Tim O 'Brien's Holiday, I Love You'

A similar idea is used In Bruce Dawes poem “Homecoming”, he uses vivid imagery and other poetic techniques to display his opinion on war. He uses his unique Australian cultural context that helps connect

One prominent example of this is comparing how both Tim and Mary Anne say the war makes them feel. When he is in the hospital, Tim says he “missed the adventure....of real war out in the boonies” (183). Contrasted with Mary Anne who loves how war makes her feel. She says“you can’t feel like that anywhere else” (106). The way war makes someone feel is the common strand between these two parts of the book. Tim’s experience and the way war made him feel is again repeated through Mary Anne’s character.

Despite an expanded outlook on the world, Luke and Anna find themselves in a place of vertigo as they struggle to come to terms with the harsh world that is Garra Nulla. The metaphor “some days she feels like a fly caught in an invisible web” establishes a visual of one who is confined by their negative experiences, unable to escape, whereas the description of “an invisible web” depicts an image of an unexpected challenge that has impacted on Anna’s initially idealistic view of country living. However, despite the couple’s dislocation and the destructive yet regenerative bushfires an overall feeling of hope at the end of the novella is reassuring. Lohrey delineates this through the symbolisation of the black swans at the closing stage of the novella. “Look”, she says, “the swans are back.” Representing a return to normality in their world as the re-emergence of the swans metaphorically represents the return of hope. The omniscient narrator reveals Anna’s inner dialogue “Ah, she says so you are leaving us. So you are on your way at last. But it’s okay, it’s alright; yes, she thinks, I am ready for this…” displaying that they are finally able to attain comfort over the grief of losing their son. Despite Anna’s and Luke’s negative experiences, the responder attains a feeling of reassurance as through the distinctive images created we observe a return to normality and ultimately a positive feeling of

“Scouts Honor” by Avi is a realistic fiction about the narrator and his friends trying to be

“Fiction is the lie that helps us understand the truth.” This quote by Minnesota author and veteran, Tim O 'Brien, displays his passion for writing stories that make truth come to life. Tim O’Brien is a remarkable man who has positively affected the world through his literary works regarding the Vietnam War. His personal life and authorship through his military experience, have led to making him one of the most influential war authors to date.

The first three words of the chapter “How to Tell a True War Story” are, “This is true” (67). Although Tim O’Brien begins this chapter with such a bold and clear statement, throughout the chapter he has the reader thinking and confused when he contradicts himself by stating things such as, “In many cases a true war story cannot

"The difference between fairy tales and war stories is that fairy tales begin with 'Once upon a time,' while war stories begin with 'Shit, I was there!'" (Lomperis 41). How does one tell a good war story? Is it important to be accurate to the events that took place? Does the reader need to trust the narrator? In The Things They Carried, Tim O'Brien examines what it takes to tell a good war story. He uses his own experiences in Vietnam in conjunction with his imagination to weave together a series of short stories into a novel.

Alice Munro is a Canadian short story writer and Nobel Prize Winner. In her article “What is Real”, Alice Munro discusses the difficulty many of her readers seem to have in telling fact from fiction as she writes about her own fictional works. Her readers, she recounts, often ask her if she writes about real people, or real events, apparently unable to comprehend “the difference between autobiography and fiction” (Munro). However, by the end of her article on the subject, “What Is Real?” Munro admits that the imagination is one she herself often blurs. “Yes,” she writes, “I use bits of what is real, in the sense of being really there and really happening, in the world, as most people see it, and I transform it into something […] in my story” (Munro). In other words, Munro sees her work as a kind of fiction because she uses both reality and fact. This makes her work honest but yet not real at the

The first character in the story is Jimmy Cross. Jimmy Cross and Tim O’Brien had a somewhat decent relationship after the war. “Many years after the war Jimmy Cross came to visit me at my home in Massachusetts, and for a full day we drank coffee and smoked cigarettes and talked about everything we had seen and done so long ago, all the things we still carried through our lives.” This quote is very powerful in its message. Then messages is that these stories weren't just war stories, those war stories strengthened their bond. Although they had some bad times, they also had funny and good

Tim O’Brien uses two narrative techniques in “How to Tell a True War Story”. First he splits the story into three different sections. The first part being Rat Kiley writing his letter to Curt Lemon’s sister about the relationship they had. The next section is describing the correct way of writing a “true war story”. And the last is O’Brien looking back on stories and his story telling techniques. O’Brien separates the story into three different parts to give the reader an example of a story that is “true”. The next section would about the truth about writing a true story and the last section is his personal reflection on the whole situation. The other narrative technique is that O’Brien retells certain events. He retells how Curt Lemon died, he retells Mitchell Sanders telling a story, and he retells how women react when you tell them stories about the war. Tim O’Brien retells stories and

Oh what a lovely war written by Charles chilton and developed by joan littlewood, which was written to capture the conflict that had made so many people 'disappear' form the face of the earth. Its set in the 1900's when the first world war and joan Littlewood interpreted it into an anti war piece as she believed

The poet uses personification by describing the nettles with the human quality of being ‘fierce’. This makes them seem like the enemy’s army which has been destroyed by the father. The poet ends the stanza using an enjambment to possibly show the continued struggles in his son’s life, leading the readers to connect emotionally to the father’s devotion to his son’s happiness.

The poet insisted, “Eyes the shady night has shut / Cannot see the record cut” (Housman 13-14). Housman metaphorically justifies that death is not a menacing occurrence in a person’s life, comparing it to sleeping on a shady night. With this seemingly bare comment, Housman reveals his valiantness of death and his supportive perspective on dying young. Moreover, Maupassant implemented imagery in “Two Friends” to demonstrate that friendship triumphs over death. He wrote that “Monsieur Sauvage fell forward instantaneously. Morissot, being the taller, swayed slightly and fell across his friend with face turned skyward and blood oozing from a rent in the breast of his coat (Maupassant 448)”. In the climax, great friends Monsieur Sauvage and Monsieur Morissot ungrudgingly were willing to die together rather than revealing the location of their country’s soldiers. Maupassant was purposeful in his word choices to create an image of two friends dying together, even if they had the choice to betray their country and escape. Thus, imagery is a powerful literary device to justify the authors’ purposes of writing.

Although this is a short poem, there are so many different meanings that can come from the piece. With different literary poetic devices such as similes, imagery, and symbolism different people take away different things from the poem. One of my classmates saw it as an extended metaphor after searching for a deeper connection with the author. After some research on the author, we came to learn that the

The storyteller is able to keep his or her memories fresh and alive through the act of telling stories. At the age of forty-three, Tim O’Brien is still able to remember his childhood friend, Linda, who died when he was nine. “Even now I can see her walking down the aisle of the old State Theater in Worthington, Minnesota. I can see her face in profile beside me, the cheeks softly lighted by coming attractions.” Linda is given the gift of life through death by the power of the story. She not only lives in the mind of Tim O’Brien, but now Linda can live in the mind of anyone of whom he tells the story to. O’Brien’s audience is even graced with the pleasure of imagining what Linda looked like, “There were little crinkles at her eyes, her lips open and gently curving at the corners.” The audience can nearly see Linda, nine years old, standing in a childlike manner before