Time and space is an intriguing concept. Arthur Miller's (1949) Death of a Salesman and Tennessee Williams' (1945) The Glass Menagerie both implement these concepts in different ways. Death of a Salesman is told through the perspective of a man who is imagining his memories, while at the same time, living his everyday life. The Glass Menagerie, similarly, is told through the memories of the narrator, Tom Wingfield, but not while he is living his present life. The characters in both stories reminisce of their past regrets. However, the intent of the author's use of time and space to reach the reader is different in these stories.
Arthur Miller (1949) demonstrates that Willy Loman is trapped in his feelings of guilt for what he did in his past, and how his decisions led up to his present in Death of a Salesman. Willy regrets his infidelity while both his career and children leave him trapped in the past. He relives his memories of his brother Ben when he is complaining of his job, often idealizing Ben. "Why didn’t I go to Alaska with my brother Ben that time! Ben! That man was a genius, that man was success incarnate" (p. 27). Willy also begins to think of the woman he adulterated with when he is appreciating his wife, because he knows that he does not deserve her. "You’re the best there is, Linda, you’re a pal, you know that? […] The Woman has come from behind the scrim and is standing, putting on her hat, looking into a »mirror« and laughing" (p. 25).
Arthur
In Death of a Salesman, by Arthur Miller, Willy Loman’s life seems to be slowly deteriorating. It is clear that Willy’s predicament is of his own doing, and that his own foolish pride and ignorance lead to his downfall. Willy’s self-destruction involved the uniting of several aspects of his life and his lack of grasping reality in each, consisting of, his relationship with his wife, his relationship and manner in which he brought up his children, Biff and Happy, and lastly his inability to productively earn a living and in doing so, failure to achieve his “American Dream”.
Similar to Gatsby, Willy Loman from Arthur Miller's Death of a Salesman, bases his "American Dream" on the idea that public acceptance would bring him wealth. Willy believes that appearing well liked makes him successful. Willy has based his life on the idea that if you are "well liked, you will never want" (Miller 33). Moreover, he believes his sons' appearance will make them successful because they are "both built like Adonises" (33). Furthermore, Willy's obsession with money leads him to equate the value of an individual with their financial worth. Willy idealized his older brother Ben because "he is rich" (41). Willy, reflecting on his own worth, concludes "you end up worth more dead than alive" (98). Finally, Willy thinks that being a popular and successful businessman will win him the love of his wife and children. Willy lies to his family, by telling his sons "[if there is] one thing boys: I have friends"(31). He also exaggerates terribly by telling his wife he sold "five hundred gross in Providence and seven hundred gross in Boston" (35). In his final imagined discussion with his brother Ben, Willy concludes that by taking his own life he will finance his son's business venture, and "[Biff will] worship me for it" (135).
In “Death of a Salesman” by Arthur Miller, Willy Loman is the well-developed protagonist of the story. Willy struggles throughout the story with daydreams and delusions that he confuses with reality. These delusions have a huge effect on the story and greatly impact Willy’s life. Willy has a difficult time keeping his bills paid with his job as a traveling salesman. He works long hours and drives long distances for very little success. His delusions cause him to believe that his work is successful when it is far from it. “Willy is self-deluded, believing wholeheartedly in the American Dream of success and wealth. When he fails to achieve this, he commits suicide—yet until the end he never stopped believing in this American Dream” (Sickels).
In Arthur Miller's play, Death of a Salesman, a major theme and source of conflict is the Loman family's lack of morality. This is particularly evident in the father, Willy Loman. Willy has created a world of questionable morality for himself and his family. In this world, he and his sons are men of greatness that "have what it takes" to make it in the competitive world of business. In reality, Willy’s son Biff is a drifter and a thief, his son Hap is continually seducing women with lies, while Willy does not treat his wife with respect and lies to everyone.
Willy Loman is a senile salesman who lives a dull life with a depleting career. He has an estranged relationship with his family and believes in the American Dream of effortless success and affluence, but in no way accomplishes it. Feeling like the aim of life is to be favored by others and gaining a materialistic fortune, Willy lives in a world of delusion where
Charley says something in Arthur Miller’s Death of a Salesman that sums up Willy’s whole life. He asks him, "When the hell are you going to grow up” (Miller 97)? Willy spends his entire life in an illusion, seeing himself as a great man who is popular and successful. Willy exhibits many childlike qualities and his two sons Biff and Happy pattern their behavior after their father. Many of these qualities, such as idealism, stubbornness, and a false sense of self-importance in the world have a negative impact on Willy’s family,
Willy Loman, the central character in Arthur Miller’s Death of a Salesman, is a man whose fall from the top of the capitalistic totem pole results in a resounding crash, both literally and metaphorically. As a man immersed in the memories of the past and controlled by his fears of the future, Willy Loman views himself as a victim of bad luck, bearing little blame for his interminable pitfalls. However, it was not an ill-fated destiny that drove Willy to devastate his own life as well as the lives of those he loved; it was his distorted set of values.
Arthur Miller’s play Death of a Salesman follows protagonist Willy Loman in his search to better his and his family’s lives. Throughout Willy Loman’s career, his mind starts to wear down, causing predicaments between his wife, two sons and close friends. Willy’s descent into insanity is slowly but surely is taking its toll on him, his job and his family. They cannot understand why the man they have trusted for support all these years is suddenly losing his mind. Along with his slope into insanity, Willy’s actions become more aggressive and odd as the play goes on. Despite Willy and Biff’s “family feud”, his two sons Happy and Biff truly worry about their father’s transformation, Happy saying: “He just wants you to make good, that’s all. I
Willy is offered help by his friend Charley, a successful Business man, Willies all time friend and only friends he has left, when Charley offers Willy a job, yet willy full of pride and envious of Charley rejects it yet does not rejects it but continues to borrow money from him. This is due to Willies flaw in his desire of being higher in society than anyone else.Willy cannot let go of the past and continuously refers to 1928, when his career was at its peak. His withdrawal into the past is a defense mechanism as he refuses to come to terms with his failure as a salesman. His illusions of grandeur lead to fierce exaggerations of himself. He tells Biff to "Go to Filene's go to the Hub, go to Slattery's, Boston. Call out the name Willy Loman and see what happens! Big shot!" (Miller, 62). He refuses to realize his personal failures and falsely believes that he is successful. Memories of a happier past Willy losing a grip on reality and on time escapes into the past. Despite his desperate searching through his past, The deep probing of dreams and memories in Death of A Salesman where quite important in illustrating Miller's point. Willy is a man stuck in the past reminiscing about times when things where good fabrication of those times really were as good as he imagines them to be? Like his inflated dreams of the future, the past may well be embellished by Willy's wild imagination. It seems
Willy has convinced himself that he is truly in love with his wife and to some extent he still is. He doesn’t let Linda mend her own stockings or carry out a load of laundry because to him, her struggles are his failures. In Act one, part four, Willy’s affair with “The Woman” is shown directly after Linda tells him that she thinks he is “the handsomest man in the world”. Arthur Miller, the playwright, does this to appeal to readers sympathy. Naturally, readers will pity Linda during this scene and feel anger towards Willy. His constant verbal abuse, plus the affair would ordinarily be enough to label him as bad but
In the play Death of a Salesman by Arthur Miller, Willy is both sympathized with and looked down upon throughout the story. Willy is a very complex character with problems and faults that gain both sympathy and also turn the reader off to him. Willy Loman is both the protagonist and the antagonist, gaining sympathy from the reader only to lose it moments later.
Willy Loman is a troubled and misguided man - a salesman and a dreamer with an extreme preoccupation with his own definition of success. Willy feels that physical impact is greater than the elements of his self-defined success. However, it is apparent that Willy Loman is no successful man, even by the audience's standards. He is still a travelling salesman in his sixties with no stable location or occupation, but clings on to his dreams and ideals. He compares his sons with Bernard, using him as a gauge of success. Nonetheless, he stays in the belief that his sons are better than Bernard. Willy recollects the neighbourhood years ago, and reminisces working for Frank Wagner, although he was also in the same condition then as now. He feels that the older Wagner appreciated him more, yet it was himself who voted Howard in. Arthur Miller presents Willy as a man with great bravado but little energy left to support it. He is always tired and has dementia, contradicting himself in his conversations and showing some memory loss, living in his world of illusions and delusions. He argues with Biff, both men without knowing why. The two sons of Willy display the physical appearance of adulthood, but their talk and attitude displays immaturity. Billy finds that he is a failure because of his lack of `success', while Happy thinks he is unfulfilled because he lacks failure.
Throughout this play Miller portrays his main character, Willy Loman, as senile, unsuccessful and slightly insane. Willy’s deranged personality is in part because his father abandoned him at a young age. Willy also feels abandoned by his cherished brother Ben. Ben went off to become a big success and rich. Willy sees this and it helps lead him to feel inadequate as a man
Arthur Miller begins his play with an excellent description of the setting of the play. This makes it easy for the reader to imagine themselves actually watching the play and causes the reader to be able to better relate to the play. Because Death of a Salesman can be considered an emotional play, it qualifies as being a timeless work of literature, especially because it has the ability to touch the human heart. Willy Loman is a salesman, who lives in New York City with his wife Linda. From the beginning of the play, Miller makes it obvious that Willy struggles with many obstacles, such as anger and even confusion since there are many times throughout the play where Willy becomes severely confused. Many characters throughout the play,
Linda is the heart of the Loman family and devotes to her time to her family, especially to her marriage with Willy who is difficult to deal with. She loves Willy unconditionally and defends him at all costs. She easily chooses him rather than her sons, when it comes to arguments between then men of the house. Not to mention, she goes along with Willy in his delusional moments and fantasies of grandeur (“Death of a Salesman”). For instance, as Willy explains to Linda how he suddenly could not drive anymore, Linda states, “Maybe it was your steering again… Maybe it’s your glasses. You never went for your new glasses” (Miller, 13). Linda constantly finds excuses for Willy when she knows that he is suicidal and irrational because in order to protect him from the criticism of others. Furthermore, “…selflessly subordinating herself to serve to assist…” ("Death of a Salesman Themes") Willy’s needs. In comparison, the prostitutes are two young women whom Biff and Happy meet at Frank’s Chop House while waiting for their father. Miss Forsythe and Letta provide character and plot development when Happy showers compliments on Miss Forsythe such as, “You ought to be on a magazine cover” (101). At this point, the theme of deception and lies is emphasized. Happy lies to the women so that he lures her into entertaining him and his brother for the evening. As a result, the prostitutes go off with the men to assist to their sexual needs and