often attempts to serve as a conscious for Edna, constantly reminding her to think of her children and emphasizing how certain behaviors may appear to others. She even goes so far as to tell Edna that her husband will not allow her to visit Edna anymore if Edna does not

In Kate Chopin’s novel, The Awakening, the constant boundaries and restrictions placed on Edna Pontellier by society will lead to her struggle for freedom and her ultimate suicide. Her husband Leonce Pontellier, the current women of society, and the Grand Isle make it evident that Edna is trapped in a patriarchal society. Despite these people, Edna has a need to be free and she is able to escape from the society that she despises. The sea, Robert Lebrun, and Mademoiselle Reisz serve as Edna’s outlets from conformity. “Edna's journey for personal independence involves finding the words to express herself. She commits suicide rather than sacrificing her independent,

Through their quest to find their own freedom and individuality, Nora Helmer, from A Doll’s House, and Edna Pontellier, from The Awakening, each uniquely discovers themselves. Since the beginning of the play, Nora was very loyal to her

In the novel The Awakening, Kate Chopin (2005) uses deep symbolism to show how the main character, Edna Pontellier, discovers her own independence in the society in which she lived. Edna was a traditional mother and wife seeking freedom and independence throughout her adult life. Chopin portrays Edna as being a rebel against her own life. The story takes place in the 1960s when women were to follow certain rules made by the society they lived in. Chopin also foreshadows the things that occur in Edna’s life through nature and death itself. Based on the many ways Chopin uses symbolic meanings through the novel, we can see the events of Edna’s life as one that rebels against society. Throughout this novel, Chopin proves that Edna’s actions

Unexpectedly, Robert and Edna become extremely close with each other by summer's end. Unwilling to further his relationship with a married woman, Robert leaves the country for Mexico. Furthermore, Leónce truly believed he had no obligation to care for his children and that it was Edna’s duty to do so. “If it was not a mother’s place to look after the children, whose on earth was it?” (Chopin 7). In society’s eyes, all a man needed to do was support their kids financially while the woman supported them in other ways. Chopin focuses on two other female characters in the story, Adele Ratignolle and Mademoiselle Reisz. These women are examples of how women should be in the nineteenth century. Adele was an example of a "motherly woman.” She would gladly sacrifice anything to care for her children, husband, and household, while Edna would not. Edna finds both role models lacking and begins to see that the life of freedom and individuality that she wants goes against society. Not only did society have a specific look on how a women should be, but Leónce as well, towards Edna. “’You are burnt beyond recognition,” he added, looking at his wife as one looks at a valuable piece of personal property which has suffered some damage.” This shows how Edna is not an acceptable color according to her husband’s wishes. Edna had specific guidelines to follow