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Tim Burton's Auteur Theory

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According to Andrew Sarris Notes on the Auteur Theory in 1962, there is no definition of the auteur theory in the English language. Outgrowing the cinematic theories of Andre Bazin and Alexandra Astruc, arising in France in the late 1940s, auteur theory became the theory of filmmaking where the director is deemed as the major creative force in a film. A foundation stone of the French Cinematic movement known as the ‘novelle vague’, or ‘New Wave’, the theory of director-as-author was principally advanced in Bazin’s periodical ‘Cahiers du cinema’ founded in 1951 (Britannica, 2015). So what truly makes a director an auteur? As it’s believed that an auteur is the author of their film, there are three premises of the auteur theory that makes a director …show more content…

Over a group of films, a director must exhibit certain recurrent characteristics of style, which serves as his signature. The way a film looks and moves should have some relationship to the way a director thinks and feels. (Sarris) Tim burton’s vision of the world is reflected in themes that are strongly shown throughout in his films. The gothic imagery with his ghostly music and misfit theme is a predominant part of Burton’s signature making his films easily recognisable. Being a misfit is one of Burton’s most concentrated themes. In his films such as: Edward Scissorhands (1990), Alice in Wonderland (2010), Corpse Bride (2005), and Vincent (1982), the gothic imagery and misfit is a recurring theme where the protagonist is a misfit in their society and isolates themselves from society until finally finding a way embrace themselves and their differences to the social norm. Edward Scissorhands being the most resounding evidence of pure auteur-ship shows that Burton did not only direct it but conceptualise and commission the screenplay, in this way, the attitudes toward the themes and combination of the specific themes, can be understood as pure creations of the director. Though not only does Burton utilise this constant theme of gothic imagery and misfit but he is also known for collaborating with the same actors when creating his films, such as Johnny Depp and Helena Bonham Carter who are both featured in Dark Shadows (2012),Ed wood (1984),Charlie and the Chocolate Factory (2005) just to name a few. Burton also has the recurring use of the same composer Danny Elfman to set a tone that is easily recognised as Burton’s films. By collaborating with the same people who have assisted in the production of his films creates consistency within Burton’s

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