Till We Have Faces Character Analysis

Oedipus Rex, an ancient Greek tragedy authored by the playwright Sophocles, includes many types of psychological phenomena. Most prominently, the myth is the source of the well-known term Oedipal complex, coined by psychologist Sigmund Freud in the late 1800s. In psychology, “complex” refers to a developmental stage. In this case the stage involves the desire of males, usually ages three to five, to sexually or romantically posses their mother, and the consequential resentment of their fathers. In the play, a prince named Oedipus tries to escape a prophecy that says he will kill his father and marry his mother, and coincidentally saves the Thebes from a monster known as the Sphinx. Having unknowingly killed his true father Laius during his

Conflict will always exist in the modern world. One of the biggest motivators in the approach to conflict is fear. Conflict shapes the formation and intensity of fear. Fear can bring about ideas or actions that one normally would not ever think or implement.As fear builds up people will often go to extremes to try as much as possible to mitigate their fear. Eventually fear grows so large that it may consume all of one’s thoughts. This will motivate someone to resort to desperate plans to try and assuage their fear. The fear caused by war can do many things to the human body mentally and physically. In “ All The Light We Cannot See”, Anthony Doerr proves in times of conflict, fear becomes one of the motivating factors.

Jimmy knows too well the agonies of abandonment. First, when his mother, Cecilia, ran away with Richard to pursue a better lifestyle. Then, due to his father’s, Damacio Baca, alcoholisms and violent behavior; he also had to leave Jimmy behind. In spite of the drawbacks from abandonment to being a maximum security prisoner in Arizona State Prison, Jimmy preserver’s the darkness of prison by overcoming his illiteracy. However Cecilia and Damacio is not as fortunate as their child; Cecilia is shot by Richard after confronting him for a divorce and Damacio chokes to death after he is released from the detox center(Baca 263). Therefore the most significant event in this section of the memoir, A Place to Stand by Jimmy Santiago Baca is the death of Jimmy’s parents.

In the eyes of today’s society, heroes are viewed as citizens who have accomplished what seems to be the impossible. Whether imaginary or not, heroes are looked at with awe and congratulated for what they have done for the society. However, there is a much simpler way to be a hero. A hero does not have to be able to climb walls, fly over the city, or even save someone from a burning building right before it crumbles down. A hero is simply someone who goes out of the way to give help to those around them that need it. This hero does not need recognition in what he or she does, but takes pride in what they have accomplished for others. In the novel Till We Have Faces by C. S. Lewis, Bardia, the King’s lead guard, acts as the hero for Orual

I was pleased to have attended a lecture cosponsored by the Ethics Center, the Fresno State office of the president, the Fresno Bee and Valley PBS. The lecture began with Dr. Castro recognizing a few leaders on campus, including a past Fresno State president, Dr. John D. Welty and campus volunteer Mary Castro. Dr. Castro then mentioned a few things about Mr. Brooks stating that he is a columnist for the New York Times and an analyst for the PBS “News Hour” and NPR’s “All Things Considered.” Dr. Brooks also teaches at Yale University, one the finest university in the country. Dr. Castro continued by saying that he learned that Mr. Brooks office hours are from 9am to 1pm and how “cool” it sounded to him. I was surprised how many people attended the event. I was fortunate to find a seat. David Brooks mentioned how he has some remote roots in the Central Valley because his father grew in Chowchilla, CA but Mr. Brooks grew in New York.

Though Orual did not agree with her beloved sister being sacrificed, it was something the Priest decided that would ultimately benefit the kingdom. She demanded to go with Psyche to say her last goodbyes, “....I was determined to go with Psyche to the Mountain and the holy Tree, unless they bound me with chains (77).” Psyche was willing to be sacrificed when she knew she would help everyone she loved, even when she felt miserable, “‘...my arms were as heavy as lead (106).’” Even when she was being tied to the tree, “‘...and they were fastening me to the Tree with iron round my waist (107).’” she wasn’t focused on herself and her own pain. When being tied to the Tree, Psyche explained how many animals surrounded her, “‘And they came nearer and nearer in a great circle, but never very near, and mooed at me (109).’” Once Psyche was set free, she described the great wind around her, “‘And then the wind was

Psyche pleads with Orual to open her spiritual eyes and see the palace now standing all around her in dazzling splendor; and Orual is indeed tempted. In the end, though, jealousy wins the day. Orual delivers Psyche an ultimatum: either expose this "gods" face this night, or Orual will kill herself.

This passage "fits" the novel because it helps add to the plot line. For instance, Orpheus was devoted after his wife's passing. Therefore, he was determined to go to the Underground world or also called the world of death, and try to convince the ruler of Hades (ruler of the dead) to bring his wife, Eurydice, back to life. With Orpheus is a mortal amongst the great gods who inherit musical talent, he sang his heart out to the Gods of the dead and stole the hearts of their evil souls. They eventually became hypnotized by his angel like voice and granted his wishes. Unfortunately, his wife banished through his eyes after the Gods strictly told him not to look back at his wife until they were above the ground of the Death world. The novels read,"Then he turned to her her. It was too soon... She had slipped back into the darkness. All he heard was one faint word,"farewell," (142). After this happened, Orpheus tried to go back to the second world, but they refused to let him entrance again because he was a mortal who've already passed through their world. The importance of this passage in the novel's message is that when you love someone so much, never let them go because one day they could vanish from your life

All refugees, the circumstances notwithstanding, face immense hardship throughout their lives. In time, these hardships give way to new opportunities, dreams, and perspectives, as even in the face of suffering, one always retains their intrinsic self. Kim Ha, the protagonist in Thanhha Lai’s Inside Out and Back Again, experienced this through her family’s daring escape from war-torn South Vietnam. Consequently, Inside Out and Back Again serves as a fitting title for her story.

Overpowered by her own curiosity, Psyche, no sooner than she had opened the flask, fell into a deathly sleep after inhaling the deathly vapors (Closer Look at Psyche). In sculpting his masterpiece of this genre, Canova managed to combine the classical mode with consummate eroticism when he captured the lover’s embrace. Cupid and Psyche are turned towards each other in sensual love, and Canova had succeeded in presenting a highly expressive treatment of the theme of love from Greek mythology. The upward ranged wings of Amor emphasize the divine, about to embrace mortal Psyche. The fulfillment of the love between the two is tangibly near (Cupid and Psyche).

In an emotional sense she tried to deliver her feelings and her aching soul’s agonies to the reader as a means of explaining why she decided to write this book which ultimately addresses her own personal life, as she writes in her book “I was ravenous for love” (23). It is evident that when she speaks about love she is referring to her own emotions which can be categorized as a personal component of her life.

Light versus dark, good versus evil; themes seen in Harry Potter and many other young adult books, and a concept many struggle with. What is good and what is evil? Are people born evil or are they developed into someone who wants to do harm? In All the Light we Cannot See by Anthony Doerr, the theme of light versus dark, and similarly good versus evil, is prevalent as the main characters struggle through the hardships of World War II. Doerr takes the reader back in time flipping the shifting plot back and forth from Germany to France, and from time to time. As the characters grow up the theme of light versus dark becomes more apparent as the characters live or in some cases exist through the dark times. The characters stories teach the reader that while there

The story of Orpheus and Eurydice can entertain many readers. In this case, it can also teach a valuable lesson about controlling your temptations. When Orpheus, a skilled musician, went down to the underworld to save his wife, Eurydice, he made

Oedipus Rex, is a Sophocles play, that according to Freud exemplifies a formative stage in a individuals psychosexual development. The psychosexual stages are the age related developmental periods in which sexual impulses are exerted through different bodily zones and then activities are associated with those areas in the bodily zones. These is when a young child will transfer his love object from the breast to the mother. When the child gives up the breast and moves to the mother it is known as the oral phase. The child then has the sexual desire for the opposite sex parent and will usually have hostility towards the same sex parent.

The term “Eros,” referring to passionate love in English, has long been the mainstream of themes in drama, literature, arts, and cinematic media. The fascinating power of love has been exhaustively publicized, and the pursuit of love is diffused in streets and lanes. Conversely, in ancient times, many poets, especially Virgil, Ovid and Apuleius, described eros as such an evil spirit that it will destroy the female soul thoroughly, except for the one in Apuleius’ story of Cupid and Psyche. Even if taking into account the historical background of a patriarchal community and therefore the esteemed male dominance, the particular case of Psyche’s surviving and even thriving her encounter with eros