Throughout history, Black women in the U.S have been challenged with the Western standards of

As stated above, African-American women have been subjected to measure themselves against white women. White women are viewed, in this society and since the beginning of the concept of race, as the epitome of beauty. Logically, African-American women attempt to emulate the white standard. This creates an inferiority complex, because the epitome of beauty is white woman, than any other race can be deemed as inferior; this deteriorates African-American women’s self-worth. To remedy worthlessness, many body modification techniques have been made to fully mimic white women in terms of beauty. This emulation still is being done and it is continuous, because of the psychological ‘white fantasization .

There has been a notable amount of conversation on the internet on the rebirth of the natural hair movement. Cherise Luter (2014) states that despite afros and the natural hair movement not being a new concept (i.e. the Black Power Movement), it has gone under what she calls a “refreshing change”. Furthermore, what used to be “I’m black and I’m proud”, has been replaced with “I’m me and I’m proud” (Luter 2016). So, what is the natural hair movement? It is defined as a movement where black women decide to not conform to the social norms of chemically altering their hair and wearing it in its natural, kinky, or curled state (Joignot 2015). The movement could also be considered as an outlet for black women to display their racial and cultural pride or to articulate their “political position (Brown 2014:297). However, simply the terminology “movement” is something that should be shocking to many. There is a great amount of historical context behind the continuous influence Eurocentric beauty ideals have had on black women for centuries. According to Nadia Brown (2014), Black natural hair throughout history has proven to be recognized as “either unintended or intended personal and political statements” (298). the beauty standard in Western society which praises European hair textures, has influenced many black women to be critical of other black women who choose to chemically straighten their hair, accusing them of being subservient to the dominant and pervasive racist

If a black woman had dark skin she would resemble a man, therefore making her ugly in society’s standards. This pressures black women to constantly be "compatible with the white female standard of beauty" (Ashe 580) in order to be socially accepted in society. Intuitively black women understood that in order to be considered desirable, the less black they had to look. This unfortunate perception of beauty stems from a long pattern of "sociohistorical racial injustices" (Bealer 312) towards darker skinned African Americans. Maria Racine states in her review that since slavery black people who approximated closer to whites were sexually sought after by black slave men and white plantation owners and were considered to live a somewhat "easy coexistence" because of their appearance (Racine 283). Since it’s start, colorism laid the pathway of racial prejudice towards dark skinned individuals. The result of treating dark African Americans as subhuman beings led to the altering of the black psyche by creating a "pervasive hierarchy" of beauty that black woman constantly combated or were forced to accept. (Bealer 312).

In the context of physical appearance, black woman are only featured with body parts- mainly their “large, rotund behind” (Perry 137). The presentation of the face is mainly limited to white or lighter-complexioned women. The highest idealization of women is one that possesses a “‘high-status’ face combined with a highly sexualized body read by the viewer as the body of a poor or working-class woman” (Perry 137). Perry further substantiates her claim by stating that “women are created or valued by how many fantasy elements have been pieced together in their bodies” (137). She debunks the opposition arguing that the bodies of black women are appreciated by pointing out that only a minority of black women have such attributes, and those without are pressured and struggle to achieve such proportions.

Chris Rock’s documentary, Good Hair, investigates the notion of what good hair is. Dominant society views good hair as straight or essentially caucasian hair. This is not only problematic to the self-esteem and confidence of black women, but it can also cause black women to appropriate Asian culture. Black women unfortunately take advantage of Asian culture in search of what society believes is good hair. Many black women wear weaves in order to align to what society believes is good hair. However, when they buy this hair, they do not realize what Asians go through. Likewise, Asians who give up their hair do not know where or who this hair will be going to. Thus, this desire for good hair further perpetuates the lack of understanding that black

Patriarchy’s Scapegoat: Black womanhood and femininity – A critique of racism, gender inequality, anti-blackness, and historical exploitation of black women.

The researcher interview with African American women with natural hair and examination of social media. The researchers explain that in the natural hair community a curl texture is more attractive than kinky hair texture and lengthier hair more desirable than short hair; also having manageable hair is dynamic to African American women’s effective performances of Black femininity. This research expands the discourse in African American Studies that theorizes the experiences of African American women with natural hair compared to those of African American women with relaxed hair such as perms (Howard, 2015, p.

The attitudes and arguments towards and against black hair in “Balm” by Lonnae O’Neal Parker and “My First Conk” by Malcolm X are contingent because they express two distinct views on black hair. Malcolm X pleads that manipulation of our hair by straightening or covering by wig is self- degradation. While Parker believes that the time she spent doing her daughters hair is translated to the love she has for them. This time not only assures the girls that they have a loving mother, it assures Parker that she could send them out into a world that would appreciate them because they had someone who put time (love) into the girls. Parker is aware of the scary truth that our worth by outside world is one dimensional and fuel by aesthetics. Both Lonnae O’Neal Parker and Malcolm X have analyze the importance of hair in the black community. Parker praises the “black hair ritual” while Malcolm criticizes it. Even though their topics differ, both essays share the act of taming natural hair, and the motifs of love and pain

Most African American women get their hair advice from low class salon who are self-taught. Low class salons have no knowledge of black women's natural hair texture nor natural hair styles that will protect their hair to keep it from breaking off. These salons use hair relaxer products on their African American clients because it is a fast process and are able to quickly move on to the next client. However, African American woman does not have the option to choose between a relaxer or a protective hair style when dealing with these salons, As a matter of fact, The New York Times mentions, plenty of salons are educating themselves on natural hair styles. “Many wear their twist, locks or teenie-weenie Afros”,” proud to have not given in to the

Since the early 1900s, Black women have had a fascination with their hair. More explicitly, they have had a fascination with straightening their hair. The need to be accepted by the majority class has caused them to do so. Though the image of straight hair as being better than coarse hair still hasn’t left the Black community, there has been a surge of non straight hairstyles since the nineteen sixties. Wearing more natural hairstyles, which ironically enough include ‘weaves’ and ‘hair extensions’ has been considered to be more empowered and more enlightened. However, this image comes with a price, and though it appears the ‘natural’ hairstyle movement has advanced Black women, it has actually set

Not only was I seen as lesser because I was black, but my darker than most skin left me vulnerable to the torment of others. Throughout high school, everywhere I would look; social media, television, magazines, and film, I would see dark-skin women being represented as lesser beings. In entertainment we were always the characters that were aggressive, high-tempered, “ghetto”, sassy, uneducated, ugly, and the list goes on whereas light-skin women were put on a pedestal. It made it seem that if you weren’t mixed, you were automatically not worth anyones time or effort. The representation of dark-skin women presents us in a permanently negative light and destroys the self esteem of thousands of young girls. When I was young, I always told by my classmates “you would be pretty if you weren’t so dark.” This was extremely detrimental to my self confidence as a young girl and led to the festering of insecurities I still haven’t completely recovered from today. As a society, we need to work towards presenting dark-skin and light-skin women in a more equal

Many black girls go thru social identity issues on a daily basis. Skin color has created division even within black people because fairer skin tones are highly praised in the Negro community. Discrimination is used everywhere against black girls with a deeper skin pigment per example, makeup brands neglect the commercialization of darker shades of foundation, hair products for women of color

Throughout many decades, African American women have been able to set their own standards of beauty. Lonnae Parker, a writer for The Washington Post, states in her article Black women heavier and happier with their bodies than white women, poll finds, that “Freed from that high-powered media gaze, generations of black women have fashioned their own definitions of beauty with major assists from literature, music, and help from their friends” (Parker, 2012). The importance of this quote is that they were getting help from their culture, the music and literature is essentially the culture that helped them to define their own standards of beauty. By being isolated

I identify myself as a seventeen year old African American female. I was raised in Washington D.C. in a 5 family member household. I went to an elementary school with Latino and African American students. My mother is from Sierra Leone in West Africa and my father is from Washington D.C. Growing up i was taught to be proud of my heritage and my dark skin tone. My parents taught me that black is beautiful .Contrary in television ads and TV shows they only portray caucasian females as beautiful and smart and African American females as lower class , unintelligent and urban ghetto. While growing up I’ve learned that black features like having a big nose or big lips were seen as unappealing and badlooking but recently there have been trends

This is prominent in the African American community; it is often taught at a young age that if you are of darker complexion or have a curlier hair texture you are not as pretty as the lighter complexioned girl that you might know. It is assumed that the media is to blame for this way of thinking. Youth and teens are self conscious enough without these negative “airbrushed” and unrealistic images put forth in the media.