Thiebaud Pop Art Style

Imagine you just got off work and you arrive home to a hot meal waiting for you on the table. You walk in the door, take your coat off, and are greeted by

Known for his paintings of everyday items in the American life, Wayne Thiebaud is “one of the most hardest-working artists in America” (Smithsonianmag.com). Born in Arizona and raised in California, Thiebaud grew to be interested in stage lighting and design in high school and from there went on to work as an illustrator, sign painter, and cartoonist. During the years 1942-1945 Thiebaud had the pleasure of working under Ronald Reagan’s command as an artist and cartoonist in the Special Services Department of The United States Air Force, and eventually got promoted to the First Air Force Motion Picture Unit.

Romanticism was an art movement that developed in the late eighteenth century and lasted for about one hundred years. Romanticism is a rejection of the traditional values of reason, order, and objectivity that characterized Classicism and Enlightenment, in particular Neoclassicism. For the romantic artist, Neoclassical principles hindered the artist’s vision and creativity. Rather, the romantic artist emphasized and valued intuition, juxtaposing emotions, and imagination. Generally, Britain and Germany were seen at the forefront of romanticism. The British Industrial Revolution initiated a disillusionment in rationalism and materialism, consequently rejecting classicism.

He worked odd jobs such as a carpenter, a sculptor, he even eventually began selling his own handmade postcards and sweatshirts (Biography.com). One day he met Andy Warhol. He spotted Warhol’s iconic wig as he was walking into a restaurant and he waited outside for half an hour until he could build the courage to walk inside, when he did, he walked and asked Warhol one to buy one of his postcards for $1, he did, but he dismissed young Basquiat for his work being “too young” (Fretz 23). So Basquiat went back to the streets doing his graffiti at night on subways and slum buildings in lower Manhattan, still under the name SAMO©, with his friend Al Diaz. Basquiat began to draw attention to himself through the Mudd Club, a nightclub in the Tribeca area of New York that was venue for underground music as well as other counterculture events. He was the so much on the regular basis at was almost like he lived upstairs. It was at the Mudd Club where Basquiat met Diego Cortez (Fretz 35). Being anart curator, and co-owner of the Mudd Club, Cortez was a major key in the beginning of Basquiat’s career. While he was promoting Basquiat’s work Basquiat was given a spot in the Time Square Show, an art showing for you street artist held in New York City, which gave him the exposure he needed to launch his career as a professional

During his extensive stay recovering from the crash at the hospital, he began to create art in a form of distraction. He loved to paint and quickly became absorbed in the free-expression of making art. After his release from hospitalization, he returned to Berkeley to study art, and completed

Most of his work was seen in many department store windows, where his unique style was based on abstract expressionism. “Abstract Expressionism Art Movement” in the united states was influenced during the post-war. This movement helped American achieve international praise and put New York City on the map, US now becoming the center of the Western World of art. Thus beginning to making “Pop art” in the 1960’s, He started to photograph famous celebrities such as Elizabeth Taylor and Marilyn

With each new decade, a new method of self expression comes in the form of fashion, or music or art. Starting in the 1950s, Britain and the US erupted with excitement over a new art form that challenged all previous art forms by utilizing graphics from modern culture and advertising. The purpose of this new art form, known as “pop art”, is to expose basic and unoriginal ideas within society. Pop art could be considered satire in art form. Many people believe this critical form of art was the artists responding to the abstract expressionist era.

The phenomenal Wayne Thiebaub is an American artist, specifically a painter, whom is very much delightful as his work. Born on November 15, 1920 in Mesa, Arizona, and raised as a Mormon child. As of today, Wayne Thiebaud is 95 years old. Thiebaud coming from a religious background before him and his family moved to Long Beach, California at the age of six months old. During his high school years Thiebaud had the privilege of practicing and learning his talents as a trainee at Walt Disney studios during World War 2, where he found excitement, drawing popular, famous cartoon characters such as, Pinocchio, Goofy, and Jiminy Cricket. Moreover, he started to continue to make progress as he worked as a poster designer and commercial artist in both

Nevertheless, do not be deceived- a bland canvas is rendered not to free it of excitement and allure, but rather to enhance, to project the masterpiece which has been painted onto it. Too often, artists dream up quite wonderful, and exciting displays for their cereal boxes, yet the intention of an engaging, powerful Picasso sketch, is only drowned out with information, and a plethora of colors our eyes can only gawk at. Indeed, the modest candor of the “Cinnamon Toast Crunch” box, expounds more worth to the consumer than a wall of color and text could ever support- courtesy of a design that knows exactly what the buyer wants to

Genre art is used to depict scenes from everyday life. It focuses on the intimate and elevates the personal, giving insights into the lives of everyday people. From these works of art, such as The Old Market Woman and A Goldsmith in his Shop, we can infer a great many things about the cultures in which they were created and what these cultures may have shared.

40 years ago, when I looked at the swirling frosting on a shop counter, I couldn’t help but see gooey gobs of oil paint. Not long ago, the Whitney Museum in New York, looked a bit like a bakery window, and it was because of all the paintings that featured my unique menu of cakes and pies. I guess I could have picked anything really, but my heart was set out to paint cakes and pies. I really don’t know, I just painted these 8 or 10 pies on plates and thought, "well, no one can take me seriously now", but I couldn’t just leave them alone.

From the vibrant colors to the new and innovative mediums being utilized, pop art has always caught my interest from a young age. The man who brought about this interest was none other than Andy Warhol with his piece, Gold Marilyn. The way Warhol colored his piece, and made it so simple had caught my immediate attention. Since then, I have always took an interest in the style of pop art from varying artists. This interested had me gravitate towards researching more of Warhol’s pieces to get a better understanding of his framework. Thus, I decided to conduct further research Warhol’s, Campbell’s Soup Cans. This piece is what made be question what can and cannot be considered art due to it being such a simple concept and being repetitive. I could

Out of the two units that we completed, the first unit (The Pop Art Unit) was noticably a lot more split up than the second Unit. There wasn’t necessarily any more work to do, it was just split up into different tasks.

The French Revolution and the Neoclassical and Romantic art movements helped each other to grow and changed the layout and structure of France's government and monarchy forever. Some art was commissioned by the monarchy to spread their values and beliefs, and some art helped to inspire change among the people of France to destroy the monarchy. This relationship between the two was very dynamic, and it can't truly be unanimously stated that one influenced the other more.

Individuals possess varied perspectives of a vicinity and John Berger emphasises how “we only see what we look at. To look is an act of choice.” History affects one’s interpretation of the present and one’s sense of sight may differ due to the era they are in. One’s perceptual ideologies of images can be limited or as vast as their appreciation for an image and their individuality. The term ‘scopic regime’ can be defined as a conflicting ground that originates from the disparity of visual subcultures.