Three Major Eras

Baroque always thought to be an art period through 1600 to 1750 and the Baroque art was the prevalent artistic style in that period. The art style was originated from Italy and related to counter reformation. In Baroque period, artists were embraced elaborate ornamentation, dynamic, spectacular effect, which broke through the calm, static feeling of classical art since Renaissance art period. Also, it is an art style that absorbed lots of elements from theater, literature, and music and has a strong relationship to the religious, which held the dominant position through the whole period. For the Baroque paintings, instead of depicting people’s lifestyle, most of them were depicting the Counter-Reformation. Figures’ poses in the paintings are more precise and more like opera stage poses. Moreover, Baroque paintings always exaggerated lighting and had intense emotions. During Baroque period, group figures are one of the most importances for the sculptures and those sculptures focused on the dynamic movement to convey human’s energy. Another important thing is that the sculptures in this period have multiple ideal viewing angles. Besides the paintings and sculptures, Baroque style profoundly influenced the architecture at that time. The architectures mainly focused on the bold of

Visual arts took on the rococo style during the Enlightenment period. Gardens of the rococo type (which were popular amongst the leisured elite) imitated those of Chinese gardens of the far east. Rose and pastel colors were popular throughout the era in paintings and decorations. Jean-Honore Fragonard was considered to be the highlight of all rococo artists, he created flirtatious and highly sexual paintings for the era. Neoclassical architecture was revived during this era, bringing about amazing pieces of work such as the Arch of Triumph in Paris (at the end of the period). Leonardo’s contribution reflects an excellent example of art and how it was affected by the scientific revolution in early modern science. The superior quality and complexity of his Oeuvre, Leonardo was recognized as an extraordinary artist already from the Renaissance. When scholars turned to his scientific research in modern times, they privileged his anatomical and botanical drawings, and invested heavily in the notion of ‘scientific naturalism’, which was partially supported by the artist’s professed emphasis on direct observation. Such a focus relegated to the background

Beginning with the Baroque period, the Baroque was an art movement in the 17th and early 18th century which comes after the Renaissance before the Enlightenment, Neoclassicism. It’s origins, like renaissance art, were in Italy and the historical context really have is two historical movements that are associated with the Baroque. First, the Counter Reformation and second, Absolutism. As far as the Baroque tradition it represents a rejection of renaissance restraint. When looking at the School of Athens by Raphael, we can see this very technically perfect painting from the Renaissance where it looks like it could’ve been posed for which is what renaissance art is, restraint, that you are supposed to think about balance in the composition, and you’re supposed to hold something back. Renaissance art was not very emotional. One thing we should note is this painting of Aneas Fleeing Burning Troy by Federico Baroccci, is not restraint. We see a bunch of running around, burning fires, it’s not balanced, and there’s more action, but at the same time we still see this framework of classical themes. When looking at Baroque art, we’ll still be able to see themes that are very religious or grounded in the Greco Roman classical traditions. More characteristics of Baroque art we can see are motion, emotion, grandeur, and contrast. A piece of work where we can see almost all of these characteristics would be St. Michael the Archangel by Guido Reni. We see St. Michael trampling the devil,

I am glad that you had mentioned the colors, shadow and lighting. This is exactly what caught my attention with his painting while looking at the painting and how they look so real. These were two different periods altogether, The renaissance era moved into the baroque era. There were changes made throughout the years from the elaborate to the renaissance time. Contrasts in style gathered alongside perspectives of the artist. The overwhelming patterns in Baroque art compare to those in Baroque music and writing. Some components of Baroque art incorporated a feeling of development, vitality, and pressure (whether genuine or inferred). I visual experience of the light and shadow upgrade the impacts of canvases and models. The primary normal for

Baroque Art consist of painting , sculpture and fashion to architecture , music , theatre , literature and food . Another an important thing was placed on ensuring a natural flow of light. From view above, it become clear that maze-like layout of rooms is connected by a dome of illumination

There have existed several eras of music throughout time, some have lasted more than others, but only a few are most remembered. Whether you’re sitting through an elementary or high school lecture about the past you are mostly likely to encounter the Medieval and Renaissance Era periods. Both of these Eras have become the standards of the past. Although, the Medieval and Renaissance Era represent two distinct cultures and worldviews of life, neither period lacks significant features or events that make one more great then the other. In the Medieval Era, for example, daily life revolved around the church and its sayings. In contrast, during the Renaissance Era most “scientists desired to learn about the earth apart from the idea of a Divine

The discovery of the perspective’s rules in visual arts is celebrated as one of the major turning points in human history, which fueled centuries-long advancement and developments in both artistic creations and scientific or engineering inventions as the foundation for many breakthroughs of the modern times. It was the bridge between the middle ages and the early modern period or more specifically the fifteenth century, during Italian Renaissance, when the law of perspective was first introduced, explained, published and started to become widely adopted by generations of artists, painters, artist-engineers and the like. Art historian and professor Samuel Edgerton, however, reminds that the event should be rather noted as the rediscovery of

The Catholic Baroque period of the 17th century set forth an artistic style that used a much more dramatic use of color. Furthermore, contrasts between light and dark became more apparent as darks became darker, and brights became brighter. Images often depicted grandiose visions, martyrdom, intense psychological moments, intense light, ecstasies and conversions. Paintings became more direct and dramatic as well, attempting to draw the viewer into the scene to participate. Depictions during this era also felt emotionally straining, on top of feeling physically and psychologically real. The era was dominated by several figures; for example, Giovanni Lorenzo Bernini, Caravaggio and Rembrandt, but the metaphorical crown of the Catholic Baroque era goes to Peter Paul Rubens.

Beginning with the Renaissance and ending with Rococo styles of art, artistry has shifting styles between the 14th and late 18th century. Each period represents a new and unique way of representing art, and a few works of art perfectly explain the values between these periods. Values such as how the body looks and moves, to dramatic scenes that spark interest or thought, and finally the indulgence of pleasure, shedding off the worries of life in aristocracy.

Art, like everything in society, evolves at a certain space. During the Renaissance, art was always pushing the limits from what was previously seen or created. The Renaissance was a revival of Classical Antiquity and the artists went above the standard and created pieces that were intricate and visually pleasing. While the Baroque period was also a time of revival, it mostly revolved around the Catholic religion. Artists wanted to portray classic religious scenes in a more expressive way because during this time, protestantism was on the rise and in order to try and squash this new religion, the Catholics reinvented some great religious pieces but in a more emotional way. Through these following pieces, the evolution of art and style is evident.

Some similarities between Baroque and Renaissance eras, is the strong use of light and shade to create depth and realism.

Baroque is an odd era of art to define as there is not simply one version of the style but three. The first style originates in Italy and was also where the general Baroque style was born. This style was born out of the counter-reformation and it showed Christianity and biblical figures in a new light. The artist of this era desired to give a feeling of being part of the action; unlike the High Renaissance style they did not strive for idealization of their figures preferring to instead leave them with a more human feel. The most well-known of the Italian Baroque painters was Caravaggio; he bathed his figures in contrasts of light and dark and used movement such as the figure of Jesus blessing the bread in his painting The Supper at Emmaus (Fiero, pg. 47). The other best known Baroque artiest is Bernini. Unlike Caravaggio, Bernini did not paint but instead created wonderful masterly

The Baroque style is the product of the obsession with perfection from the Renaissance and the strangeness of the Mannerists. These two periods combine with each other and what you get is the Baroque. The Renaissance had hidden meanings and complex theologies hidden in their paintings. The Baroque simplified that formula and made art more accessible to people, no hidden meanings and no hidden symbols. Not only did it have this but the Baroque just did not simply tell a story but a moment in time from that story. This moment in time technique not only allowed for some showmanship in skill but allowed the viewer to take part of the moment with usually and empty space for the viewer. Because of this does the viewer remain just that, a viewer or do we become part narrative? This interaction between the viewer and the art is no longer like the outside and miniscule feeling one gets from looking at the perfection of Renaissance masters. And it is definitely not like the strange exchange and confusion that comes from the harsh mannerists. But rather, the Baroque offers the viewer a space in the scene, an interaction. It is often warm and inviting when appropriate and allows even uneducated people to understand what is going on. The Baroque has more of a human quality than a divine one. The use of spot lighting by certain artists such as Caravaggio and his followers allow the story to become the most important and the interaction between the viewer and the art becomes a story of its

Science played a great role in artworks in the Renaissance, Baroque, and Rococo periods in history. This essay will explain how the knowledge of science was used when creating works of art.