Theology Leads to Interpretation

Death is inevitable; it should not be feared but instead accepted, and this is the main idea and theme explored in Emily Dickinson’s “Because I could not stop for Death.” In the poem, Death is personified as a gentleman who “kindly stopped [stops] for me [her]” (Dickinson 2), “slowly drove [drives] … know[ing] no haste” (Dickinson 5), and with whom she stops at a “house that seemed [seems]/ A swelling of the ground” (Dickinson 17-18) or in other words, her grave. To begin the poem, the fact that Death is represented as “if he were a human being” (Evans 15) implies that it is humane. This contributes to the idea that death is not to fear. Later on, it can be concluded that this person has control over her as she describes how she “had put away / My [her] labor, and my [her] leisure too, / for his civility” (Dickinson 6-8), which implies that “everything that had once seemed so important and distracting now recedes in importance” (Evans 17), and how he “slowly drove [drives] … know[ing] no haste” (Dickinson 5), which gives “no clear sense of the underlying purpose of the journey or its ultimate destination” (Evans 16) and thus implies that only Death knows the path and destination of the journey. Both of these examples contribute to the fact that Death completely controls a person against its will and that it is inevitable. Finally when “we [they] paused before a house that seemed / A swelling of the ground” (Dickinson

Although Dickinson does not mention heaven or hell in the poem, her point of view seems as if she is satisfied with her final resting place. The theme of the poem being that death is natural and unstoppable for everybody also gives comfort that it is not the end of a soul’s journey. The reader can recognize the poem's

Dickinson starts the first stanza of the poem with, “Because I could not stop for Death – He kindly stopped for me” (807). Clearly she was not ready to go, death simply took her by surprise and brought her busy life to a halt. This could be seen as a beautiful way to take on death because death is usually said in such a morbid tone and the fact she associated “kindly” with death makes it beautiful. The second line says, “The Carriage held but just Ourselves – and Immortality” (Dickinson 807). The author emphasizes Carriage, Ourselves, and Immortality. Dickinson seems to be talking about her own death chariot and by immortality, she believes her death is not the end, but rather as a step to eternal life.

The ensuing line states, “He kindly stopped for me” (Line 2). From this, the reader could possibly deduce that the narrator was glad to see death. Dickinson was known throughout her life to have been oddly fascinated with death and immortality, so it’s not out of the question to assume that this fascination was reflected in the narrator’s personality and was why death was welcomed. However, a more likely conclusion is that Dickinson was merely being ironic. Death is ominous as it is a leap into the unknown; we simply cannot fathom the eternity of afterlife. Taking us without consent from our lives (which we already have no power over), and thrusting us into an incomprehensible eternity is not exactly a kind act to commit, thus irony was used in this case. This further strengthens the idea that our lives are out of our control because with or without consent, death will choose to take a life whenever he pleases.

Dickinson’s use of figurative language in “Because I Could Not Stop for Death” contributes to the meaning of the poem. With the use of personification, symbolism, and examples of vivid imagery, she composes a poem which is both unique and captivating. The title and first line of the poem, “Because I Could

Finally in the final stanza of the poem, Dickinson remembers the horses in which she was being taken away when she died. The horses seem to be taking her into Eternity, basically an afterlife.

Emily Dickinson, a quiet yet brilliant poet born in Amherst, Massachusetts, shared this fascination. In “Because I Could Not Stop for Death” by Emily Dickinson, the speaker employs the personification of a kind death, imagery of the stages of life, caesuras, and complex alliteration to exemplify that death is not to be feared and immortality is freedom from daily struggle. By personifying death as a kind man, Dickinson

Because I could not stop for Death by Emily Dickinson processes the life leading up to death and eternal life. The speaker is telling the poem many years after death and in eternal life. She explains the journey to immortality, while also facing the problem of sacrifice and willingness to earn it. The poem is succulent in alliteration, imagery, repetition, personification and rhyme. A notable shift in almost all of the poems direction occurs as well. By doing so, Dickinson, a poet in the American Romantics era, sets forward an idea that immortality will appear in the afterlife of an individual who believes so.

Emily Dickinson’s “Because I could not stop for Death” is a remarkable masterpiece that exercises thought between the known and the unknown. Critics call Emily Dickinson’s poem a masterpiece with strange “haunting power.”

The subject of death, including her own was a very prevalent theme in Emily Dickinson’s poems and letters. Some may find her preoccupation with death morbid, but this was not unusual for her time period. The mindset during Ms. Dickinson’s time was that of being prepared to die, in the 19th century people died of illness and accidents at an alarming rate, not to mention the Civil War had a high number of casualties, she also lived 15 years of her youth next to a cemetery. Dickinson’s view on death was never one of something to be feared she almost romanized death, in her poem “Because I Could not Stop for Death”, she actually personifies death while narrating from beyond the grave. In the first stanza she states “I could not stop for

In Emily Dickinson’s “Because I could not stop for Death “ (448), the speaker of the poem is a woman who relates about a situation after her death. The speaker personifies death as a polite and considerate gentleman who takes her in a carriage for a romantic journey; however, at the end of this poem, she finishes her expedition realizing that she has died many years ago.

“Because I could not stop for Death-” is the more famous of Dickinson’s works. The poem is her attempt to visualize the process of actually being dead. As a narrative, the unknown Speaker of the poem describes how the literalized manifestation known as Death “kindly stopped of me-”. Death picks the Speaker up in a carriage and they ride away together – “The Carriage held but just Ourselves — And Immortality.” In this way, Death has been compared to both a suitor and a seducer for the speaker. After all, the Speaker did not actually choose to die and was not even contemplating the end of life. Rather, Death chose the Speaker. The suiter/seducer interpretation provides a double-meaning wherein can be viewed as both the natural progression of life and also the destructive violation of it. Immortality is the third person

In “Because I could not stop for Death” the woman seems to anticipate everlasting life, and has found it. The woman in the poem has been taken away by death. It almost seems as if the lady is reminiscing through her life as a child, an adult, and then she finds death. The death portion of her life is represented by “We passed the setting sun” (12). Reading through the poems leads one to believe the woman was very comfortable with death and all it had to offer. The woman in the poem is so comfortable in her new state that time trickles by, feeling “…shorter than the Day” (22). The poem, “Because I could not stop for Death” represents a woman that has found peace with her everlasting life. The mysterious experience of death is revealed in both poems.

When the speaker states, “Because I could not stop for Death—/He kindly stopped for me—,” she implies that most people do not stop to think about their death. People go on with their busy lives and do not talk or think about death because they are afraid of it. So Death must stop and “kindly” ask people into his carriage. After she went into his carriage, Dickinson goes on to portray what the speaker sees as she is dying. Contrary to the speaker’s busy and fast life, line five