Essay on Thomson Defense of Abortion

The next issue is, in Thomson’s opinion, the most important question in the abortion debate; that is, what exactly does a right to life bring about? The premise that “everyone has a right to life, so the unborn person has a right to life” suggests that the right to life is “unproblematic,” or straight-forward. We know that isn’t true. Thomson gives an analogy involving Henry Fonda. You are sick and dying and the touch of Henry Fonda’s hand will heal you. Even if his touch with save your life, you have no right to be “given the touch of Henry Fonda’s cool hand.” A stricter view sees the right to life as more of a right to not be killed by anybody. Here too troubles arise. In the case of the violinist, if we are to “refrain from killing the violinist,” then we must basically allow him to kill you. This contradicts the stricter view. The conclusion Thomson draws from this analogy is “that having a right to life does not guarantee having either a right to be given the use of or a right to be allowed continued use of another person’s body—even if one needs it for life itself.” This argument again proves the basic argument wrong. The right to life isn’t as clear of an argument as I’m sure opponents of abortion would like it to be or believe it is.

In the article "A Defense of Abortion" Judith Jarvis Thomson argues that abortion is morally permissible even if the fetus is considered a person. In this paper I will give a fairly detailed description of Thomson main arguments for abortion. In particular I will take a close look at her famous "violinist" argument. Following will be objections to the argumentative story focused on the reasoning that one person's right to life outweighs another person's right to autonomy. Then appropriate responses to these objections. Concluding the paper I will argue that Thomson's "violinist" argument supporting the idea of a mother's right to autonomy outweighing a fetus' right to life does not make abortion permissible.

In Judith A. Thomson’s article, ‘A defense of abortion’ Thomson defends her view that in some cases abortion is morally permissible. She takes this stance even with the premise that fetuses upon the moment of conception are in fact regarded as persons. However one criticism of her argument would be that there is a biological relationship between mother and fetus however there is no biological relationship between you and the violinist. Having this biological relationship therefore entails special responsibility upon the mother however there is no responsibility in the case of the violinist. Thomson argues against those who are opposed to abortion with her violinist thought experiment.

Thomson uses many different examples in which he describes the different situations and premises that an abortion might have to states his points. There are 3 main examples that he uses the most, first is the violinist, secondly Henry Fonda and Thirdly the peoples seed. In his first argument he uses the experiment of the violinist and a person being kidnapped. The violinist is well known and famous and is in need for a kidney. In this situation the kidnap you because he can connect to your kidney and survive. But Thomson puts the point in which no one gave them the right to your body, despite the point that it could be just for a few days of months, he relates it to Abortion as that no one says that the fetus if a person has the right not

In this paper I will discus and examine Judith Jarvis Thomson’s view upon abortion as stated in her argument “A Defense of Abortion”. I will explain her view on the issue and look deeper into her supporting arguments she included in her essay. I will also explain whether I agree with her statements. I would also discuss whether the person can agree with my statements and reason why having an abortion make you in moral.

To put it simply, an abortion is defined as, the intentional termination of a pregnancy most often preformed before the third trimester (within weeks 1-28). The controversy over abortions usually stems from the difficulty between individuals to agree on a set of conditions that would constitute ones’ decision, to abort as just. This issue is examined by many philosophers, particularly, Judith Thomson and Don Marquis. Both philosopher’s views loosely encompass the complex underlying beliefs of those who stand behind the “pro-life” and “pro-choice” arguments. Tomson and Marquis demonstrate the very distinctively different perspectives one could take on the issue. Don Marquis suggests that fetuses, being persons, possess the right to a “future like ours” and that it would be wrong to intentionally impede on “the life that I would have lived if I had lived out my natural lifespan” except for in “rare circumstances”. While, Tomson asserts that not all abortions are morally wrong, nor do they “violate the victim’s right to life”, and by having one that is in no way indicative that a fetus’s rights have been violated. Despite the fact that both philosophers present valid positions, and outline their key differences, Tomson goes far beyond Marquis’ efforts by illustrating that the way in which we view abortions ought to be redefined in order for one to maintain a clear perspective.

With Thomson’s violinist analogy she shows that although disconnecting him would result in death, it would not be morally incorrect. This argument can be applied to a woman’s pregnancy, suggesting that if you accept the prior statement and can find no reasonable difference between the violinist and the fetus occupying the woman’s body, then you should accept that abortion can be acceptable. Thomson

In Thomson’s two arguments about rape and failure of contraceptive she has some points that are in fact true and not much can be questioned. In her first argument about rape, it makes sense to say that if someone were to use your body against your will and you have no say about it and be and you are forced to be stuck without a choice to get up and disconnect yourself even if it does kill the famous violinist is wrong. But when you deprive someone of their life it can’t be seen to be correct in any case. Thomson’s first premise is in fact true and gives her argument against rape logical strength. Both the violinist and the fetus are using the person’s body

As a result, since the mother never granted permission for the foetus to be in her body, according to Thomson, it would follow that abortion in this particular circumstance is not killing unjustly. Therefore, abortion is morally permissible and is a reasonable decision despite the fact that the pregnancy was the product of the woman having consensual sexual intercourse and doing it voluntarily. Thomson made a logical argument, with the assumption that her experiments had addressed all potential cases of pregnancy, and proving that it is morally acceptable to abort in all proposed cases, then concluding that it is still never immoral. Despite this, it must be brought up that, Thomson recognized the morals and values of the individual who is willing to do whatever it takes to sustain the violinist’s life, an action that sets the bar for morality so high that it would be unacceptable to expect one to follow. Furthermore, Thomson states that while she is “arguing for the permissibility of abortion in some cases” (Thomson, 66), she is “not arguing for the right to secure the death of the unborn child” (Thomson, 66). She also points out that we must be confuse these two

In Thomson’s defence of abortion she argues that abortion is permissible when a mother’s life is not at risk. Working on her interpretation of the secular conservative argument, she first assumes that the premise of a foetus being a person is true, then moves onto the second premise, that a person has the right to life. Analysing what the right to life means, she first looks at the idea that the right to life is the right to have the bare minimum a person needs in order to survive. She quickly rebuts this by providing the Henry Fonda analogy and the violinist analogy. Both of these show that just because a person needs something to survive, like Henry Fonda’s cool hand or another person’s kidneys, a person doesn’t have the right to take it. With this in mind she modifies the argument so that the right to life is the right not to be killed. This she rebuffs with the violin analogy, noting that by pulling the plugs you would in effect be killing the violinist. While the violinist didn’t have the right to your kidneys, it could be argued that he does have the right for you not to intervene. However these are your kidneys, and you should not be forced to allow him continued use. Having ascertained that the right to life is not the right to the bare minimum needed to survive, nor the right not to be killed, she concludes that the right to life is the right not to be killed unjustly, or the

In the “Violinist Analogy,” Thomson argues that in cases of rape and other ways in which a woman might become pregnant without making the decision to have sex, it is not immoral to have an abortion. She makes this argument through the analogy that you are hooked up to a “famous unconscious violinist” and if you unplug yourself you are causing the death of that violinist. This point works very well in the argument that it seems as though abortion is allowable in cases of rape.

Now on a different note, Thomson's main argument is set out to undermine the anti-abortionist argument. The anti-abortionist argument states: Every person has a right to life, the fetus is a person and hence has a right to life. The mother has the right to control her own body, but the fetuses' right to life is stronger than her right to control her body. Therefore, abortion is wrong. How Thomson goes about this is through analogies, and her main argument is through her violinist argument. Thomson asks you imagine that you find yourself hooked up to a famous unconscious violinist. If he can't use your kidneys for nine months, he'll die.

Thompson’s first account of the right to life follows a scenario where a woman is pregnant but will die if she carries the baby to term. Thompson makes it clear that for the sake of argument she will consider a fetus a human from the point of conception, therefore giving the fetus a right to life equivalent to that of the mother. In the scenario given, however, Thompson argues that the mother is logically able to make an act of self-defence in order to save herself, and since both her and the baby are innocent, bystanders may not intervene to stop the killing of the fetus. Thompson reasons that perhaps the extreme view of abortion may be reduced to state that abortion is permissible to save the mother’s life, but the mother must perform the abortion on herself in order for it to count as an act of self-defence. However, by leveraging the coat analogy, Thompson proves that it is logically

In the article 'A Defense of Abortion' Judith Jarvis Thomson argues that abortion is morally permissible even if the fetus is considered a person. In this paper I will give a fairly detailed description of Thomson main arguments for abortion. In particular I will take a close look at her famous 'violinist' argument. Following will be objections to the argumentative story focused on the reasoning that one person's right to life outweighs another person's right to autonomy. Then appropriate responses to these objections. Concluding the paper I will argue that Thomson's 'violinist' argument supporting the idea of a mother's right to autonomy outweighing a fetus' right to life does not

In this argument it has been established then, that a fetus is a person from the moment of conception. Thompson now introduces her “violinist analogy.” This is a key term in her argument. In this analogy she asks the reader to imagine you wake one morning and find yourself in bed with an unconscious violinist. He has been found to have a fatal kidney ailment, and you alone have the right blood type to save him. You have been kidnapped in the middle of the night, and the violinist’s circulatory system is now plugged into yours. The director of the Hospital is now telling you “Sorry, the Society of Music Lovers did this to you – we would never have permitted it if we had known.” To get unplugged from the violinist will kill him, but in nine months he will be totally recovered from his ailment and you can be safely unplugged from one another. Thompson then asks, “Is it a moral responsibility for the kidnapped person to agree to this situation?” This situation she has concocted is comparable to that of a woman being raped. Pro – lifers say every person has a right to life and that right to life is stronger than the mothers right to decide what happens in her body. Thompson then goes on to say that instead of being plugged to the violinist’s body for nine months – its changed to your whole life. According to the pro –life