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Theories Of Cultural Criminology

Decent Essays

Considered the “new criminology”, the cultural and anarchic criminological theory explains how globalization has led to cultural homogeneity. It is a distinct speculative, procedural, and interventionist approach to the study of crime that places criminality and its control directly in the context of culture; that is, it observes crime and the agencies and institutions of crime control as cultural products or as creative constructs. So, they must be read in terms of the meanings they carry. The focus of the field is extensive, including situated and symbolic significance; fabricated social identity; subcultural study; space, place, and cultural geography; the continuing transformations and fluctuations associated with hypercapitalism; variations of power, resistance, and state control; existentialism and theories of risk, “edgework,” and personified practice. In all this, cultural criminology attempts to familiarize criminology to contemporary social and cultural changes and thus to imagine a “postmodern” or “late modern” theory of crime and control. In this regard, cultural criminology is involved in how individuals attempt to resolve certain internal spiritual and emotional conflicts that are themselves generated by the paradoxes and particularities of modern-day life. Put otherwise, cultural criminology seeks to combine “a phenomenology of modern crime with a sociocultural analysis of late modern culture” (Hayward 2004, p. 9, cited under Markets, Consumption, and Crime).

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