Thomas Arden And Assay Essay Topics

“And so I find that we have descended and degenerated, from some far ancestor, insect by insect, animal by animal...below us, nothing” (Twain, 4). In Mark Twain’s, The Damned Human Race the purpose is to change the readers mind from the Darwinian theory that man is ascended from lower animals to his own theory that man is in fact a descended from higher animals. Although his argument is successful on some levels, it is weak on others. The diction of which he uses is informal, he uses stereotypes and broad generalizations and he loses his credibility when his “experiments” are realized to be metaphors. Although this essay makes the reader think, there are some fallacies that make it questionable. In Mark Twain’s The Damned Human Race, his argument for the descent of man from a higher animal is successful despite his use of satire diction, sweeping generalization and his loss of ethos with the audience.

The statement that can best be made about the purpose of The Lowest Animal by Mark Twain is that he believes that mankind is immoral, vulgar, wasteful, vengeful, discriminatory; cruel, greed, and obscene. This is because he has a moral sense and conscience despite this, doesn’t make our decisions right and properly. However, contrast with Mark Twain’s thesis; I think human beings are not that all bad and not the lowest animal, but perhaps not the highest animal either.

“Sir Gawain and the Green Knight” by Pearl Poet sends a very strong message to the audience regarding the similarities that human beings have with animals, something that is often ignored. While it is undeniable that in terms of wisdom and characteristics, human beings are very much more dynamic and superior than any other animal, it is also a fact that there are many cases that can be named where other living beings displayed considerable similarities with human beings. In this work, the author tried to portray those similarities by stressing on the human and animal instincts and how each of these living beings try their best to save themselves from grave dangers. It is very much evident from this storyline that in terms of

The human condition has been explored throughout time and its study has primarily allowed us to learn from our past and develop as people. The Elizabethan era is very different from the world today as our values and beliefs have changed to suit our level of knowledge and intelligence. These differences become clear when exploring an audience 's response to William Shakespeare’s Macbeth, from the Elizabethan era and today. The text was written in 1606 and was set in Scotland. The tragedy construes what egotistical ambition can do to the mind. Key themes of loyalty and betrayal, the increase in intelligence of humans, the way laws govern society and the balance in power between genders affect an audience 's response to Macbeth. Specifically

Humans are a unique species because they have possess the ability to reason. Other animal species only have instinct, thus making them less smart. In Richard Connell’s short story “The Most Dangerous Game”, it tells of a hunter named Rainsford who got stranded on Ship-Trap Island. Zaroff hunted Rainsford on the island, but in the end Rainsford killed Zaroff . In “The Most Dangerous Game”, the author uses imagery, setting, and characterization to suggest that instinct is better than reasoning.

Millions of years ago, humans evolved from primitive animals and transformed into complex, intellectually gifted homo sapiens. Humans today are a lot different than the creatures we originated from, however, homo sapiens still bear animalistic qualities of our earliest ancestors. These animal attributes are commonly expressed in literature. One famous literary example of animal stereotypes is the symbolic brilliance of Aesop’s Fables. The ancient Grecian story teller used animals with human properties to teach lessons about human character and behavior. Similarly, author Walter Mosley uses animals to describe the physical, mental, and emotional qualities of his characters. In the novel, Devil in a Blue Dress, Walter Mosley uses animal symbolism to portray characters Easy Rawlins, Mouse, and Daphne Monet.

What does it mean to be human? What does it mean to be animal? The curious thing about the The Island

In regards to Montaigne 's statement on page 23 in Apology for Raymond Sebond, I would deduce that he was using the metaphor of nature and natural tendencies in opposition to man 's vain, self-seeking façade that displaces God the creator. Montaigne 's statement appears to (on the surface at least) value mans naturalistic tendencies and graces in a much better light than our own vain-striving presumptions that claim that our "competent utterances" hold the very answers to the "right" way in which to conduct oneself. Montaigne constantly uses the contrast of animals and humans with the former representing a more pure, natural existence that I assume is to be

One of the most controversial topics in modern philosophy revolves around the idea of non-human animals being considered human people. Controversy over what makes up an actual person has been long debated. However, society deems it as a set of characteristics. The average person normally does not realize how complicated a question this is, and in fact many scientists, philosophers, and individuals will side differently on this specific topic. I personally do not believe that animals are capable of being human people, but throughout this argumentative paper I will address critical views presented from multiple philosophers on why this seems to be the case.

What also characterizes market society is the emergence of the concept of “fictitious commodities”. Fictitious commodities refer to labor, land, and money (Polanyi 72). “fictitious” implies that they are actually not commodities (Polanyi 72). They are turned into commodities for the effective operation of market society (Polanyi 72). In market society, everything is provided as a commodity. As the major elements of industry, labor, land , and money need to be provided for maintaining productivity and they can only be provided when they are on the market for sale (Polanyi 72). Differently, “Under the feudalism and the gild system land and labor formed part of the social organization itself ” (Polanyi 69). Land were crucial for feudal order, status and function of which “were determined by legal and customary

Envision living in a nation that has achieved the paramount form of society, one that is ideal in its ethical, social, and political facets. Simple to imagine but impossible to replicate, and that is, according to Plato’s Theory of Forms, because the physical world is a poor copy of these ideas, these forms, even the ones closest to perfection are imperfect. That is why a utopia can not be attained in reality. Although, in Montaigne’s Of Cannibals, it is proposed that the natural state is the closest to accomplishing this. The ideas set forth in this work, chiefly the concept of cultural relativism, influenced Shakespeare in his writing of The Tempest, and the characters Gonzalo and Caliban portray

In this brief monograph, we shall be hunting down and examining various creatures from the bestiary of Medieval/Renaissance thought. Among these are the fierce lion of imperious, egotistical power, a pair of fantastic peacocks, one of vanity, one of preening social status, and the docile lamb of humility. The lion and the peacocks are of the species known as pride, while the lamb is of an entirely different, in fact antithetical race, that of humility and forgiveness. The textual regions we shall be exploring include the diverse expanses, from palace to heath, of William Shakespeare, the dark, sinister Italy of John Webster, and the perfumed lady's chambers of Ben

“The Hangman (upon his Death bed) concerning his beheading his late Majesty, Charles the first, King of Great Britain; and his Protestation and Vow touching the same; the manner how he was terrified in Conscience” (Brandon 1649). Literature such as this introduction to the confessional of King Charles’ executioner, John Milton’s “Lycidas,” and Richard Lovelace’s “The Grasshopper” prove that where there is social unrest, there will be writing that responds to it, and mid-seventeenth century England had a lot of chaos to consider. War disagreements and corruption within England’s church were key occasions that censored and shaped the work of Milton and Lovelace. Milton’s repeated use of symbols, metaphors, and indirect allusions to the clergy in his poem speaks volumes about the political control and religious tensions in England. Lovelace’s royalist themes, and careful juxtaposition of words and allusions in his poem convey the leisure and political opposition of the Cavalier men to the Puritans. The context and literary devices in both contribute to making them skillfully crafted cultural references indicative of the rising tensions during which they were composed.

The period from 1660 to 1700 is known as the Restoration period. It was a period when King Charles II of England marked the beginning of a new era both in social life and the literature of England upon his return from exile. He revived a theatrical genre known as ‘Comedies of Manners’ which was lewd and hilarious. ‘The Way of the world’ depicts real picture of the restoration period connected to amoral and exploitative manners of the people. Therefore, this essay will be analyzed based on how the play acts as a social mirror of the restoration period in England during Congreve’s time.

The Divine Comedy is an epic that has been studied and analyzed by numerous literary experts from around the world for centuries. It’s impacts on the start of the literary revival that comes with the Renaissance; Dante Alighieri’s epic poem conveys complex themes and symbols. By studying accomplished literary specialists that have analyzed Dante Alighieri’s intricate motifs, The Divine Comedy can be unraveled to uncover an epic that reveals an allegory through the journey of a human life. Alighieri uses contradicting ideas which reference to history, politics, and ethics combined with mixed styles of language that represent a universal theme of good and evil.