Themes of Wuthering Heights Essay

In Wuthering Heights by Emily Brontë, Heathcliff’s strong love for Catherine guides his transformation as a character. While Heathcliff enters the story as an innocent child, the abuse he receives at a young age and his heartbreak at Catherine’s choice to marry Edgar Linton bring about a change within him. Heathcliff’s adulthood is consequently marked by jealousy and greed due to his separation from Catherine, along with manipulation and a deep desire to seek revenge on Edgar. Although Heathcliff uses deceit and manipulation to his advantage throughout the novel, he is never entirely content in his current situation. As Heathcliff attempts to revenge Edgar Linton, he does not gain true fulfillment. Throughout Wuthering Heights, Brontë uses Heathcliff’s vengeful actions to convey the message that manipulative and revenge-seeking behaviors will not bring a person satisfaction.

Heathcliff is a victim of class hatred but he also manipulates situations to his advantage and becomes an arch - exploiter. For example, after the death of his wife, Hindley went insane. Heathcliff used this opportunity to take revenge and took Wuthering Heights away from Hindley. He then went further and married Edgar’s sister, not for love or monetary gain but to get back at Edgar for marrying Catherine, and treated Edgar’s sister terribly.

Through self-centered and narcissistic characters, Emily Bronte’s classic novel, “Wuthering Heights” illustrates a deliberate and poetic understanding of what greed is. Encouraged by love, fear, and revenge, Catherine Earnshaw, Heathcliff, and Linton Heathcliff all commit a sin called selfishness.

Heathcliff has an obsession with Catherine, and undergoes emotional stress after her death (Bloomfield 291). His unsympathetic personality is also a trait of his mental disorder (Bloomfield 297). Heathcliff’s obsession can be classified as Monomania, he is fixed on one idea to the extent of physical and mental destruction (Bloomfield 295). Heathcliff lets hid ID take over instead of suppressing his instinctual feelings. Heathcliff becomes reckless and self-destructive and develops psychotic depression, he then retreats to Catherine’s room to die (Bloomfield 291). Throughout the novel it seems as though Heathcliff completely ignores his Ego and Super-Ego, and lives only by his ID. Emily Bronte uses mental illness in her characters and their death to alter the plot of Wuthering Heights. All of the characters fit into periodically correct illnesses, but the focus

   "My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff" (81)" These words, uttered by Catherine, in the novel Wuthering Heights are for me the starting point in my investigation into the themes of love and obsession in the novel. Catherine has just told her housekeeper that she has made up her mind to marry Edgar Linton, although she is well aware that her love for him is bound to change as time passes. That she is obsessed by her love for Heathcliff she confirms in the above quotation and by saying that she will never, ever be separated from him. Why does she not marry him then? Well, she has

This cold treatment only progressed and became abusive when Mr. Earnshaw, one of the few people to ever care about Heathcliff, dies and his son who loathes the protagonist becomes the master of Wuthering Heights. “He drove him from their company to the servants, deprived him of the instructions of the curate, and insisted that he should labour out of doors instead; compelling him to do so as hard as any other lad on the farm” (Bronte 71).

In Wuthering Heights, Emily Bronte uses the setting of the English Moors, a setting she is familiar with, to place two manors, Wuthering Heights and Thrushcross Grange. The first symbolizes man's dark side while the latter symbolizes an artificial utopia. This 19th century setting allows the reader to see the destructive nature of love when one loves the wrong person.

As a young orphan who is brought to Wuthering Heights, Heathcliff is thrown into abuse as Hindley begins to treat Heathcliff as a servant in reaction to Mr. Earnshaw’s death. As a reaction to both this and Catherine discarding Heathcliff for Edgar, Heathcliff’s sense of misery and embarrassment causes him to change and spend the rest of his time seeking for justice. Throughout this time, Heathcliff leans on violence to express the revenge that he so seeks by threatening people and displaying villainous traits. However, Heathcliff’s first symptom of change in personality is when Heathcliff runs into Hareton after Cathy “tormented

Another aspect which is relevant today and forever it shall remain relevant is selfishness. Catherine's selfish character was depicted when she wanted both Edgar and Heathcliff at the same time. In the beginning, she was introduced as a 'high spirited' character who was wild. However, she drastically changes throughout the book. When she hurts her leg and is forced to stay at Thrushcross Grange, she returns to Wuthering Heights as a well dressed and dignified lady. She was easily swayed to the superior lifestyle of the Lintons and began to look down upon Heathcliff. She even laughs at his rough and dirty appearance and says "I didn't mean to laugh at you. I could not hinder myself Heathcliff. Shake hands at least! What are you sulky for? It was only that you looked odd. If you wash you face and brush your hair, it would be alright. But you are

The ugliness of human nature is undoubtedly shown through toxic relationships in Wuthering Heights. They toxicity can be shown through almost every character relationship. The bain of toxic relationships can be shown right in the beginning of the novel with Hindley and Heathcliff. They immediately get off on the wrong foot all because one of them chooses to let their ugliness take over. Hindley is extremely jealous of Heathcliff, “...and is subject to Hindley's jealousy almost right away” (Galt). His jealousy sparks from the fact that his father seems to favour Heathcliff over him. This does Heathcliff no favours as it causes Hindley to be cruel and brutal towards him. Infact, on several occasions Hindley can be found almost abusing Heathcliff, "Take my colt, Gipsy, then!" said young Earnshaw. "And I pray that he may break your neck: take him, and he damned, you beggarly interloper! and wheedle my father out of all he has.” (Bronte 4) and “‘ Off dog!’ cried Hindley, threatening him with an iron weight used for weighing potatoes and hay.” (Bronte 45). The abuse and hatred that Heathcliff receives from such a young age cause him to give the same treatment in the other relationships in his life. In Heathcliff’s relationship with Isabella he can be seen showing the same abuse towards her, Heathcliff seized, and thrust Isabella from the room; and returned muttering—"I have no pity! I have no pity! The more the worms writhe, the more I yearn to crush out their entrails! It is a moral teething; and grind

Heathcliff is introduced in Nelly's narration as a seven-year-old Liverpool foundling (probably an Irish famine immigrant) brought back to Wuthering Heights by Mr. Earnshaw. His presence in Wuthering Heights overthrows the prevailing habits of the Earnshaw family, members of the family soon become involved in turmoil and fighting and family relationships become spiteful and hateful. Even on his first night, he is the reason Mr. Earnshaw breaks the toys he had bought for his children. "From the very beginning he bred bad feelings in the house". Heathcliff usurps the affections of Mr. Earnshaw to the exclusion of young Hindley-: "The young master had learnt to regard his father as an oppressor rather than a

Martha Nussbaum describes the romantic ascent of various characters in Wuthering Heights through a philosophical Christian view. She begins by describing Catherine as a lost soul searching for heaven, while in reality she longs for the love of Heathcliff. Nussbaum continues by comparing Heathcliff as the opposition of the ascent from which the Linton’s hold sacred within their Christian beliefs. Nussbaum makes use of the notion that the Christian belief in Wuthering Heights is both degenerate and way to exclude social classes.

In her novel Wuthering Heights, Emily Brontë uses a formal style of writing to portray the language of those used during the early 1800s. Throughout the majority of the novel, Nelly Dean is telling the story of how Wuthering Heights came to be the place that it currently is. Throughout Dean’s narration, characters are voiced differently due to their role in society. An example of this is shown when Brontë would use fragments of words to represent the speech of Hareton, one of the servants of Wuthering Heights. In contrast, Catherine, being well educated, would use sophisticated grammar and an extensive vocabulary whenever she spoke. Heathcliff was revealed as a two-sided character in this reading. On one hand, the author would use negative

His foster brother Hindley avoided him as a reject from society while viewing Heathcliff’s very existence as grievous crime, particularly because Mr. Earnshaw’s love and affection were displaced towards Heathcliff instead of him (EssayFarm, 2003). Mr. Earnshaw actions backfires later on in the novel as Hindley is misused and cheated out of ownership of wuthering heights by Heathcliff. Heathcliff hateful abuse both Hindley in his weakened state and Hindley’s son Hareton, who is made the stablehand instead of the rightful owner of the heights (EssayFarm, 2003). Heathcliff then imprisoned Catherine upon her visits to his son Linton. He forced her into 7marrying Linton while her own father was dying, and so gained ownership of Thrushcross Grange as well as the heights (EssayFarm, 2003). All the crimes that Heathcliff committed was out revenge against the society and how they treated him as young boy, because Mr. Earnshaw changing society rules and allowing an outsider in their society, they all had to pay the price, but Mr. Earnshaw can not only be blamed but as well as the society of wuthering heights as well are to be blamed, just because some is an outsider doesn’t mean he should be abused and treated badly so at the end they also paid the

The presentation of childhood is a theme that runs through two generations with the novel beginning to reveal the childhood of Catherine and Hindley Earnshaw, and with the arrival of the young Liverpudlian orphan, Heathcliff. In chapter four, Brontë presents Heathcliff’s bulling and abuse at the hands of Hindley as he grows increasingly jealous of Heathcliff for Mr. Earnshaw, his father, has favoured Heathcliff over his own son, “my arm, which is black to the shoulder” the pejorative modifier ‘black’ portrays dark and gothic associations but also shows the extent of the abuse that Heathcliff as a child suffered from his adopted brother. It is this abuse in childhood that shapes Heathcliff’s attitudes towards Hindley and his sadistic