Essay about Themes of The Village by the Sea by Anita Desai

unprivileged with her home. Her family, on the other hand, tries to escape Mango Street

In the narrative poem “Death Over Water,” by Elizabeth Rhett Woods, the speaker demonstrates the comparison between ice-dancing and the eagle and the gull by employing an extended metaphor, which means using metaphor throughout a poem in order to illustrate the correspondences. There are some similarities between ice-dancing terms and the terms in the poem, identical movements, and the alike dominance of stronger partner over the weaker one. The speaker attempts to make the reader consider about the crows and how they “swirl around the death due / spiralling lower” to express the same term between the poem and ice-dancing, which is the “death spiral” (Woods 21-22). This refers to spinning females in ice-dancing. In addition, the speaker talks

Tim O’Brien’s In the Lake of the Woods is centered around the mysterious disappearance of Kathy Wade. Mysterious is the key word, as throughout the novel O’Brien plays with the fine line between ambiguity and reality. Kathy’s husband John Wade, the main character, is a Vietnam veteran and former politician whose participation in the infamous Mai Lai Massacre caused his fall from grace. Following a landslide defeat in the congressional elections, Kathy and John retreat to solitude in an isolated cabin in the Minnesota woods. Here, O’Brien highlights the stress that secrecy has had on their relationship. During their retreat, Kathy disappears in the middle of the night. Their boat is missing, but there are no other clues. O’Brien does

On the Waterfront is a classic, award-winning and controversial film. It received eight academy-awards in 1954, including best-picture and director. The director, Eliza Kazan, in collaboration with Budd Schulberg wrote the film’s screenplay. Based on actual dockside events in Hoboken, New Jersey, On the Waterfront is a story of a dock worker who tried to overthrow a corrupt union.

“On the Waterfront” was photographed in such a captivating way. Boris Kaufman had a vision ahead of his time. Many scenes in the movie are understood, not just through the script, but from the cinematography as well. Three scenes in particular catch my eye. It is the artistic style and flare of conveying the same idea in multiple mediums. The first scene is when Terry and Edie are on the rooftop at Joey’s pigeon coup. This scene portrays the moment in which I believe was the catalyst for Terry that lead him to be truthful to Evie and stand up to Friendly. The second scene that I will speak about is when “Kayo” Dugan is killed. When the preacher is giving his speech to all the longshoremen. That speech was a testament of one man speaking out for what he knew was right. The third scene that I will choose for this essay is where Terry walks to Friendly’s dock office. After the fight, Terry’s march to work puts you on the edge of your seat. Each scene has depth that few movies achieve.

Dover Beach intrigued me as soon as I read the title. I have a great love of beaches, so I feel a connection with the speaker as he or she stands on the cliffs of Dover, looking out at the sea and reflecting on life. Arnold successfully captures the mystical beauty of the ocean as it echoes human existence and the struggles of life. The moods of the speaker throughout the poem change dramatically as do the moods of the sea. The irregular, unordered rhyme is representative of these inharmonious moods and struggles. In this case, the speaker seems to be struggling with the relationship with his or her partner.

In the short story by Ernest Hemingway, "Hills Like White Elephants," a couple is delayed at a train station en route to Madrid and is observed in conflict over the girl's impending abortion. In his writing, Hemingway does not offer any commentary through a specific character's point of view, nor, in the storytelling, does he offer his explicit opinions on how to feel or think about the issues that emerge. The narrative seems to be purely objective, somewhat like a newspaper or journal article, and in true Hemingway form the story ends abruptly, without the couple's conflict clearly being resolved. The ambiguity of the ending has been a subject of much debate; however, the impact of what is not said in words can be gleaned through the

What does the language and structure of the opening sequence of ‘On Chesil Beach’, reveal about the two protagonists characters.

Delvaux’s painting consist of a eight nearly identical woman sitting in chairs outside the doorways of grey rowhomes which head down a thin, long road. Towards the background of the painting, the houses are replaced by a lengthy, white wall and the road starts to bend dramatically. At the bend there is a black-hatted man walking away from the viewer and on the other side of the wall there are mermaids. Both the man and the mermaids are miniscule due to the extended perspective of the painting. The Village of The mermaids’ is confusing for many reasons. It has no central subject and uses size and perspective to minimize key figures and symbols that help the viewer form a holistic conclusion about it’s meaning. The Village of the Mermaids’ is not unlike a hydra, for every question answered two arise in its place. The painting has mysterious, eerie sentiment that plays on the viewer’s discomfort with the unknown. The Village of the Mermaids’ uses subtly unconventional geometry and positioning to achieve contradictory symbolism and ultimately a sense of discombobulation, but Mueller’s poetic analysis of the the painting fails to capture the full depth of this state of quiet disarray because people often feel the need to ground surrealist work in reality.

Throughout the history of British Literature, there have always been the themes of loneliness, torment or exile. Many times authors speak from their experiences and at times those experiences have to do with misery and discomfort with their lifestyles. In the Renaissance age, times were not always happy and people chose to pass on stories generation to generation to reveal their feelings and experiences. Poems made a great impact in easing the pain. In the poems, "The Seafarer" and "The Wanderer", the themes of loneliness and exile exist throughout both of the poems. The unknown authors portray the two themes through detail and emotion.

“The Seafarer” and "The Wanderer” are both poems that describe the hardships of the average Anglo-Saxon warrior. These stories show that life during the times of the Anglo-Saxons is not pleasant. In fact, it appears to be tough, fearful, and depressing. In “The Seafarer”, a man describes his horrid life on the sea, and in "The Wanderer”, a man tells his tale of being put into exile and losing all his fellow warriors and lord. Both men feel physical and emotional pain while going through their adventure. The seafarer claims that the sea itself is torturing him by saying “...the sea took [him], swept [him] back and forth in sorrow and fear and pain.” (2-3) The seafarer also explains that coldness is much more than just a feeling but a

This photograph was taken on Waikiki Beach in Honolulu, Hawaii in 2015. It was taken during sunset and as the tide had gone out, revealing a wider coastline. The world-famous beach is manmade and since 1951, over 80,000 cubic meters of sand has been imported to replace sand lost through erosion from heavy rainfall, sea swells, wind and tropical storms.

I walked along the beach. As I was walking I could feel the fresh smell of the beach like it was an air freshener but it also smelled that gave me a tingle in my nose. As I kept walking along the beach I could feel the light breeze coming against me. This fresh air felt warm as I felt like I was sleeping in a comfortable bed. I kept walking in the beach, as I did it felt like an escape to all my problems and also my stress. Beach felt like a solution to all my problems and could be open with anything.

In the poem "Dover Beach",witten in 1867 Matthew Arnold creates the mood of the poem through the usage of different types of imagery. He uses a dramatic plot in the form of a soliloquy. Arnold also uses descriptive adjectives, similes and metaphors to create the mood. Through the use of these literary elements, Arnold portrays the man standing before the window pondering the sound of the pebbles tossing in the waves as representation of human suffering. The man arrives at the vision of humanity being helpless against nature. Arnold creates the mood by suggesting mental pictures, actions, sights and sounds the man sees. Some examples are "folds of a bright girdle furled", "lie before us like a land of dreams"

The place where I feel most comfortable is a place where I am calm. A place that is peaceful in its own ways. It is the place to go to get away from all my troubles. It is the one place where I could sit forever, and never get tired of just staring into the deepest blue I have ever seen. It is the place where I can sit and think the best. A place where nothing matters but what is in that little moment. The one place capable of sending my senses into an overload. This place is the ocean.