Themes Discussed in Joyce Oates' Where Are You Going , Where Have You Been

At home, she kept to herself. She was very ostracized by her mother, for her mother didn’t like the way Connie acted. She was considered a child—a lazy child stuck in her own thoughts. In Connie’s eyes, her mother never had anything good to say about Connie because her June was always doing something right. Whether it’d be paying bills or cleaning up around the house, June was the praised child. By being put down so much it pushed Connie to isolation, which led her to think more of herself and do nothing but daydream. I think playing the role of the child didn’t bother Connie so much because she was the youngest of everyone; however, what seems to bother her more is how her mother views her. What we later see is that when Connie is being threatened by Arnold, she screams for her mother over the undialed phone which shows how terrified Connie is faced with a real-life

Oates emphases that Connie is in her adolescence, who is trying to transition into thinking like an adult. Connie, who is obsessed with her appearance, is constantly “craning her neck to glance into mirrors or checking other people’s faces to make sure her own was all right”(Oates 1). She is starting to

In the beginning of the story, the way Oates describes Connie’s behaviors help construct Connie’s state of mind as a doubtful and vulnerable young girl. The author perfectly capture the essences of Connie’s character by illustrates how Connie has, “a quick, nervous giggling habit of craning neck to glance into mirrors or checking other people’s faces to make sure her own was all right,”

Connie is yearning for attention and approval from others. Oates states “she had a quick, nervous giggling habit of craning her neck to glance into mirrors or checking other people’s face to make sure her own was all right” (Oates #1). Connie does not get the attention that she wants from her parents, so she goes out and try to get attention from older men, by dressing in outfits that do not cover her up good enough. Connie seems more self-conscious about the way others view her. She is always trying to view herself from the outside. Oates states “Connie would raise her eyebrows at these familiar old complaints and look right through her mother, into a shadowy vision of herself as she was right at the moment: she knew she was pretty and that was everything” (Oates #1). Connie’s sense of self consciousness revolves around her beauty more than any other quality. Connie wants older men to accept her in a way that boys her age do not. She cares more about what other people think of her. Oates states “Her villains are actuated by raw emotions, or none at all, outfitted in the most unlikely and sinister ways, and possessed of an unaccountable knowledge of the doings of the victim and her family” (Quirk, Tom) Connie cares more about other people’s opinion on her than what she thinks about herself. Connie doesn't think that she’s “pretty” due to the way that her parent and sister treats her. Connie’s actions could be for attention from her parents, they show that they care more about her older sister by comparing Connie to her all the time.

Adding on to that, Connie’s shortfall that rock music has molded her has come to light when Arnold Friend gives sexual advances to her. Joyce Carol Oates shows this by writing, “It was the same program that was playing inside the house. “Bobby King?” she said. “I listen to him all the time. I think he’s great.” “He’s kind of great,” Connie said reluctantly.” “Listen, that guy’s great. He knows where the action is.” (p.3-para.2). This shows how Connie feels shocked that Arnold was also listening to the same music as she was when she was inside the house last time. Since she was incompetent in realizing how teenagers interpret the music than adult figures, Connie is vulnerable when Arnold threatens her to come to him because of the rock music that is being allotted to teenagers. To sum it up, the sexual song lyrics and the image of rock music that is normally played and embraced in the American culture has influenced Connie, a teenager, physically and mentally; therefore, she is taken advantage of by Arnold because of her immaturity and youth.

Joyce Carol Oates plays upon the stereotypic female gender role through her adolescent character, Connie, in “Where Are You Going, Where Have You Been?” The story was written at a significant time in America’s history. It was a season when social and moral conventions were challenged. This period experienced the rise of women struggling for sexual freedom and gender equality in a patriarchal society. Oates portrays the protagonist, Connie, as naive, unaware and inexperienced; she has yet to find her identity and fully understand her place as a women in the world. She believes she has learned to play the game of the sexes and that she has the upper hand. This belief, though, is quickly subverted when she is confronted by Arnold Friend, a man who works to reinforce patriarchal standards by punishing Connie for acting outside stereotypic female role boundaries, she then realizes as a women, she has very little power.

Connie’s identity is shown at the end of the story, but who she was at the beginning of the story differs to who she became at the end of the story. To start, Connie was a fifteen year old girl who was beautiful and adventuress, but failed to acknowledge and grasp the idea of a real family. Connie’s family or her mother is not the exact loving and caring mother some people have experienced. In “Where Are You Going, Where Have You Been”, Connie sated “Her mother, who noticed everything and knew everything and who hadn 't

The antagonist of “Where are you going, Where have you been” written by Joyce Carol Oates, is no ordinary guy. Arnold Friends,a dynamic, round character with a charming but controlling personality, seems to be the embodiment of Atropos. A greek deity known as the moirai who is said to be the controller of fate, or specifically, one’s death. He talks a lot but reveal nothing about himself, a sign of emotionally manipulative person, someone who is able to zero in on one’s weakness, like Connie’s romantic fantasies.) Like the typical bad boy archetype he offered to take her away from the dull drone of her suburban life. But that explain how it links to arnold being atropos lmao/how death takes you away. With the quality of a calm and deep, sing-song

“Where Are You Going, Where Have You Been?” by Joyce Carol Oates is based on a real-life event of Charles Schmid Jr. and the murder of multiple girls. The short story is designed around this historical event and has several key points that are comparable to both the story and the event. This story starts with a girl Connie who, like any typical teenager, is very flirtatious with a lot of guys; one person, in particular, Arnold Friend, is portrayed as a cougar. He shows up to Connie’s place, takes her somewhere and what's left is an inferred cliffhanger. The short story gives a more effective ending as it leaves the reader in a state of deep and complex thought in relations to the sudden and abrupt ending. Threats such as burning Connie’s house down, stopping her heart, and “going for a ride” are red flags that hint at Connie’s near future.

What would you do if you and your families lives were at stake? This was something that I pondered about while interpreting the story of,” Where Are You Going, Where Have You Been,” by Joyce Carol Oates. Oates wrote this short story to create suspense. It really leaves you on edge. The most suspense would have to be at the end of the story. Oates leaves you falling off of a cliff as to what would happen to Connie and her family. It makes me ponder if this was just a dream or reality to them.

The teenage rebellion, which most of people experience during the puberty, always worsens the relationship between parents and children. Written by Joyce Carol Oates, the short story “Where Are You Going, Where Have You Been?” describes the condition and consequence of a family whose child is rebellious. Through the characterization, plot, and dialogue, Oates successfully exhibits the thesis that Connie’s bad ending is the consequence of her parents’ attitude and actions.

“Where Are You Going, Where Have You Been,” written by Joyce Carol Oates is an unsettling and incredibly formidable story of a young woman’s loss of innocence during a time of social change and turbulent times. The story’s protagonist is Connie, a self-absorbed, yet beautiful fifteen year old girl, who not only is at odds with her family but also the conservative values handed down by her family. She, unknowing to her parents, spends her evenings exploring her independence and individuality as well as by flirting and picking up boys at a local diner. One evening she catches the attention of a strange, creepy boy who drives a gold, dilapidated convertible. While alone at home one Sunday afternoon, this same creepy boy driving the gold

We all have been there. After a long days work, all we are thinking about is getting home. As you head towards your car, you notice the darkness around you and suddenly feel that you are not alone. Your pace increases and you begin to sweat mildly. If you could just get there, you’d be safe. Suddenly, you hear a noise and decide the best thing for you to do is ignore it. As you approach you car and unlock it, you sigh with relief that you’ve finally have made it. For many, our minds play tricks on us when we feel a moment of fear, however for others it may turn out to be their worst nightmare. In the story, “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, a young girl is forced to make a decision

The author puts Connie out to be a bad kid but is she really? Yeah, Connie is not the most respectful or well-behaved kid but who is at the age of fifteen. The author shares some instances where Connie does not make the best decisions. The author shares, “She spent three hours with him, at the restaurant where they ate hamburgers and drank cokes…and then down an alley a mile or so away” (Oate’s. 109). The quote shows how Connie put herself in situations that a girl her age should have never been in. The author gives Connie the identity of not being confident in herself when she says, “Connie would raise her eyebrows at these familiar complaints and look right through her mother, into a shadowy vision of herself as she was right at that moment: she knew she was pretty and that was everything.”

There are things that happen when we are growing up that change us when we are grown. There are things that change us forever. Every human being is different, and there is a reason why . All of us had a childhood and all kinds of experiences some good, some bad, some full of joy but also others very painful. Eventually we grow childhood and mature depending of what we have gone through. The way we are able to handle situations is very important because one thing leads to another. We can't rely on intuition, we need to have logic in what our choices are. We can’t just punch someone in the face just because we don’t like a certain individual, or go up to