Third Of May 1808 Essay

Guernica, the title of the painting, is a town in Basque Country, Spain. It was the target of terror bombing during the Spanish civil war because it was the northern bastion of the Republican resistance movement.

Most of his creations represent history and society of his time. But “Guernica,” which Picasso painted in response to tragedy and the loss of life, directly related to the Spanish civil-war. “Guernica” was one of the masterpieces created by Picasso, probably the 20th century 's most negative symbol of the horrors. It was a also signal for the terrors of the future. When the Nazi troops dropped a bomb on the Basque village of Guernica in northern Spain, at that time nobody imagined this kind of act in reality. Most

Francisco Goya’s The Executions of May 3, 1808, is a remarkably interesting piece of art. This piece represents a protest against the Napoleon Occupational Army in Madrid. There are various visual elements and design principles in the art, which will be covered. The beginning of this ILO will contain the visual elements first, followed by the design principles, and what they mean in the artwork.

The ominous figure in the centre of the foreground - Jesus Christ hanging lifeless on the cross, in Luca di Tommè’s ‘The Crucifixion’, primarily catches the eye. The symmetrical arrangement of lamenting figures around the cross, as well as the gilded background, highlight him as the focal point of this artwork.

In terms of subject matter, both works are visual depictions of the crucifixion of Jesus Christ. In each painting, Christ is the central figure, surrounded by two groups of figures. On the left, a group of women that includes the Virgin Mary mourns over the dead body of Christ, while on the right is a group of soldiers and other lamenters. Both works feature a rocky landscape on which the figures are positioned. Encircling Christ are several angels whose gestures of lamentation echo those of the figures below. Highlighting the severity of each scene is the blood that pours from Jesus' wounds. The blood from his feet drips onto human bones that are embedded in the rocky terrain below. The skull serves as a "memento mori," or a reminder of death, an idea that has been repeated in several other depictions of Christ's crucifixion.

I really enjoy the bold lines and bright colors in this piece. It appears very balanced while taking up the entire canvas. The figures in the painting are bulky and well defined. If you look at the painting, at every aspect of it, you can imagine the story Diego was trying to tell. In my mind, the priest is carrying the white calla lilies representing the Savior’s light. The bundles of red flowers laying all around may be representative of bloodshed or simply the hardships of the people. The light is coming to save them all. The three kneeling girls in the front are imploring aid from the Savior. The bright colors are used to counter the times where everything was bleak for them.

Great insights went into the intricate composition of Francisco Goya’s painting The Third of May 1808, his painting utilizes the principles of art and design which displays all six principles: unity and variety; emphasis; balance; rhythm and movement; perspective; and proportion and scale. All six principles could also be identified and critically analyzed within his painting The Third of May 1808 which ultimately resulted in a whole cohesive composition.

It took him over two months to finish it, and it was displayedin the Spanish Pavilion in 1937. Guernica shows the tragedies of war and the suffering it imposesupon individuals, mainly innocent civilians, animals and buildings by violence and chaos. It’sbelieved to have helped bring worldwide attention to the Spanish Civil War. Some critics warnagainst trusting the political message in Guernica. Picasso said he painting exhibits brutality anddarkness. He also stated that the horse inthe painting represented the people ofGuernica. The painting was anindignation on what the war was doingto everyone. As the war went onPicasso’s paintings became more andextra sad and depressing. Death becamethe focus for many of his paintings. In the last years of his life, paintingbecame a fixation with Picasso, and he would date eachpicture with absolute precision, thus creating a vast amount of similar paintings. Picasso died atage 91 in April 1973, becoming one of the most famous and successful artist in history. Hiscareer spanned over a 78-year period, in which he created: 13,500 paintings, 100,000 prints andGuernica, 1937 by Pablo

Goya made a series of etchings and paintings depicting the atrocities of both sides involved with the war. The most famous of these paintings are the two depicting the scenes from the second and third of May. The work focuses on the victims of the situation, which in this case are the Spanish citizens being executed. The work is not meant to be beautiful, but is instead supposed to be horrible in order to shock the viewer. Goya's purpose within the painting is less to blame the French, but instead to point out to people the "faceless and mechanical forces of war itself, blindly killing a representative of humanity"(Stokstad). He used the incident as an example of how horrible war is and what can happen when violence is instituted.

“Guernica” is one of the most well-known paintings in the world. It was painted by Pablo Picasso in 1937. The painting itself measures 11ftx 26.5ft. “Guernica” depicts the bombing of the Spanish town of Guernica during the Spanish civil war. The whole thing is done in a cubist style not surprising since Picasso is known for his cubism. In the painting there are people and animals alike all of them in pain and or suffering. “Guernica” is also filled with symbolism that Picasso incorporated into it, and hidden messages. The painting is also colorless it only uses black, white and, gray.

The painting The Third of May, by Francisco de Goya, was done to commemorate the events of that took place during the Napoleonic Wars in Madrid, Spain on May 2 and 3 1808. The painting sets the scene of a man about to be killed by a firing squad. The bodies of those who have already been killed are scattered around him, and those that wait to be killed stand in line behind him. The

The first is a human skull superimposed on the body of the horse. Second, is a bull goring the horse from below. The head of the bull is formed largely by the front leg of the horse, which has its knee on the ground. The knee cap of the horse makes up the bull’s nose, and the bull’s horn jabs at the horse’s breast. Underneath the horse lies a dead mutilated soldier, the hand of his severed arm still grasping a broken sword, from which a flower springs up. Also In the open palm of the dead soldier is a stigmata, symbolic of the sacrifices of Jesus Christ. The lantern and light bulb on the ceiling in the room is another interesting feature of the painting. The light bulb is surrounded by rays, which makes it look like the sun. The sun is the ultimate sign of life, and none of us can survive without the sun. The bulb can also be associated with the Spanish word for lightbulb, “bombilla”. This brings to mind the word “bomb”, which could symbolize the l impact of the bombing on humanity. The light bulb represents life, but also the death brought by the bombs that fell on Guernica. There are open doors at the very right of the painting as well as windows. The door appears to lead to a possible way to escape the terror within. Although the door is open now, it shows how easily that door could be shut and how easily escape could be cut off. The windows show that if something is not done to end the brutality of things

Francisco José de Goya y Lucientes is regarded as one of the most important Spanish artists from the late eighteenth and early nineteenth centuries. His work spanned the time of four

“Saturn Devouring His Children” is the boldest painting of the group. Goya portrays a grim voracious giant with predatory, lunatic eyes stuffing his son’s torn, headless body into his maw, a visual equivalent of torture and murder, set against the darkness which accentuates the mood of despair to illustrate his honest views of humanity during a turbulent time.

Goya was an artist who made etchings called The Disasters Of War. These etchings showed the horrible things that were done by Napoleon's soldiers. They were made in order to shock the viewer and make them feel the pain of what happened. These sketches did not go in narrative order or show exact details of an event, they were just images showing that bad things like that happen during war. Normal captions have dates and places written which detach the viewer from the pain of the picture. On his sketches,