Thomson Abortion Analysis

To begin with, Thomson uses a thought experiment about a hypothetical famous violinist, to further her argument that abortion is morally permissible. In this thought experiment, you are kidnapped and unconsciously plugged to a famous violinist so that your kidney can remove toxins from the violinist’s kidney and ultimately save his life. Thomson argues that you are not required to stay plugged to the famous violinist even if unplugging yourself from the violinist would result in his death. Thomson argues that while everyone has the right to life, no one has the right to dictate what happens to another person 's body.

The next issue is, in Thomson’s opinion, the most important question in the abortion debate; that is, what exactly does a right to life bring about? The premise that “everyone has a right to life, so the unborn person has a right to life” suggests that the right to life is “unproblematic,” or straight-forward. We know that isn’t true. Thomson gives an analogy involving Henry Fonda. You are sick and dying and the touch of Henry Fonda’s hand will heal you. Even if his touch with save your life, you have no right to be “given the touch of Henry Fonda’s cool hand.” A stricter view sees the right to life as more of a right to not be killed by anybody. Here too troubles arise. In the case of the violinist, if we are to “refrain from killing the violinist,” then we must basically allow him to kill you. This contradicts the stricter view. The conclusion Thomson draws from this analogy is “that having a right to life does not guarantee having either a right to be given the use of or a right to be allowed continued use of another person’s body—even if one needs it for life itself.” This argument again proves the basic argument wrong. The right to life isn’t as clear of an argument as I’m sure opponents of abortion would like it to be or believe it is.

She then reconstructs the initial argument to state that it is morally impermissible to abort a fetus if it has the right to life and has the right to the mother's body. The fetus has the right to life but only has the right to a mother's body if the mother voluntarily gives that right to the fetus. Therefore it is only in the case of voluntary pregnancy is abortion impermissible.

Second, the author uses her “expanding child” example. “Trapped in a tiny house with a growing child and you are up against a wall, and in a few minutes, you will be crushed, on the other hand the child won’t be crushed. The only thing that will save her life is to kill the child. Is abortion permissible to save the pregnant woman’s life? Because the mother being compared to that of the house, this brings up the idea that the mother should be able to do as she pleases with her body, and that her body carries more significance than the fetus’ right to life. This brings in the argument of a third-party intervention, such as a doctor. If a doctor did not agree to perform an abortion, to save this mother, then the mother would be denied her rights, and the right to decide what is done with her body. If a woman doesn’t have a right to their body, then you should not be unplugged, thus, save the violinists life. This reasoning is concluded with two smart statements, “It seems to me that to treat the matter in this very way (refuse abortion for the mother’s health) is to refuse to grant the very status of person which is so firmly insisted on for the fetus by anti-abortion advocates. (243) and “a fetus who existence is due to rape” has no right to use their mother’s bodies, and aborting them is not depriving them of anything they had a

In Judith A. Thomson’s article, ‘A defense of abortion’ Thomson defends her view that in some cases abortion is morally permissible. She takes this stance even with the premise that fetuses upon the moment of conception are in fact regarded as persons. However one criticism of her argument would be that there is a biological relationship between mother and fetus however there is no biological relationship between you and the violinist. Having this biological relationship therefore entails special responsibility upon the mother however there is no responsibility in the case of the violinist. Thomson argues against those who are opposed to abortion with her violinist thought experiment.

With Thomson’s violinist analogy she shows that although disconnecting him would result in death, it would not be morally incorrect. This argument can be applied to a woman’s pregnancy, suggesting that if you accept the prior statement and can find no reasonable difference between the violinist and the fetus occupying the woman’s body, then you should accept that abortion can be acceptable. Thomson

In the paper titled “A Defense of Abortion” Judith Thomson uses several premises to bring the readers to the conclusion that Abortion is not morally wrong. After reading her paper I have concluded, that abortion is in fact morally wrong, excluding extenuating circumstances. In this paper I will show that abortion is morally wrong by way of the following argument:

Thomson’s argument, “A Defense on Abortion,” is a piece written to point out the issues in many arguments made against abortion. She points out specific issues in arguments made, for example, about life beginning at conception and if that truly matters as an argument against abortion. Thomson uses multiple analogies when making her points against the arguments made against abortion. These analogies are used to show that the arguments made do not really make sense in saying it is immoral to have an abortion. These analogies do not work in all cases, and sometimes they only work in very atypical cases, but still make a strong argument. There are also objections made to Thomson’s argument, which she then replies to, which makes her argument even stronger. Her replies to these arguments are very strong, saying biology does not always equate responsibility, and that reasonable precaution is an important factor in the morality of abortion. There are some major issues in her responses to these objections.

Now on a different note, Thomson's main argument is set out to undermine the anti-abortionist argument. The anti-abortionist argument states: Every person has a right to life, the fetus is a person and hence has a right to life. The mother has the right to control her own body, but the fetuses' right to life is stronger than her right to control her body. Therefore, abortion is wrong. How Thomson goes about this is through analogies, and her main argument is through her violinist argument. Thomson asks you imagine that you find yourself hooked up to a famous unconscious violinist. If he can't use your kidneys for nine months, he'll die.

Thompson’s first account of the right to life follows a scenario where a woman is pregnant but will die if she carries the baby to term. Thompson makes it clear that for the sake of argument she will consider a fetus a human from the point of conception, therefore giving the fetus a right to life equivalent to that of the mother. In the scenario given, however, Thompson argues that the mother is logically able to make an act of self-defence in order to save herself, and since both her and the baby are innocent, bystanders may not intervene to stop the killing of the fetus. Thompson reasons that perhaps the extreme view of abortion may be reduced to state that abortion is permissible to save the mother’s life, but the mother must perform the abortion on herself in order for it to count as an act of self-defence. However, by leveraging the coat analogy, Thompson proves that it is logically

In the article 'A Defense of Abortion' Judith Jarvis Thomson argues that abortion is morally permissible even if the fetus is considered a person. In this paper I will give a fairly detailed description of Thomson main arguments for abortion. In particular I will take a close look at her famous 'violinist' argument. Following will be objections to the argumentative story focused on the reasoning that one person's right to life outweighs another person's right to autonomy. Then appropriate responses to these objections. Concluding the paper I will argue that Thomson's 'violinist' argument supporting the idea of a mother's right to autonomy outweighing a fetus' right to life does not

In this paper I will discuss the relevance of J.J. Thomson’s argument in her article, A Defense of Abortion, to that of pregnancy reduction and if there is any relevance, if there are exceptions or situations where that might change. J.J. Thomson’s argument in A Defense of Abortion is that the one thing a person has rights to is his/her body and the right to control what happens with it. Thomson also states that there is an innate desire and need for self-preservation that we all have that must additionally be considered.

In Judith Jarvis Thompson’s article “A Defense of Abortion” she explores the different arguments against abortion presented by Pro –Life activists, and then attempts to refute these notions using different analogies or made up “for instances” to help argue her point that women do have the right to get an abortion. She explains why abortion is morally permissible using different circumstances of becoming pregnant, such as rape or unplanned pregnancy.

In “A Defense of Abortion,” Thomson utilizes several examples and variations thereof to support her claim. Her example of the violinist portrays a scenario where you wake up and find the Society of Music Lovers has kidnapped you and connected you to a transfusion machine, which they connected also to a famous violinist’s circulatory system to keep him alive, all without your consent. Furthermore, Thompson states, the violinist suffers from “a fatal kidney ailment” (Thomson, 353), and “you alone have the right blood type” (Thomson, 353) to support him live and save his life. He only needs your assistance for nine months to filter the poisons from his kidneys and safe his life. After nine months, his recovery will be complete and you can resume your normal life. According to Thomson’s analogy, you have the choice to either remain connected to him for the whole nine months or disconnect yourself from the machine and let the violinist die (Thomson, 351).

Thomson is claiming that the limits to the right of life at the expense of another is not just. Thomson illustrates this claim with the example of the violinist. In the case of being forcibly hooked up to a violinist on the brink of death, you have no responsibility to keep said violinist alive. You were hooked up against your will and just because you were put a situation where you sustain the violinist’s life does not justify a responsibility to keep him alive. In addition, if sustaining the violinist has effects that will damage you, then it is even more unjust. Now simply compare the violinist to a fetus. If the fetus was as product of rape, then the fetus was forcibly hooked up to you just as the violinist was. Therefore, it is unjust