Tim Burton's Use Of Editing In Edward Scissorhands

Do you know what makes you different? Tim Burton does and has a unique way of showing it. Through his films, Charlie and the Chocolate factory, Corpse Bride, and Edward Scissorhands. Which he has managed to enhance by using these two specific cinematic techniques. Lighting and sound are the two factors that contribute you into feeling a desired way. These techniques manipulate you to either feel sad, happy, or even excited during the film.

Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to

Director, Producer, and screenwriter Tim Burton uses high key lighting in the Charlie Chocolate Factory . When Charlie and his peers win a contest to explore Willy Wonka’s factory, Burton shows them entering the factory using high key lighting describing their facial expression when Willa Wonka entering. Tim Burton using low key lighting in Edward Scissorhands to create the feeling of loneliness and isolation after he has been taken from his home. The effect of lighting helps creates mood and opposite feelings. Burton uses sounds,lighting ,high angle, and flashback to create dramatic emotion to draw the viewers in.

The Outcasts In the middle of the cold, dark night, a young teenage girl arrives at her house after being gone with her friends for the past few days. She walks through the long, silent hallway to her bedroom. She approaches the bed only to find a pale, scarred-face man with scissors for hands lying there. She runs away screaming that there is a murderer in her bed.

In Tim Burton’s Film ‘Edward Scissorhands’, the main character, Edward, appears to not be human on the outside, but spiritually, Edward is seemingly more ‘human’ than the others. This is used as a metaphorical term, however, because realistically, Edward is not physically human, whereas all the other characters are actually physically human. The metaphorical terminology refers to Edward being more spiritually humane in the sense that he has more individual and humane emotions, such as empathy, and guilt, traits and emotions of which none of the other characters appear to possess.

Tim Burton created Edward Scissor hands out of his own experiences in Collage. It is Modern Fantasy which uses narrative and Film conventions to create the mixture of Horror and Fantasy. Fantasy films have their own charatestics and those are how we can determine what genre the movie belongs to. A fantasy Film will normally be in an enclosed space, the setting oF Edward scisoor hand is way that Tim Burton makes the film aFantesy film. Like most movies there is a clsh between a villan and the main Charater changes during the film aswel. Many other things make a film what it is like the Charaters the plot and even the sound.

Between Charlie and the Chocolate Factory and Big Fish, Tim Burton has been amazing audiences of all ages for 30 years. Tim Burton uses many techniques to show how he can make an audience feel things that shouldn’t, or wouldn’t, have been there. In a lot of Tim Burton’s films, he uses sound, camera angles, and lighting to give off many different effects.

The film Edward Scissorhands is a contemporary archetype of the gothic genre exploring themes such as unrequited love, social rejection and human creation as defined by Tim Burton. Feature films explore different ideals that can be categorized into different genres that create expectations among audiences about characters, settings, plots and themes. Edward Scisscorhands directed by Tim Burton in the year 1990 is described as both a dark romantic fantasy and a gothic horror film. The film tells a story about Edward Scissorhands, the creation of an elderly inventor who dies before he can give Edward his normal hands in place of his scissor hands. Edward is taken from the mansion he lives in by a suburban family in an attempt to live a

In conclusion, Tim Burton uses lighting, camera movements, and music/sound to depict unique cinematic masterpiece. He utilizes reverse lighting in “Edward Scissorhands” and in a multitude of his movies. He uses diegetic and non-diegetic sounds to depict mysterious scenes. Burton also uses camera movement to make even more to the immense wonder and suspense of his films. Tim Burton has a

The use of music/sound annotate the mood and help create the feeling that Burton is trying to deliver to the audience. Burton adds tranquility to his films with non-diegetic sound in Edward Scissorhands. When Peg enters through the gates of a dark, sinister looking mansion, she unexpectedly finds herself in a beautiful garden with bushes that have creative and incredible designs. After Peg notices the decorative garden she is standing in, nice calming music plays in the background. The sound of the angelic and harmonious chorus relates to the peaceful and serene garden. The music notifies the audience that although the mansion looks terrifying, the beautiful garden indicates the contrast between the two. This gives the audience a sense of tranquility as Peg reaches the door. However, once Peg enters the mansion, Burton returns to the eerie and creepy non-diegetic sounds. The chorus begins to get louder while repeating the same beat to add tension and anticipation on what will happen to Peg. With the help of the piano, Burton establishes the new frightening mood after creating a cheerful mood. Peg’s adventure to the mansion is much more exciting for the audience, with the use of non-diegetic sound. Burton utilizes music/sound in Big Fish as well. When Edward takes a shortcut to Spectre through an odd looking path in the woods, Edward suddenly finds trouble along the way. Burton

In Tim Burton films and shorts he uses cinematic techniques such as lighting, music/sound, and editing to his advantage to portray and emphasize the atmosphere of specific scenes in his movies. Edward Scissorhands, Nightmare Before Christmas, and Charlie and the Chocolate Factory (Burton edition) all facilitate these methods distinctively. These techniques influence and the manipulate the audience's view on the film. If the music/sound is cheerful in the beginning the audience will most likely perceive and predict that the whole movie will be jubilant. Concerning lighting, If a scene has faint, shadowy illumination the scene will most likely be identified as glum or sullen. The opposite of this would supply the scene with bright, colorful

Across widespread films the use of cinematic techniques can creates a range of moods and tones, especially Tim Burton. Tim Burton has directed films such as Charlie and the Chocolate Factory, Corpse Bride, and Edward Scissorhands. Tim Burton's use of cinematic techniques creates a childish, yet dark, style across films.

Tim Burton has directed movies like Charlie and the chocolate factory, Edward Scissorhands, Big Fish, and many more. He is known for his unique style which is dark humor. He uses many techniques to create different moods or feelings you wouldn't usually feel .Tim Burton uses flashback, shot'reverse'shot, and camera movements to create different types of mood.

Genre is the French word for 'type'. Type is the kind of text it is.

In my essay I am going to reference two films, Edward Scissorhands (1990) and Vincent (1982), directed by Tim Burton. Edward Scissorhands, is Tim Burton’s take on the Frankenstein story. We can clearly see the influences that have appealed to Tim Burton in the classic Frankenstein (1931) was not the character’s monstrousness appeal but the sense of sad sorrow that audiences sympathized to in Boris Karloff’s performance. Whereas in Tim Burton’s vision, we see a “Special” character as the Frankenstein Monster, in the similar way that we call people with disabilities Special. And then we have Vincent, a short stop-motion animation. The short film itself is an entertaining aspect of a suburban boy named Vincent who recites Edgar Ellen Poe and categorizes with Horror film star, Vincent Price. With similarities to Edward Scissorhands, the main character is a chance for Tim Burton to represent himself on the screen as a tortured boy, outsider and artist. I am going to discuss how cultural and psychological concerns are represented through characterization, art direction, cinematography, and sound. I will support my discussion by analyzing a reflection on both the similarities and differences between the two films, and whether a distinctive “Burton” signature (aesthetics, cultural and psychological concerns) is evident.