Tim Burton Research Paper

The same cinematic technique is utilized in Charlie and the Chocolate Factory. In the inception of the film, darker and paler shades of colors are emphasized in the scenery. Especially inside Charlie’s home. However, once inside the chocolate factory, conspicuous colors are introduced. Even though the factory seemed like an exuberant center, there was still a profound void inside the hearts of Wonka, the obnoxious children, and non-proficient parents, not including Charlie and his grandfather. They were lacking the warmth of family unity and self content amid impecuniosity, that Charlie and his grandfather possessed. One can discern that Burton’s style is highly influenced by his lighting effects which in turn affects the tone, mood, and imagery of the film. The sharp contrast of coloration, establishes symbolism, tone, mood, and imagery. Another apparent effect of lighting is the mood it synthesizes. During the scenes in which the figures are pale or low key, the viewer feels uncomfortable. The reverse occurs during the high key scenes. Without the implementation of high key and low key, Burton’s message would have never been fully apprehended in both of the films.

Tim Burton produced “Charlie and the Chocolate Factory” as well. Charlie Bucket was the misfit of the group because he was the only normal child in the group chosen to enter the factory. When showing the children and where they were from, the lighting was high key, making the scene more cheerful. But when showing Charlie’s house, the lighting was low key. This made his family’s house seem not as happy or welcoming. You could also tell a difference in the condition of the family’s house by the sound. When showing the town and the house the Bucket’s lived in, there was non-diegetic music playing that was frightening and disturbing. When showing the other children’s homes and towns, the non-diegetic music was more upbeat and jolly. The movie

Burton also uses sound such as diegetic and non-diegetic music and sound in order to advance the mood, feelings, and emotions of the audience. One particularly exceptional example of Burton’s use of sound is in the film Edward Scissorhands. Burton uses non-diegetic music in order to signify the relationship between Edward and Kim. He uses music that sounds almost like an angel singing in heaven while Edward is carving an ice angel. While Edward is at work, Kim spots the beautiful, white snow created by the beautiful sculpting of the angel and starts spinning and twirling in it, as if she’s never seen snow as dazzling as Edwards before. This symbolizes the relationship between Edward and Kim and the forbidden romance that will take place later on in the film as their feelings for each other grow deeper and deeper. This persuades the audience to root and cheer on Edward and Kim’s forbidden romance even though they know the love they both have for each other is pointless and will never work out because of their differences. Burton also uses diegetic sound in the film Charlie and the Chocolate Factory. He uses diegetic sound in order to urge the audience to feel mournful and enhance their mood to feel sorrow toward the former Wonka factory workers. In the film, he uses diegetic sound as the massive gates close to Wonka’s incredible factory. He does this to show the

Lighting is important to tell the mood of a film. Burton depicts sinister and scary images with low-key lighting. Tim Burton’s lighting techniques are completely unique. In “Edward Scissorhands“he contrasts lighting. Peg lives in a town that is bright and cheerful looking. Edward’s castle is depressing and gloomy. Tim Burton again shows off his

When a person watches a movie, and a scene with dim lighting shows up on the screen, that usually makes them feel tense and scared about what is going to happen next. Directors use cinematic techniques to convey feelings or connect with the viewer. In the movies Charlie and the Chocolate Factory, Alice in Wonderland, and Edward Scissorhands, Tim Burton uses flashbacks, diegetic and non-diegetic sounds, and high key and low key lighting to show a characters’ thoughts or past, create the mood of a scene, create suspense, and let the viewers know about the characters’ as if they personally knew each other.

In Tim Burton films and shorts he uses cinematic techniques such as lighting, music/sound, and editing to his advantage to portray and emphasize the atmosphere of specific scenes in his movies. Edward Scissorhands, Nightmare Before Christmas, and Charlie and the Chocolate Factory (Burton edition) all facilitate these methods distinctively. These techniques influence and the manipulate the audience's view on the film. If the music/sound is cheerful in the beginning the audience will most likely perceive and predict that the whole movie will be jubilant. Concerning lighting, If a scene has faint, shadowy illumination the scene will most likely be identified as glum or sullen. The opposite of this would supply the scene with bright, colorful

In ES he uses low key lighting Edward in the Big dark castle when the lady first encounters him. This shows how isolated and lonely he was. And him coming away from that darkness signified him trying to really come out. In CACF he uses low key lighting to a similar effect. He uses this on Willy Wonka. When he puts the low key lighting on Willy’s face this shows how in his factory he was very alone and had a troubled past. Which caused him to be more distant when the time came to actually socialize with the kids that came to the factory. In the Corpse Bride he uses this as well. When Victor sits down and plays this piano we get a shot of him and the piano surrounded by low key lighting. This shows how isolated and lonely Victor was. That when he plays his music or paint his painting that he actually comes out of his shell. This shows that lighting that he uses really has a effect on his

Tim Burton’s fictional worlds are ones of clear compartmentalization, quite often between literal shades of black and white. Through visual contrasts the audience is not only drawn into the plot, but also given explicit messages about how to interpret the actions and motives of the characters. His macabre art style and purposeful storytelling both hint at his rejection of the status quo; throughout his stories he reinforces the idea that normality is not synonymous with morality through the use of stark lighting contrast, yin and yang style settings, and costumes that are polarly different.

“One person’s crazyness is another person’s reality” was once said by the famous director, author, inspirer, Tim Burton. He creates films that have surprised many of his supporters. Most of the films he has directed have had elements of horror and modernness. Tim Burton uses cinematic techniques such as flashbacks, high key lighting, and dolly/tracking to express his style natural creepiness throughout his movies.

Some say not all that glitters is gold, and I agree. However, there are people in the world who would disagree. From the start, everyone teaches others that perfection is the secret to excelling in life, and that normalcy, not originality is the key to that secret. In films such as Edward Scissorhands and Alice in Wonderland, Tim Burton displays misfit and judgmental characters in his films to portray the idea that society wrongly teaches people to fear the unknown.

Burton uses lighting to convey that self-discovery is the key to self-actualization. Conveniently, this occurs

Burton once said, “I think the atmosphere that I grew up in, yes, there was a subtext of normalcy. I don’t even know what the word means, but it’s stuck in my brain. It’s weird. I don’t know if it’s specifically American, or American in the time I grew up, but there’s a very strong sense of categorization and conformity.” This experience of having to conform is reflected in Burton’s work. For example, in Edward Scissorhands Edward, who dressed in dark colors, conformed to the neighborhood by putting on brighter colored clothes and changing his style. Using lighting, angles, and sound Burton’s unique style conveys that one should not have to hide one’s differences to be accepted.

Another major key to “Charlie and the Chocolate Factory” was sound. Oompa Loompas’ had been able to create a mood by singing those horrid, yet catchy songs. When Violet morphed into a blueberry, they sang a song about her chewing gum all day long. In a scene of “Edward Scissorhands” Kim and Edward, the music was light and cheery, while she was dancing in the ice shavings that he was producing, then abruptly turned to a dark sound when Jim(Kim’s boyfriend) came around yelling, and startled Edward. This gave the pretense that an adverse event was going to take

In the words of Tim Burton, “One person’s craziness is another person’s reality.” This is the truth for the magical movies he has put together. Burton grew up different from others; he was an outcast from the people around him. Enjoying B movies, he would watch them a great deal. Out of all the characters, Burton preferred the monsters or strange creatures. Some inspirations to him are Edgar Allen Poe, Roald Dahl, and Vincent Price. He frowns upon conformity, for he prefers individuality. What is normal to Burton could be completely wild to another. In Tim Burton’s distinctive films, he uses symbolism and the comparison of individuality and conformity to emphasize the purity of an outsider.

Tim Burton once said, “My parents suffered from that ideal of a perfect nuclear family. They found that a difficult pressure, I think”. Tim Burton is a famous filmmaker who sometimes incorporates his life into his films. Tim was an odd child in that he liked being alone and spending his time in a graveyard. In his childhood, he was the outsider in a “perfect” world. People can judge him on his odd and different childhood. That is what he tries to teach in his films. In both Charlie and the Chocolate Factory and Edward Scissorhands, Burton reveals that society wrongly judges those who do not fit in.