How To Use The First Person In The Divine Comedy By Dante Alighieri

Dante Alighieri wrote the Divine Comedy from 1308-1320. The story narrates Dante’s pilgrimage through hell, purgatory, and heaven while guided by Virgil and Beatrice. Throughout this journey Dante conforms himself to virtue, properly orders his passions, and conforms his conscience, “Dante 's psychopoiesis operates through the mimetic deformation, reformation, and transformation of conscience” (Macready, 2). This essay will examine what a true conscience is according to the Catechism of the Catholic Church and explore the nature of the conscience in Dante’s Divina Commedia. Additionally, this essay will examine the errors of Dante’s conscience regarding divine justice, love, and courage; and who contributes to this formation.

Dante Alighieri was a major Italian poet of the Late Middle Ages, he was born into a family with a complex involvement in the Florence political scene. In the Dante Alighieri's epic poem The Inferno, Dante, the protagonist, witnesses the Circles of Hell, guided by Virgil the character representing Human Reason. Alighieri shows compassion towards different sinners in Hell, which provides an insight on the way he feels about people who do not repent. Although they are illustrated as good people by the poet, they are punished within the different circles of Hell because they did not cleanse themselves of sin. Through the uses of diction, actions of Dante and Virgil, and imagery, Alighieri was able to show readers he felt compassion towards Farinata Degli Uberti, Pier Delle Vigne, and Count Ugliono.

“If you would not be forgotten as soon as you are dead and rotten, either write things worth reading or do things worth writing.” This maxim applies to the poet Dante Alighieri, writer of The Inferno in the 1300s, because it asserts the need to establish oneself as a contributor to society. Indeed, Dante’s work contributes much to Renaissance Italy as his work is the first of its scope and size to be written in the vernacular. Due to its readability and availability, The Inferno is a nationalistic symbol. With this widespread availability also comes a certain social responsibility; even though Dante’s audience would have been familiar with the religious dogma, he assumes the didactic role of

Born and raised in Florence during periods of political instability and fragmentation, Dante Alighieri, a devoted White Guelph and poet, became very familiar with the conflicts rising between the Guelphs and the Ghibellines––and between the Blacks and Whites. When the Blacks eventually overpowered the Whites, Alighieri was exiled and wrote The Inferno, in which he directly described the politics of his life and pressed on the topics of sin, treachery, and loyalty, while mentioning specific Florentine people he respected and others who, he felt, were deserving of harsh punishments because of their actions throughout their lives. In this epic poem, Alighieri writes himself as the main protagonist, Dante, in describing his journey through the nine circles of Hell, while meeting several sinners and witnessing their tormenting punishments along the way. When Dante encounters both loyal and traitorous Florentines, Alighieri uses diction, imagery, and actions to express compassion to three Sodomites––Jacopo Rusticucci, Guido Guerra, and Tegghiaio Aldobrandi––and Farinata Degli Uberti, and hostility to Bocca Degli Abati, revealing that Alighieri’s amount of sympathy and malevolence towards the sinners depended on their loyalty or betrayal to Florence.

Dante’s descent into Hell in Inferno, the first part of his Divine Comedy, tells of the author’s experiences in Hades as he is guided through the abyss by the Roman author, Virgil. The text is broken into cantos that coincide with the different circles and sub-circles of Hell that Dante and Virgil witness and experience. Inferno is heavily influenced by classic Greek and Roman texts and Dante makes references to a myriad of characters, myths, and legends that take place in Virgil’s Aeneid, Homer’s Iliad and Odyssey, and Ovid’s Metamorphoses. Some of the most important references, however, are the most obvious ones that are easily overlooked simply because of the fact that they are so blatant. Dante is being escorted through Hell by the

   In The Inferno, Dante explores the ideas of Good and Evil. He expands on the possibilities of life and death, and he makes clear that consequences follow actions. Like a small generator moving a small wheel, Dante uses a single character to move through the entire of Hell's eternity. Yet, like a clock, that small wheel is pivotal in turning many, many others. This single character, Dante himself, reveals the most important abstract meaning in himself: A message to man; a warning about mankind's destiny. Through his adventures, Dante is able to reveal many global concepts of good and evil in humanity.

With his writing style and the implementation of some literature firsts, Dante assured his name in history. His mastery of language, his sensitivity to the sights and sounds of nature, and his infinite store of information allow him to capture and draw the reader into the realm of the terrestrial Hell. His vast store of knowledge of Greek mythology and the history of his society assists Dante in the

The beginning lines of The Divine Comedy by Dante Alighieri indicate a pragmatic journey through the dark woods. It is soon evident that The Divine Comedy is in terms of an allegory. Midway through his life, Dante finds himself lost and in darkness. He is confused and unaware of how he has ended up in these dark woods. Dante soon comes across Italian poet Virgil, who will guide him through the Nine Circles of Hell. Dante Alighieri’s The Divine Comedy: Inferno portrays Dante’s life and adventure through Hell which allegorically represents a much broader subject: man’s journey through life to salvation.

Although a comedy, Dante’s Inferno paints a vision enthralled in horror. From the point of view of himself, Alighieri relates his emotion to the readers. In the beginning Alighieri finds himself in the first circle, limbo, the souls here are the souls that have not been baptized and pagans. He descends down into the second circle where he witnesses the souls of those who committed crimes of lust “The infernal hurricane that never rests / Hurtles the spirits onward in its rapine; / Whirling them around, and smiting, it molests them” (Alighieri 34-36). The amount of horror conceived from this one passage, was so horrific to Dante he began crying and felt the journey might have been too much.

    Some people think that the medieval churches view on sin, redemption, heaven and hell was very complex, but actually the churches views were straight and to the point. I will discuss with you what sin, redemption, heaven and hell were to the medieval churches and I will also share some examples in the story that will help you better understand The Inferno and the medieval churches views.

Dante Alighieri, an Italian poet and writer of the 13th century, creates a fictional account of his visions of his journey through Hell. His background as a Catholic influences his life and his writings, including The Inferno. He uses the historical and political events of his lifetime to influence his writings as well. Dante is educated and very familiar with the history and literature of the classical world. In The Inferno, he expresses his admiration for Greco-Roman history, literature, mythology, and philosophy, but he also places limitations on the ability of the classical world to gain salvation as taught and believed in Christian doctrine.

Dante had his fair share of the real human experience, whilst traveling through hell in Dante Alighieri’s “The Divine Comedy”. Characters in literature have been popularized since this masterpiece to favor sins as a type of personality trope. The lazy bum, the angry husband, or the prideful peacocks; the list goes on and on. The cause and effect of these traits have served well to teach generations of readers, the ideas and meanings of our actions as humans. Although it is rare, some works leave open ended plots for us to contemplate the meaning of said sin. In conjunction to some of the deadly sins, the main characters from “The Cask of Amontillado”, “The Veldt”, and “Soliloquy of the Spanish Cloister”, all display a truth about human nature.

Dante's `Divine Comedy', the account of his journey through hell, purgatory and heaven is one of the worlds great poems, and a prime example of a most splendidly realized integration of life with art. More than being merely great poetry, or a chronicle of contemporary events, which it also is, the `Comedy' is a study of human nature by a man quite experienced with it. The main argument I will make in this essay is that Dante's `Comedy' is chiefly a work of historical significance because in it lies the essence of human life across all boundaries of time and place. I feel that such a reading is justified, nay invited, by Dante himself when he says;

In Dante Alighieri’s poem, The Divine Comedy, Dante’s quest to find Beatrice symbolizes the importance of allowing love to be ones guide to divine understanding, for this is the only action which is completely controlled by God. Dante argues that although we have desires for sinful actions, humans have the ability to control these desires and decide our own fate. Furthermore, he argues that even if humans commit sin in life, if they will redemption before being sent to hell, they have the opportunity to purify themselves of purgatory. Thus, for Dante, choice is an ever present and vital part of life, and therefore, fate does not exist. But love for Dante is different. Dante argues that love cannot be controlled or chosen. There is no

Throughout the Middle Ages, art and philosophy has been lost in darkness, but with the reintroduction of ideas that came with the Renaissance in Italy, brought about a literary revival. One of the writers that influenced this revival is Dante Alighieri, a 13th century poet from Florence, Italy. His world famous epic, La Commedia, or more commonly known as The Divine Comedy remains a poetic masterpiece depicting truth and sin. The Divine Comedy, through the journey into the three hells, expresses a universal truth of good versus evil. Alighieri’s life of heartbreak with the influences of other famous poets like Homer and Virgil has affected his writing style, and through reviews by literary experts and their interpretation of Alighieri’s