In her article, “They Pretend to Be Us While Pretending We Don’t Exist,” Jenny Zhang discusses poet Michael Derrick Hudson’s use of a Chinese pen name in order to get published, a choice which he defends by saying that taking on a minority’s identity helped him get the “edge” he needed, but is really an act of appropriation. Zhang uses this particular instance and a few others to bring attention to racism both in the writing world and society itself. By falsely identifying as a minority, white writers think publishers will be more interested in their work to add diversity to a company; however, being an actual minority or person of color in the writing world makes it more difficult to get published and even more difficult to be sure of the
While Delany was walking back to his seat after winning an award for “Aye, and Gomorrrah” fellow writer Isaac Asimov pulled him aside and jokingly said,”You know, Chip, we only voted you those awards because you're negro”(18). Delany, although realizing that Asimov was using satire to say that the color of his skin had no part in the voting decision. Realized that unintentionally or not, Asimov was saying that no matter Delany's achievements he will always be “Negro”. This fits in to Delany’s explanation of what systematic racism does, it acclimates people of color to be comfortable with the isolation of races. Because Delany is a black writer he will foremost be know as a black writer before anything else, and will always be grouped in that category. This well intentioned joke fuels the system that is racism.
In Richard Rodriguez’s essay “ Blaxicans and other Reinvented Americans” the usage of irony is effective writing style to persuade his audience because he makes his audience to stop and think about what he is trying to say which is culture identifies you. During an interview, Rodriguez states, “ I am Chinese, and that is because I live in a Chinese city and because I want to be Chinese”(91).The evidence reveals how for Rodriguez it did not matter what actual race he came from but instead what culture he grew up in. Many people may view that races does matter but other think otherwise, since many were educated differently and raised in a different way. Rodrigues usage of situational irony makes his audience to stop and wonder why he choose
In James’s professional life as a writer, he attempts to stay away from people because of the racial comments that get thrown around (p. 261). This exposes how in a professional environment people are judged by the color of their skin more than their ability. James’ attempts to show the racial tensions hints at why he believes that the world needs to change and tries to help and change it.
The novel holds white readers accountable for their privileges and challenges them to confront the injustices African Americans face. In the face of ongoing discrimination, there is a need for systemic change to humanize and recognize the dignity of all individuals, regardless of
Furthermore, Biman Basu’s The Black Voice And The Language Of The Text: Toni Morrison’s Sula, investigates what he calls “one of the most significant developments in African American tradition…the formation of a class of intellectuals” (Article). More precisely, Basu is speaking of individuals like Morrison, who have not only broken down barriers for herself as a woman writer, but the others whom have followed in her footsteps to publish a rich tapestry of African-American literature. Furthermore, Basu’s investigates the conflict that arises when one class overtakes another stating that the conflict “on one hand, is between African-American and American Culture, and on the other, between this class of intellectuals and the ‘people’”(article).
In 1912, The Autobiography of an Ex-Colored Man was anonymously published by James Weldon Johnson. It is the narrative of a light-skinned man wedged between two racial categories; the offspring of a white father and a black mother, The Ex-Colored man is visibly white but legally classified as black. Wedged between these two racial categories, the man chooses to “pass” to the white society. In Passing: When People Can’t Be Who They Are, Brooke Kroeger describes “passing” as an act when “people effectively present themselves as other than who they understand themselves to be” (Kroeger 7). The Ex-Colored Man’s choice to ultimately “pass” at the end of the novel has been the cause of controversy amongst readers. Many claim his choice to “pass”
When a person grows up, they are in constant search of their identity, of who they are. Yet, the identity of a person is too complex for anyone to form assumptions about it because it involves more than one factor. The assumptions themselves may be insulting to others who truly know what their marginalized group has. According to the poem Nikki-Rose by Nikki Giovanni, “I really hope no white person ever has cause to write about me” (73). People can never enter the minds of others, they can only speculate from what they have seen or heard. Giovanni states that she does not want anyone to write about her, which shows that she believes they will not receive correct information. People may have honest intentions when they produce a comment
In Blueprint for Negro Writing, Wright criticizes the African America artist. Wright believes that African American writers were writing for their white audience, and not themselves. Wright calls Black artists “French poodles” that perform tricks for the masses (Wright 97). Black artists were pressured conform to what their white audience wanted and expected from them. Since the majority of the audience is white, African American artists were expected to create works that appealed to white people.
It doesn’t take long to figure out that race and ethnicity issues continue to affect America - a quick glance at the news will show the latest riot, hate crime, or police brutality incident. This centuries old struggle has given rise to a number of literary works on the topic, many of which take a different approach to the issue. W.E.B. Du Bois, for instance, published the work The Souls of Black Folk in 1903, arguing for blacks’ right to equality in a horrifically segregated society. In these essays, Du Bois coined the term “double-consciousness,” wherein those with black skin must view the world both from their own perspective, and from the perspective of the predominately white society. The short story Recitatif by Toni Morrison explores this concept through the removal of the characters’ races, and the film Do the Right Thing, directed by Spike Lee, tells a story to demonstrate it. While the former shows double-consciousness through the usage of ambiguity, the latter almost directly references the concept. Taken together, these two sources argue a multi-faceted version double-consciousness, wherein society alienates the characters in ways that go beyond just the color of one’s skin.
“Representing Whiteness in the Black Imagination” written by American author, feminist and social activist, bell hooks, dissects the dichotomy of black and white culture in a westernized society. Hooks utilizes the term ‘whiteness’ throughout her piece as an acknowledgment of the domination, imperialism, colonialism, and racism that white people have asserted among black people. This discipline progressively has evolved from history; through slavery and forth, leaving an imprint in
Throughout the essay, Race, Culture, Identity: Misunderstood Connections, I found Kwame Anthony Appiah’s claims about social scripts to support my idea that we present ourselves differently depending on the circumstance. There are times when we try to play into the majority, as well as times where we try and fall into the minority; we choose which group we want to highlight depending on which will get us where we want to go.
Through a number of important essays, Marleen Barr’s “Afro-Futurism” opens up a conversation about racial autonomy and collective agency in a literary space that seems to have been reluctant to even whisper about such things: namely, Science Fiction. Maybe that is not all that surprising given the genre’s predominantly white(ned?) literary categorization that, while it has no outright barred people-of-color, has not in turn seemed to make any meaningful space for them, either . Indeed, there is such an implicit racial claim of science fiction by White Culture that when a person-of-color is cast in one of the starring roles of a major Science Fiction production – oh, let’s say “Star Wars: The Force Awakens” – that there is a massive outcry and calls for boycott and existential fears of white erasure.
1: Discuss an example from the video of a sport/event where changing concepts of race and social access have influenced who participates in a sport. Discuss another example (from your own knowledge or news) where economics, social conditions, tradition, or stereotypes have led to disparities in participation in particular sports?
Whether it is on TV or movie screens, the faces of white actors and actresses have always been prevalent in the media. For generations, many teenagers have been exposed to countless movies with white people in major roles. Moreover, the few roles that are cast to minorities feature the characters in their stereotypical personas (Bonilla-Silva 179). Even in advertising, Asians are placed in business settings, upholding the hard-working Asian stereotype (Taylor and Stern 50). As Taylor and Stern mention in their paper, the “model minority” has made the issue of stereotyping seem less important for Asians. The majority of these actors that are examined, regardless of race, are typically middle-age and well established in their acting careers. However, there is a lack of research behind Asian youth acting and their perceived roles. To account for this knowledge deficit, I examine how whiteness influences the media to portray youth actors as individuals that stray from their stereotypes in an attempt to achieve whiteness. My research site centres around Fresh Off the Boat (FOB), a comedic television series featuring a Taiwanese family. The title of the show Fresh Off the Boat or “FOB” is also a term used to describe a person that is considered too ethnic and as a term of denigration. I utilize Pyke and Dang’s categorization of “FOB” and “whitewashed” to analyze the narrator, Eddie Huang. I chose to limit my research primarily to the first “pilot” episode where the audience is
Each and every person on this Earth today has an identity. Over the years, each individual creates their identity through past experiences, family, race, and many other factors. Race, which continues to cause problems in today’s world, places individuals into certain categories. Based on their race, people are designated to be part of a larger, or group identity instead of being viewed as a person with a unique identity. Throughout Richard Wright’s Black Boy, Richard is on a search for his true identity. Throughout Black Boy, one can see that Richard’s racial background assigns him with a certain identity or a certain way in which some