There Are Many Critical Interpretations of Iago’s Character. Was He a ‘Skillful Villain’? or Perhaps He Was a ‘Mysterious Creature of Unlimited Cynicism’? or Was He Simply a ‘Wronged Man’? More Sinned Against Than Sinning?

The most interesting character in the play Othello is the villain, Iago, commonly referred to as "Honest Iago".  Iago is smart, and well tuned to human behavior, and uses this knowledge to

The first of many examples of Iago’s manipulation occurs in Scene 1, Act 1. Rodgerio and Iago have had a bit too much to drink and they go over to Brabantio’s house to inform him about his daughter’s romantic relationship with Othello. When Roderigo starts telling Brabantio about this, he shrugs it off, blaming his nonsense on Roderigo’s unrequited love for his daughter. But Iago begins explaining the situation, saying “...very now, an old black ram is topping your white ewe. Arise, arise, awake the snorting citizens with the bell, or else the devil will make a grandsire of you.” (I,I). Iago’s exact choice of words in this quote is very significant because not only are they racist and distasteful, they are dehumanizing Othello. By comparing Othello to an animal, and “old

Iago plants ideas in Othello’s head, uses the innocent actions of others as his proof; and Othello, who is not practiced in worldly matters, believes his the misnomer of the “honest Iago”, and eventually is consumed by the lie.

This next part of Iago’s character plays an equally important role in the play. An article says that a “... superb ability of Iago is that he has an acute eye for his victim's weaknesses and exploits them mercilessly.” (“Villainous Role of Iago in Othello”). Iago is able to use the characters weaknesses against them for his own selfish reasons. While the audience is aware of Iago’s plan, the other characters are oblivious to his evil

In Othello, Iago is a villainous person who is filled with hatred, jealousy and an undeniable lust for power. He influences and manipulates everyone close to him for the sole purpose of destroying their lives.

Each situation of manipulation proves Shakespeare’s characterization of Iago. He was an evil antagonist, and would do anything to get to the top. Due

Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.

Iago is the antagonist of the play, and one of the most evil Shakespearean villains. Iago is extremely clever in the way he uses unsuspecting power- especially psychological power. He gets into people’s heads in many dishonest ways- by spreading false rumours, telling lies and psychologically tricking people and secretly controlling certain situations. His power to manipulate is a key point in the play, as it results in major consequences and the deaths of some main characters. Iago’s schemes are multi-levelled- he conspires with roderigo, and makes him believe that Desdemona will take him back. On another level, he leads Othello to believe his wife is having an affair with Cassio. He uses his wife Emilia (unknown to her), to bring back the handkerchief he uses to deceive Othello. Iago is an extremely resourceful and talented man, but he uses these resources and talents in detrimental ways. Iago is constantly referred to by numerous characters as ‘honest’. He himself also refers to honesty. Numerous characters believe that they know and trust Iago and that he would not lie, nor deceive them. Iago’s soliloquies also provide invaluable insight into his wicked mind and evil schemes and plans.

Iago is one of the most misunderstood villains in Shakespeare literature. We side with Othello from the start because his name is on the cover of our paperback, we read Othello when learning about heroes, so we expect Iago to be a villain, a ruthless manipulator. We don’t know why, he doesn’t state it plainly or in simple English, so we assume that he’s evil, that he’s just a disgruntled sociopath out to exact his exaggerated revenge on good and noble Othello. Iago’s misunderstood reputation is a result of not truly examining his character, and answering the “why” factor behind his actions. After all, everyone is innocent until proven guilty. His goal in the play was not just to destroy Othello for the fun of it. His objective,

Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs

     Iago, the villain in Shakespeare’s Othello, is a round character of great depth and many dimensions. Iago works towards an aim that is constantly changing and becomes progressively more tragic. Yet, at times, "honest" Iago does actually seem honest. This essay will explore the complex character of "honest Iago.

Iago’s complexity in character grows as the play comes closer to a conclusion. The tricky and crafty way Shakespeare uses the evil in Iago is to make him seem amoral as opposed to the typical immoral villain. At the climactic end of the play, Iago's plot and plan is given away to Othello

Iago’s very language reveals the level at which his evil mind works. Francis Ferguson in “Two Worldviews Echo Each Other” describes the types of base, loathsome imagery used by the antagonist Iago when he “slips his mask aside” while awakening Brabantio:

In conclusion, Iago is far from a villain because of the time that he lives, the situation which was unfair, and the rumor which smears his reputation with infamy. For the people, who live in 16th century, Iago was the only brave soldier defies against Othello, who is a foreigner with great power. Excludes time period, it is an error to define him as villain. Also, Iago can be a role model of today’s hero. A society without obvious rules dealing with crimes, there is anarchy and war. Iago is the only guy resists against regionalism and kinship. His careful behavior and extraordinary strategy deserves that he is a heroic figure. People should get out of stereotype and evaluate him

Iago is not the typical villain in any story or play. The role he plays is unique and complex, far from what one might expect from a villain. Iago is not only very smart, but he is also an expert judge character. This gives him a great advantage in the play. For example, he knows Roderigo is in love with Desdemona and figures that he would do anything to have her as his own.