Tick Tock.. or Tock Tick? in Vonnegut´s Slaughterhouse-Five

     Critics of Kurt Vonnegut’s are unable to agree on what the main theme of his novel Slaughterhouse Five may be. Although Vonnegut’s novels are satirical, ironical, and extremely wise, they have almost no plot structure, so it is hard to find a constant theme. From the many people that the main character Billy Pilgrim meets, and the places that he takes us, readers are able to discern that Vonnegut is trying to send the message that there will always be death, there will always be war, and humans have no control over their own lives.

The manipulation of time allows for Vonnegut to present events in a scrambled timeline, but also in a way that will impact the reader the most. For example, in the an earlier part of the novel, Vonnegut discusses how Billy Pilgrim is on his way to an optometry conference and then the plane crashes. Billy Pilgrim suffers a skull fracture but it isn’t until later in the novel that he time trips back to this point again and explains how his wife Valencia died of carbon monoxide poisoning once she got to the hospital to see him. The manipulation of time by Kurt Vonnegut allowed the event of Valencia dying once she got to the hospital to support his intention of causing events to have a greater impact throughout the

SlaughterHouse-Five is a book about a man named Billy Pilgrim who is stuck in time, and constantly travels throughout different events in his life. Billy accepts different values and sees traumatic and morbid events differently than others. Billy accepts a way of life that is not perceivable to other humans. Many would argue that Billy’s experiences make him insane, but Billy’s experiences with the Tralfamadorians actually allows him to preserve his sanity, and stay a very intelligent man.

The concept of being "unstuck in time" refers to a person living from one moment in life to another instead of the day-to-day one we live today. The main character of Kurt Vonnegut's Slaughterhouse-Five, Billy Pilgrim, does just that. He travels through the time line of his life experiencing moments of it in no particular order. In a flash, time travel for Billy happens with no warning to where he will turn up next. On the night of his daughter's wedding, Billy is abducted by extra-terrestrials from the planet Tralfamadore. They enlighten him on the concept of being "unstuck in time." Their belief is that, "When a Tralfamadorian sees a corpse, all he thinks is that

The point of view that Slaughterhouse-Five is written from also affects the way the reader fells about time after reading the novel. Since the story is narrated by a omniscient being that is everywhere with Billy Pilgrim, the reader gets a first hand account of every event in his life. Also Billy is very relaxed and accepting all things around him. A good example of this is Billy's habit of following every death with "so it goes". (Vonnegut 69) The repetition of this phrase not only de-emphasizes death, but also helps Vonnegut assert control over the readers response after a death. (Dawley 2) The way Billy

Imagine opening your eyes to an unknown place. The room, the surroundings, and everything down to the smell seem different. What would you do? Well, in Slaughterhouse Five, Billy Pilgrim is subjected to this kind of life style. In his novel, writer, Kurt Vonnegut illustrates a story about his protagonist, Billy Pilgrim, who has been abducted by aliens called Tralfamadorians and has become unstuck in time. His uncontrollable time travel between periods of his life causes the narrative to be non-chronological. Some consider Vonnegut's novel a semi-autobiographical because events such as the Dresden bombing based off his actual experience during World War II. From my original artwork, I am not only trying to convey the fragmented

One of the greatest impacts caused by disasters is one’s motivation for living. In Slaughterhouse-Five, many characters display twisted minds after experiencing wars. Billy and Rosewater find life meaningless, because they witness too many dead bodies in war; Lazzaro finds the sweetest thing to be revenge. As wars bring distorted senses to people, Vonnegut presents two opposing coping methods in Slaughterhouse-Five: One is the Tralfamadorians’ passive idea and the other is the narrator’s humane notion. The overall concept of the Tralfamadorians is to “ignore the awful times, and concentrate on the good ones” (Vonnegut 150). They do not look back, not even forward; they focus on the scattering patch of good moments regardless of time. A similar idea is how they have come to regard death: “in bad condition in that particular moment, and that the person is just fine in plenty of other moments.” The thought – it is more important that a person has lived a brilliant life – is comforting; however, it disregards the possibilities a person has as long as he or she lives. In an interview, Vonnegut points out that he “resents” the promising ideas, the Utopianism, in science fiction (qtd in Simpson 261). This is disclosed in Breakfast of Champions, when Kilgore Trout indirectly

One of the most reoccurring discussions on Kurt Vonnegut’s Slaughterhouse-Five seems to be on the meaning of the book. Straight into his

“Fate is a misconception, it's only a cover-up for the fact you don't have control over your own life.” –Anonymous. In Kurt Vonnegut’s novel, Slaughterhouse-five, an optometrist named Billy Pilgrim becomes unstuck in time uncontrollably and constantly travels between his past, present, and future. Since Pilgrim is unable to control his time warps, he is forced to re-live agonizing moments such as watching his wartime friend Edgar Derby executed for stealing or going through the Dresden bombing repeatedly. However, he is also able to visit pleasant moments like speaking as president in front of the Lions club or his honeymoon with his wife, Valencia. Vonnegut’s use of repetition and vision of war, time and death are crucial to Pilgrim as he

We all wish we could travel through time, going back to correct our stupid mistakes or zooming ahead to see the future. In Kurt Vonnegut's novel Slaughterhouse-Five, however, time travel does not seem so helpful. Billy Pilgrim, Vonnegut's main character, has come unstuck in time. He bounces back and forth between his past, present, and future lives in a roller coaster time trip that proves both senseless and numbing. Examining Billy's time traveling, his life on Tralfamadore, and the novel's schizophrenic structure shows that time travel is actually a metaphor for our human tendency to avoid facing the unpleasant reality of death.

In many novels, the idea of time is handled in different ways to keep the story at a smooth pace. Kurt Vonnegut, the author of Slaughterhouse-Five, uses time as a way to give the reader an idea of what his main character’s life was like and what he had gone through throughout his life. Vonnegut’s manipulation of time may make the story confusing to some at times, but he effectively explains his character’s background through this different use of time.

There are 3 themes in the novel Slaughterhouse-Five, that stick in the readers mind as they

Slaughterhouse-Five has two narrators, an impersonal one and a personal one, resulting in a novel not only about Dresden but also about the actual act of writing a novel - in this case a novel about an event that has shaped the author profoundly. The novel's themes of cruelty, innocence, free will, regeneration, survival, time, and war recur throughout Vonnegut's novels, as do some of his characters, which are typically caricatures of ideas with little depth. Another mainstay is his use of historical and fictional sources, and yet another is his preference for description over dialogue. These aspects of Vonnegut's literary style make the adaptation of Vonnegut to the screen all the more difficult. Ironically, many Vonnegut novels flow with a cinematic fluidity. As described in Film Comment, "Vonnegut's literary vocabulary has included the printed page equivalents of jump-cuts, montages, fades, and flashbacks.

Baruch Spinoza once said “Experience teaches us no less clearly than reason, that men believe themselves free, simply because they are conscious of their actions and unconscious of the causes whereby those actions are determined.” He compared free-will with destiny and ended up that what we live and what we think are all results of our destiny; and the concept of the free-will as humanity know is just the awareness of the situation. Similarly, Kurt Vonnegut’s Slaughterhouse-Five explores this struggle between free-will and destiny, and illustrates the idea of time in order to demonstrate that there is no free-will in war; it is just destiny. Vonnegut conveys this through irony, symbolism and satire.

His works are significantly influenced by that genre, but contain strikingly relevant commentaries about contemporary American society which set him apart from other science-fiction writers. His use of science fiction draws a humorous contrast between the all-important significance of the nature of the universe and of reality, and the insignificance of human life and society. All of his works emphasize the enormous forces acting on his characters, not the least of which is fate. As his writing progressed and matured, this stylistic nuance became more and more evident. In his book Slaughterhouse Five, Vonnegut describes his own style by means of Tralfamadorians, an alien race for whom time is nonexistent, and whose literature reflects this: