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Three Dimensional Facial Reconstruction ( Gupta Et Al

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Three-Dimensional Facial Reconstruction Similar to the two-dimensional approach, a forensic artist and anthropologist are essential in three-dimensional facial reconstruction (Gupta et al., 2015). Initiating the three-dimensional reconstruction techniques, clay or plastic have been typically used to make replication of skulls (Decker, S., Davy-Jow, S., Faraut, P., Ford, J., Hilbelink, D. & Neville, W., 2013). This clay or plastic replication method still utilizes soft facial tissue depth markers in order to determine landmarks of the face (Nelson, L.A. & Michael, S.D., 1998). In order to create a replication of the face, pieces of clay or plastic is then placed in-between the landmarks that are identified until the face is filled, or close to being filled (Nelson, L.A. & Michael, S.D., 1998). The process of clay or plastic replication producing a three-dimensional approximation of what the individual looks like is outlined in Appendix B. There are multiple approaches to manual three-dimensional facial approximation. According to Gupta et al. (2015) there three subparts to this approach. The first subpart, “Anthropometrical American Method/ Tissue Depth Method”, is a technique in which “fine measurements were obtained by the use of needles, X-rays or ultrasound… facial muscles are recorded in proper anatomical manner” (Gupta et al., 2015, 27). A second subpart is the “Anatomical Russian Method” which was developed by Gerasimov (Gupta et al., 2015, 27). In this application,

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