Three Immigrant Types in Mukherjee's Jasmine Essay

This book depicts the national and cultural status of the immigrant mother, who is able to preserve the traditions of her Indian heritage that connect her to her homeland. Ensuring a successful future for her American-born children is coordinated with the privilege of being an American citizen. Ashima yearns for her homeland and her family that she left behind when

She explains her thesis by stating “Others who write stories of migration often talk of arrival at a new place as a loss of communal memory and the erosion of an original culture. I want to talk of arrival as a gain,” (360). The key points of the text include Mukherjee describing her transition between Calcutta and the United States, and what it means to be and American and how culture influences that aspect. The information in the text is significant; the people of America are a part of a melting pot, sometimes it is hard for them to find the distinction between American culture and their own. The information in Mukherjee’s story is clear and specific, unbiased, and is relevant to the purpose of the story. I believe Mukherjee has achieved her purpose of informing her audience about cultural differences; she presents certain strengths and weaknesses within the text.

Whether it’s living or interacting in a new environment surrounded by unfamiliar and distinct people, one may feel culturally out of place. That is exactly the theme Jhumpa Lahiri describes in each of her stories, “Interpreter of Maladies,” “Mrs. Sen’s,” and “The Third and Final Continent.” In “Interpreter of Maladies”, we get a clear picture that the Das family, who are Indian-American, are the ones displaced here. We can see this throughout the behaviors that the Das family expresses in their trip around India, while Mr. Kapasi, an old Indian man, guides them through their journey, taking them to see India’s historical landmarks. In “Mrs. Sen’s,” the one culturally displaced is Mrs. Sen after being forced to leave India to go to America because of her husband’s job. Mrs. Sen has not gotten used to the American culture and misses her native land very much. Lastly, In “The Third and Final Continent,” the narrator, a young Indian man, handles his displacement very well. Starting with an arranged marriage in which he barely even knows the woman that he is getting married to, he leaves shortly after to establish a living in the U.S. where he finds the culture to be very distinct. Overall, Lahiri expresses the theme of how the characters in each story cope with their cultural displacement facing many obstacles and challenges.

Jhumpa Lahiri’s “The Namesake” examines an immigrant bengali family that has moved from India to America, and tries to hold their bengali culture while trying to accept American lifestyles. Ashima and Gogol each struggle with their cultural identity throughout Lahiri’s novel. The pressure of western society and the crisis of losing one’s culture and identity is demonstrated through the characterization and Gogol and Ashima’s relationships while living in America.

While Mukherjee decided to embrace the new American culture, her sister decided to stick to her Indian roots. Mukherjee struggles to try and find where she belongs because she is always changing for others rather than for herself. Encountering differences is something she dealt with on her journey of creating her identity, she states, “Nearly 20 years ago, when I was living in my husband’s ancestral homeland of Canada, I was always well-employed but never allowed to feel part of the local Quebec or larger Canadian society” (Mukherjee 293). While changing herself to conform for others, we can all take a lesson from Mukherjee. In life, we go through many changes because we are growing up, becoming more mature, and finding things we like or dislike. We tend to change because of the people we surround ourselves with, like friends or coworkers in order to be accepted. However, she did not seem happy to be forced into a position where she had to conform to the way people would talk to her all for the sake of her husband. This takes away from building and developing one’s own identity because it does not represent who you really are. In society, we are sort of growing away from that in a sense people are taking pride in their identities. For instance, immigrants, women, and races are all

This in turn has caused many writers to come to the U.S to seek a better life without fear of being persecuted because of their criticisms of their home government. In Pittsburg, Pennsylvanian a nonprofit called City of Asylum allows writers who are exiled from their home country to seek refuge in the U.S (Hinojosa,2016). One writer they focus on named Israel Centeno, who is from Venezuela escaped his country do to his writings about the government. They also explain how many have trouble incorporating life in an America which is very distinct from their own home. The idea of “Who is an American” is presented in a different way where many of the people see the U.S as a safe haven and can express themselves.

Mukherjee goes into detail how she and her sister were alike when they left India together, and how different they live their lives in America. Mukherjee sister Mira stayed more traditional by marrying an India and holding onto her Indian citizenship in hopes of going back home after retirement. Mukherjee marries an American and adapted

Bharati Mukherjee discus’s the loss of cultural identity while being a visible minority by using the setting, characters and the plot of her short story “Hindus”. The author uses the plot for the main character to meet new people and have new experiences that leads to the ending of her better understanding herself. The characters the main character meets along the way in the short story written by Mukerjee are very important in the end in finding her identity. She also uses the setting to show the differences of culture and living standards of those living in India versus living in the Americas. The author used the setting, characters and the plot to describe and demonstrate the cultural and identity loss that may happen when one moves away from their country and their

Bharati and Mira came to America for their education and then return home, but they each took different paths when Bharati married an American, and Mira now sees her sister in a different way because her sister is denying her

When adapting to a new culture, many find it hard to assimilate into their new world while still holding on to their past life. Finding yourself in a new place with a new language and unfamiliar faces is challenging for immigrants. Jhumpa Lahiri, an immigrant herself, sheds some light on the Indian culture in her book, Interpreter of Maladies. She conveys many challenges that immigrants face when moving away from their homeland in a myriad of short stories. These short stories introduce similar themes of immigration and adaptation through different experiences. Two of Lahiri’s short stories, “A Temporary Matter” and “Mrs. Sens”, do a great job in showing similar challenges of cultural differences in two different ways. They introduce characters

One way Lahiri shows difficulties that immigrants and refugees experience, is with the theme of displacement. To illustrate the idea of displacement, Lahiri uses Mrs. Sens to show the what immigrants have trouble adjusting to in a new environment. Mrs. Sens is a middle-aged, Indian woman, who is having difficulty adjusting to the differences between India and America. Lahiri emphasizes the awkward attitude that Mrs. Sens has towards driving. When asked about her driver’s licence, Mrs. Sens points out “Yes, I am learning, but I am a slow student. At home, you know we have a driver” (113). To put it differently, Mrs. Sens finds it odd and difficult that she has to learn driving because back in India, she had a chauffeur. Furthermore, when she says she is a slow

Aunty Uju, who is burdened with task of getting a job and raising a son alone, feels the need to change her personality, mentality, and appearance for a smoother immigrant experience; but Adichie highlights the abandonment of identity resulting from

The novel Jasmine by Bharati Mukherjee is an incredible story about the transformation and life experiences of a Panjabi girl from India. The life of Jyoti is told from her point of view when she is twenty-four years old, and pregnant with the baby of Bud Ripplemeyer, a crippled banker who is more than twice Jyoti’s age. During the span of two months in Iowa, Jyoti narrates her biographical experiences in Punjab and in America as she strives to become independent. Jasmine illustrates that when one’s relationships go through changes, it will impact one’s identity.

The immigrant experience affects families in a unique manner wherein ethnicity, and therefore, identity becomes something continuously negotiated. Jhumpa Lahiri’s contemporary novel, “The Namesake,” beautifully illustrates the complexities of generational culture clashes and the process of self-individualization over the course of this experience. Lahiri challenges the often-one-dimensional approach to ethnic identity by allowing readers an intimate and omnipresent look into the internal struggles of the Gangulis, a first-and-second-generation Bengali family, following their relocation to America. The novel incorporates a heavy presence of reading, and the abundant representation of books and documents throughout it are vital to its

Bharati Mukherjee is one of the accomplished diasporic writers. Her writing focuses mainly on women’s suppression, struggle to overcome the problems and attempt to attain identification. Bharati Mukherjee also depicts the cultural conflicts between the East and the West. When a person enters into a new culture from the old one, the conflict arises between the two cultures in the alien land. This paper explores how the female character, Jasmine is portrayed as protagonist in Bharati Mukherjee’s Jasmine. Bharati Mukherjee portrays Indian woman as protagonist in all her novels and the character takes brave decision to emigrate which is the first major step of heroism. The character is portrayed with the capable of facing adventures and creates own happiness and identity, unyielding by conventionality. In Jasmine (1989),