Time To Plant Pansies Analysis

One might ask how the scientific facts of the functional purpose of a plant would connect to a literary piece, especially the well-known play, A Raisin in the Sun, written by Lorraine Hansberry. The plant in the text symbolizes the foundation for the family, honest hope, and Mama's dreams. Symbolism is not a definition of an item, but represents something specific other than itself. Much like Mama's plant, it represents many meaningful ideas with supportive evidence throughout the text. The plant standing alone may seem like a generic addition to the setting of the Younger household, but when it is observed in a deeper analytical approach; the symbolism of it in itself holds such

The two housewives have a passionate love for gardening and bestow their love and appreciation towards their gardens. In the twentieth century, gardening was advocated as beneficial to one’s life and family. In the New England Quarterly, the journal, “Gardening as ‘Women’s Culture’ in Mary E. Wilkins Freeman’s Short Fiction,” states,“The time women spent in

In John Steinbeck’s The Chrysanthemums, the reader is introduced to the seemingly timid and shy Elisa Allen. Elisa is routinely planting her yearly sets of Chrysanthemums, which appear to be the sole receptor of her caring and gentle touch, but all the while it is evident that “the chrysanthemum stems seemed too small and easy for her energy.” Her hidden eagerness seems not only out of place, but out of touch with her dry and wilted surroundings, of which her husband, Henry, abruptly interrupts her steady pace. Inquiring of dinner plans, he is quickly shuttered out, so that Elisa can continue her work in the fenced in flower bed. This seems to be the only place on the ranch that belongs to her, and thus devoting the entirety of her

When Stephen visits Sachi’s garden for the first time, he finds that “There were no trees, flowers, or water, only a landscape made of sand, stones, rocks, and some pale green moss . . . Sachi had created mountains from arranged rocks, surrounded by gravel and elongated stones flowing down like a rocky stream leading to a lake or the sea” (40). Unlike Matsu’s very green and tree-filled garden, Sachi’s garden is very dry, and simplistic, yet has a peculiarly admirable feeling when one is able to see the subtle details. Although it is very different from a typical garden, its components harmonize to create a new and beautiful pattern. At first, Stephen is overwhelmed by the unfamiliar concept of a dry landscape, but after taking it in, he says it is beautiful. This garden is has a fresh taste to it, leaving Stephen to decide the effect it has on him, whether it be positive or negative. When creating the garden, Sachi insisted that it should not have flowers. However, eventually, “between two large rocks grew a neat cluster of blooming flowers, startlingly beautiful, a splash of blue-purple . . . thriving among the muted, gray stones.” The way that the bright colors contrast against the dull gray shows that something unfamiliar and novel can appear beautiful in its own way. Since Sachi’s garden is filled with pebbles and stones, the dainty flowers stand out comely, and to

A Chinese plum, Prunus mume, blossoms in the cold of late winter and early spring. It is a classic Asian aesthetic of five petals. “It manages in the

I learned that each individual section of the plant/flower structure has its own use. The petals of a flower are used to attract insects or smaller animals while the anther produces pollen. The pollen that is produced by the anther is carried by insects or animals to the pistil of another flower where it may fertilize the eggs.

The narrator also describes the flower gardens

These flowers serve as a constant reminder of this fertility-- not just to the reader, but also to the handmaids, whose main purpose is to reproduce. They are everywhere in the setting: a “watercolor picture of blue irises” (14) in Offred’s room; a “fanlight of colored glass: flowers red and blue” (15) at the end of the hallway just outside that room; the bathroom, “papered in small blue flowers, forget-me-nots, with curtains to match” (74); on the dining room table, “white cloth, silver, flowers” (78); the “magic flower,” the “withered daffodil” (115) Offred steals from Serena’s Parlor; the “starry canopy of silver flowers” (233) adorning the Commander’s bed. The flowers serve as hidden, almost subconscious reminders of the handmaids’ sole purpose of fertility; they are usually mentioned offhandedly, as miniscule, unimportant, yet ever-present details. However, they are sometimes more directly noted and compared to ideas of fertility, as in the case of Serena Joy’s

- Wind: Wind-pollinated plants don't depend on the ability to attract birds or insects, so their flowers tend to be small, drab, unscented and non-prominent. Wind pollinated flowers are specially adapted to be able to make use of even slight air currents. They tend to have lots of small flowers with long filaments and pistils. Anthers and stigmata often project from the flower in order to be exposed to the wind so that pollen can be sent out and received easily.

Visually flowers are beautiful plants created by nature. Unless one is a gardener or a farmer, one may forget how much flowers undergo to maintain their beauty. Nor do people ponder on the life cycle of plants. It then takes a strong flower to withstand such environmental and physical change. But the support of its roots, photosynthesis, and possibly the help of a gardener or farmer allow the flower to sustain life. In Sapphire’s Push, Claireece “Precious” Jones was a sixteen-year- old mother and daughter who experienced numerous obstacles such as physical, sexual, mental, verbal, emotional, and socioeconomic abuse in the projects of Harlem, New York. Once Precious received the opportunity of attending an alternative school, her teacher, Blu

UCSB Science Line. (2015). Flowers at night?. [online] Available at: http://scienceline.ucsb.edu/getkey.php?key=3098 [Accessed 10 Mar. 2017].

"The Chrysanthemums" introduces us to Elisa Allen, a woman who knows she has a gift for growing things, but it seems to be limited to her garden. Diligently working in her garden, Elisa watches as men come and go, living their lives unconfined, wondering what it must feel like to have that freedom. That emotion is revealed as Elisa gases at her husband and acquaintances talking, "she looked down toward the men by the tractor shed now and then." As she tills the soil for her chrysanthemums Elisa tills the thoughts in her head. The garden she so desperately maintained represents her world. A world that will only flourish if nourished. Emotional nourishment and stimulation is what Elisa lacked and longed for. The garden is limited in space to grow and so is her marriage. The garden is safe, non-threatening and so is her world. The garden contains many different elements that make it what it is, although unseen, and if the proper nourishment is not given it will die, as with Elisa.

In the essay Gardening by Bailey White the women telling her story about starting her garden. As she stated she fell for it “ I don't know whether it was the pictures on the seed packets, or the vision I had of myself, dressed all in white, strolling through and in the Vista of poppies and daisies”. This statement leads me to believe she was fascinated with what the appearance of the garden would look like. She had it all planed out how she would get this perfect garden and how she would even line up the rows. As years went by more and more flowers bloomed as she weeded out all the weeds. Once all the flowers were in bloom she no longer needed her long white lace dress and she passed it on to her sister Louise. After conquering this dream she then decided she will Conquer the next greatest thing in gardening. In this essay it showed

Beside a big building which will block sunlight occasionally. The flowers present there are plenty and are in a secure spot

Central Idea: Flower is important in life as it helps in enormous symbolism, natural remedies for depression and are an integral part of many of life’s ceremonies.