This Is How You Lose Her Analysis

Junot Diaz was born in the Dominican Republic and immigrated with his family to New Jersey, where a collection of his short stories are based from. Out of that collection is a short story “Fiesta, 1980”, which was featured in The Best American Short Stories, 1997. This story is told from the perspective of an adolescent boy, who lives in the Bronx of northern New Jersey with his family. He is having trouble understanding why things are the way they are in his family. Diaz shows Yunior’s character through his cultures, his interaction with his family, and his bitterness toward his father.

It is not just the language of the Dominican culture that we find characters struggling to hold onto in Díaz’s Drown. We also find that the characters walk a fine line of defining themselves as newly Dominican American, and it seems they feel pressured to leave behind their old ways and traditions to join their new society. In the short story “Fiesta, 1980,” we find many examples of the family being torn between their Dominican customs and assimilating to their new American life. This story begins with the explanation of Papi’s most prized possession: a brand-new, lime-green, Volkswagen van. Much to Yunior’s chagrin (due to the fact that he gets sick every time he rides in the vehicle), this van means a lot to Papi, because to him, it represents an American family. According to John Riofrio (2008), “it[the van] is the embracing of the American way which has reenabled Papi’s masculinity,” (p. 33). After arriving at their Tia and Tio’s home for the party, Yunior sneers at his relatives’ apartment stating, “the place had been furnished in Contemporary Dominican Tacky” (p. 32). It seems as though Yunior, after only a short period in America, is already feeling embarrassed by his culture’s traditions. This chapter of the book also discusses the betrayal of Yunior’s father to his family, by having an affair with a Puerto Rican woman, whom

One of the main sources of tension in How the Garcia Girls Lost their Accents, written by Julia Alvarez, are the sisters search for a personal identity among contrasting cultures. Many of the characters felt pressure from two sources, the patriarchal culture that promotes traditional gender roles and society of nineteen-sixties and seventies America. Dominican tradition heavily enforces the patriarchal family and leaves little room for female empowerment or individuality, whereas in the United States, the sixties and seventies were times of increasingly liberal views and a rise in feminist ideals. This conflict shaped the identities of the characters in Alvarez’s novel and often tore the characters apart for one another.

Stereotypes are dangerous weapons in our society. “The Myth of the Latin Woman: I Just Met a Girl Named Maria” is a short essay in which the award winning poet and professor of English, Judith Ortiz Cofer, wishes to inform and persuade the audience that labels and stereotypes can be humiliating and hurtful. The author targets the general public, anyone that doesn’t understand that putting someone in a box because of a stereotype is wrong. Cofer starts out the essay by telling the reader a story with a drunk man who re-enacted “Maria” from the West Side Story, and how angry that made her feel. She continues by explaining how she grew up in the United States being a Puerto Rican girl trying to fit in, but always being labeled as an island girl. Cofer carries on by explaining why Latin people get dressed and act a certain way. Then she recalls some more stereotypical incidents.

In this article, “The Myth of the Latin Woman” Cofer has talked about many incidents from her life where she was talked about, from a young girl the adult life. Ortiz Cofer is so ardent about this topic of stereotyping Latin women because she was a native women of the Puerto Rico area who really grew up in the United States. There is how she witnessed firsthand how hurtful stereotyping could be. In “The Myth of the Latin Woman”, She has repeated use of Spanish words in the essay to shows her audience how proud she is of the Latin heritage. she continuously uses other words, such as Puerto Rican, and Latina to stress the names she heard growing up. Because she has been brought up to love her Latin culture, she was often stereotyped here in the United States. As you can see, this is why she became so involved with trying to bring people so much awareness to the

Castillo demonstrates injustice in patriarchy by using symbolism. In the novel, Caridad is cheated on by her boyfriend Memo. Caridad starts to heavily drink after work, and while doing so she decides that Memo isn’t the only man she wants to give her love to. Following the drinking, Caridad begins to have meaningless sex with the random men she meets at bars. One

In The Brief Wondrous Life of Oscar Wao, the reader gets a sense of what the expectations are of Dominican men and women. Junot Díaz uses Oscar in contrast to the other male characters to present the expectations of the Dominican male. On the other hand, Díaz presents the women in the text, especially Belicia, La Inca, Lola, and Jenni, as strong characters in their own rights, but the male characters, with the exception of Oscar, have a desire to display their masculinity to maintain power over these women. It would be unfair to say that the women bring the abuse unto themselves, but rather it is their culture that makes the abuse acceptable and almost to a certain extent—expected.

Yunior represents the stereotypical Dominican male raised in the states, yet he battles with self-definition as he comes to terms with who he is on the inside as opposed to who he is purportedly supposed to be on the outside. According to the Dominican culture, males are the picture of masculinity, known for their womanizing ways. The central conflict within Yunior is his love for the Dominican social norm versus his love for the things in his life that represented nerdiness. Yunior lifted weights and ran to keep himself physically fit and was sexually promiscuous, at the same time, he enjoyed and engaged in nerdy banter with Oscar about science fiction genre, anime, fantasy and even writing. Yunior and Oscar share the same interests, which Yunior would never admit to anyone else, which is clear when Yunior says,

Danielle Evans’ short story, “Someone Ought to Tell Her There’s Nowhere to Go”, is a well-crafted narrative that is primarily based off a character named Georgie, who suffers from PTSD and faces many hardships in his personal life as he tries to build a relationship with his former girlfriend Lanae, and her daughter Esther. Evans successfully uses literary elements such as symbolism and foreshadowing in order to effectively appeal to the reader and explain how Georgie is struggling in his new lifestyle. These aspects further help to magnify Evans ethical and emotional appeal to her audience.

In the story “Love in L.A.,” throughout the entire story the reader is able to understand and identify gender roles, associations and stereotyped characterization throughout the conversation between the characters, the thoughts of characters, and how Dagoberto Gilb wants us to put our own ideas of the male and female stereotypes. Gender roles are first shown when Jake, one of the main characters, is giving a brilliant sketch of a car he’d rather be driving and have freedom than actually working and living a steady good life. From the description of the car we can see that he is interested in features that would attract and impress any woman, and these same features are not particularly well-matched to him, “the fact was that he’d probably have to change his whole style” (275). Jake

True masculine force goes back, in family stories from the Dominican Republic, with Trujillo's dictatorship shaping manhood perception in the Dominican culture. Oscar is incapable of rising to male-standard imposed by

In the story, Oscar goes through difficult situations to want to interpret the role of the Dominican man. During the story, Oscar seeks a woman who gives him love and makes him feel like a man, but does not have the masculine qualities necessary to achieve his purpose. While his friend Yunior is the opposite, that is, his role in history is a man that women are always behind him by his charms, to the point that he cannot maintain a relationship with a woman because he cannot be faithful.

Another one of Yunior’s past times is to drink. He chooses to run to his current love interest, Aurora’s, home to drink beer and smoke heroine. To Yunior, drugs and alcohol are the most important things in his life at the moment because they offer temporary relief from his reality.

This Is How You Lose Her by Junot Diaz explores the cost cheating had on Yunior’s life. Yunior is a flawed character who serves as the narrator of the story. While he explains how he loses the woman he loves, Magda, he details discrimination in the world he lives in. He also reveals himself to be a misogynist character. The flawed characters of Junot Diaz’s book expose the effect of discrimination and stereotypes that is still socially relevant to modern America.

Diaz progresses into detailing the necessary steps the young man must follow to get an actual date with a woman dependent upon her race and background. The young man is led to believe that for each type of girl he must present himself differently to not offend her or her parent’s fragile sensibilities and receives instructions on how to properly illicit a date “The directions were in your best handwriting, so her parents won't think you're an idiot” (256). Clearly, careful psychological manipulations of a girl’s parents are a vital component in achieving dating success. To this point, the young man has only received instruction and it is here that the reader receives some insight into which type of woman the young man is wanting to date “The white ones are the ones you want the most, aren't