Theories Of Double Consciousness

DuBois's quote, "The problem of the twentieth century is the problem of the color line," tells a great deal of how Americans in general felt towards segregation -- each side had suspicions about the goings-ons of the other race. Blacks had a stronger sense of such hesitency because of their history with Whites, and Whites were generally afraid of anything different than themselves, thus the enslavement. Hughes, as a writer, dealt with this problem in a way that few had done, and fewer had done successfully --

Langston Hughes was the leading voice of African American people in his time, speaking through his poetry to represent blacks. His Influence through his poems are seen widely not just by blacks but by those who enjoy poetry in other races and social classes. Hughes poems, Harlem, The Negro speaks of rivers, Theme for English B, and Negro are great examples of his output for the racial inequality between the blacks and whites. The relationship between whites and blacks are rooted in America's history for the good and the bad. Hughes poems bring the history at large and present them in a proud manner. The injustice that blacks face because of their history of once being in bondage is something they are constantly reminded and ridiculed for but must overcome and bring to light that the thoughts of slavery and inequality will be a lesson and something to remember for a different future where that kind of prejudice is not found so widely.

In Hughes poem “Note on the commercial Theatre” he started off with an angry tone, upset that African American music was used by the whites, but the African Americans didn’t receive the credit for the artistic work: “You’ve taken my blues and gone you sing them on Broadway” (1043). Furthermore, at the end of the poem Hughes does expresses a powerful ending, our culture is beautiful, but you will never be me: “Black and beautiful and sing about me, and put on plays about me! I reckon it’ll be me myself” (1043)! Hughes poems focused on the urban cultures, while Zora Neale Hurston short story “How it feels to be Colored Me” focused on her as a woman who is discovering herself and her worth.

At first, Hughes primarily focused on writing for a black urban audience; throughout time, he changed his focus to middle-class blacks, and then to the men and women of Harlem as “black masses”. Hughes ended up directing his writing to both whites and blacks of all classes. His basic philosophy, taken from the poem “I, too,” was as follows:

Hughes's poem builds on top of Whitman’s poem in more ways than one. Every single person with their described job in Whitman’s poem was said to have been sung loud and strong as to what they were doing when working, meaning that they took pride in how they worked and what kind of work they did. With how there's so many types of people and jobs being talked about in Whitman’s poem, you would think it would include the lives of blacks and how they have dealt with all the racism and stuff at the time (later on too). Hughes’s poem is a type of add-on to Whitman’s poem in the way of including the whole of black people into the mix, with many lines in the poem stating things of which overall say that even if you’re black you should still be allowed to partake in things and be in an area without any prejudice towards your skin color.

Langston Hughes was known for his poems of black activity in America since the 1920’s to the 1960’s, which was the time of the Harlem Renaissance. “My writing has been largely concerned with the depicting of Negro life in America.” Throughout Langston’s life he has seen and experienced racism. He used these experiences to give him ideas of things he could write about. Back then white people were the majority in Harlem, but then once the blacks started to come they dispersed. “We younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased, we are glad. If they are not, it doesn't matter. We know we are beautiful. And ugly too.” Langston knew that blacks should express themselves no matter what color they are and not be ashamed of it. Some white people may like that they are expressing themselves, on the other hand, some white people may not accept that the

Hughes also takes the view of culture but he examines it from the view of blacks that are not stuck in the ghetto but have stable backgrounds. Hughes takes the view that blacks are actually hindering themselves. He says that there is a huge obstacle standing in the way of every black person. He actually makes a reference about artist but it can be viewed as any black person. He says the obstacle is, “this urge within the race toward whiteness, the desire to pour racial individuality into the mold of American standardization, and to be as little Negro and as much American as possible.” (Hughes, Langston) His example is a poet. This poet subconsciously wants to be white because he feels it will make him a better poet. This poet comes from a strong background in the middle class. According to Hughes, they attend church; the father has a steady job; the mother works on occasion; and the children attend mixed schools. However, the problem comes with how the parents treat their children. The mother says things like, “Don’t be like niggers” when the children are bad. In turn the father says things like, “Look how well a white man does things.” So in this home and many others, black is not praised or celebrated it is taught to be ashamed of. They are taught to want to be white. It is staggering what blacks do to themselves because of this. Fist Hughes says the more predominant don’t

In today’s society we face a lot of issues, but there is one issue that stands out to me most. Which these two poems address, that is injustice towards other race in America. In Langston Hughes “I Too” and “The Weary Blues” the trouble of unjust towards African Americans, weigh on the speaker’s mind. Each poem reflecting on the same issue just a little bit differently.

Langston Hughes is one the most renowned and respected authors of twentieth century America not simply one of the most respected African-American authors, though he is certainly this as well, but one of the most respected authors of the period overall. A large part of the respect and admiration that the man and his work have garnered is due to the richness an complexity of Hughes' writing, both his poetry and his prose and even his non-fictions. In almost all of his texts, Hughes manages at once to develop and explore the many intricacies and interactions of the human condition and specifically of the experience growing up and living as a black individual in a white-dominated and explicitly anti-Black society while at the same time, while at the same time rendering his human characters and their emotions in a simple, straightforward, and immensely accessible fashion. Reading the complexity behind the surface simplicity of his works is at once enjoyable and edifying.

Both Brown and Hughes show the similarities and differences of white men and black men from two different angles and they allow the reader to compare races in different ways. They both show styles of writings that were expressed by poets of the Harlem movement.

     There is so much richness in Negro humor, so much beauty in black dreams, so much dignity in our struggle, and so much universality in our problems, in us-in each living human being of color-that I do not understand the tendency today that some American Negro artists have of seeking to run away from themselves, of running away from us, of being afraid to sing our own songs, paint our own pictures, write about our selves-when it is our music that has given America is greatest music out humor that has enriched its entertainment media for the past 100 years, out rhythm that has guided its dancing feet From plantation days to the Charleston…Yet there are some of us who say, “Why write about Negroes? Why not just a writer?” And why not-if no one wants to be “just a writer?” Negroes in a free world should be whatever each wants to be-even if it means being “just a writer…” (Hughes, 773)

The idiopathic themes expressed in both, Langston Hughes and W.E.B Du Bois during their time period were expounded in great detail. One line from W.E.B Du Bois poem “The Song of the Smoke” said “For blackness was ancient ere whiteness began”, this shows the

No black person can escape the blues, because the blues are an inherent part of the black existence in America. To be black is to be blue. The blues tell us about black people’s attempt to carve out a significant existence in a very trying situation. The purpose of the blues is to give structure to black existence in a context where color means rejection and humiliation. Suffering and its relation to blackness is inseparable from the meaning of the blues. Without pain and suffering, and what that meant for black people in Mississippi, Tennessee, and Arkansas, there would have been no blues. The blue mood means sorrow, frustration, despair, and black people’s attempt to take these existential realities upon themselves and not lose their sanity. The blues are not art for art’s sake, music for music’s sake. They are a way of life, a life-style of the black community; and the will for survival. Thus to seek to understand the blues apart from the suffering that created them is to misinterpret them and distort the very creativity that defines them (Cone, 1980).

A great votary of black art, Hughes inaugurated a distinct movement of "negritude" which may be regarded as the soul of Harlem. Rising from his consciousness of the colour of his skin and passing through various stages of identification with people and territory of Africa and finally grounding it in the American Past, negritude in the poetry of Hughes evolves into a definite and enduring concept expressive of definite vision.6 But he doesn't suffer from what W.E.B. DuBois terms as double consciousness - "two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body."7

struggle of the Afro Americans. It is a dream which has not come true and will