Comparison Of Love In The Notebook And The Time Traveler's Wife

The home as a place of comfort does not exist for the narrator; companionship with her husband is lost. Her only real conversations occur on paper, as no one else speaks to her of anything other than her condition. She is stripped of her role as a wife, robbed of her role as a mother, and is reduced to an object of her husband's.

When people read or watch The Notebook, they automatically relate it to the concept of romance, young love, but more than anything true love. This story has a Romeo and Juliet contrast, but nevertheless also brings out many psychological concepts that play an important role in the story. Yet, many people seem to ignore these concepts and decide to pay much more attention to Allie and Noah’s love struggles. The following paper will be describing as well as highlighting psychological concepts The Notebook contained. From Alzheimer’s disease to parenting styles and the theory of love, The Notebook has been capturing the attention of millions of true love believes all around the world. Reality is, the film also captures daily

The novel begins with a journey, both physical and emotional; the Brennans are physically moving houses and towns, but also moving into new, unfamiliar territory. The leaving of ‘home’ is synonymous with the leaving of what id known, familiar and comfortable, in a literal and metaphorical sense.

Miloš Forman and John Steinbeck in their texts One Flew Over the Cuckoo’s Nest (1975) and Of Mice and Men (1937) heavily use and explore the key ideas of ambition and companionship explored throughout their texts, primarily through the use of characterization but also through imagery and symbolisms. Alongside techniques, Forman and Steinbeck utilise other themes and ideas to further develop and convey their ideas, exploring the effect and power of ambition and dreams alongside belonging and individuality being used to explore themes of companionship.

| |of forbidden love and the quest to keep it alive. The reader seems to |

The text is very descriptive and loaded with symbols. The author takes the opportunity to relate elements of setting with symbols with meanings beyond the first reading’s impressions. The house that the characters rent for the summer as well as the surrounding scenery are introduced right from the beginning. It is an isolated house, situated "quite three miles from the village"(947); this location suggests an isolated environment. Because of its "colonial mansion"(946) look, and its age and state of degradation, of the house, a supernatural hypothesis is implied: the place is haunted by ghosts. This description also suggests stability, strength, power and control. It symbolizes the patriarchal oriented society of the author’s time. The image of a haunted house is curiously superimposed with light color elements of setting: a "delicious garden"(947), "velvet meadows"(950), "old-fashioned flowers, and bushes and gnarly trees"(948) suggest bright green. The room has "air and sunshine galore"(947), the garden is "large and shady"(947) and has "deep-shaded arbors"(948). The unclean yellow of the wallpaper is

Nicholas Sparks’ tragic love story The Notebook is a touching story about two people and their eternal passion of true love which is beautifully portrayed by Nick Cassavetes in the film. Pathos is used in the film to draw members of the audience to the characters and influence them to feel passionate towards the characters. Cassavetes does this by making the movie more dramatic than the book. The director effectively uses pathos to add drama in The Notebook which makes the movie’s audience more emotionally connected to the story. The plot is evidently more climatic as the main events are exaggerated in the film. The feel of the overall screenplay is distinctive than the novel. The characters also play

"There is no such thing as love anymore, / the kind that is so strong / that you kind of feel it in your bones. / you know we used to feel that emotion / when we looked into the faces of our mother, / father, sisters, brothers, family and friends...This novel is dedicated to the era in which we live. / The era in which love, loyalty, truth, honor, / and respect died. / Where humility and appreciation are nonexistent. / Where families are divided and God reviled, / The era. / The Coldest Winter Ever."

Walls sets the tone of her memoir with the story of her earliest memory: being on fire. She uses this story to introduce the reader to the fact that from the start, her life did not fit the picture of the typical American dream. The first line of part two is, “I was on fire.” (9) and it is a quite a powerful one indeed. By using this eye-catching sentence, she uses the Pathos method of appealing to the readers emotions, namely, natural curiosity and empathy. As the story continues, the reader experiences the cool calmness of the hospital with Jeannette. Jeannette is not afraid during a hospital stay and enjoys the attention from the nurses. Walls uses simple childlike language to take the reader on a journey with her, from being placed in an ice bed with severe burns to chewing gum for the first time. By using this language, Walls gets the reader to sympathize her. The reader feels the loneliness that she feels while in the hospital and away from her family, but the reader also feels Jeannette’s excitement from being able to watch television all day and receiving three meals a day. From the start, Walls is incredibly tough and self sufficient. Through the tough lessons her parents teach her and the strong ties she has with her siblings, Jeannett becomes strong-willed and persistent.

After being crushed with deep sorrow over the death of his beloved Ligeia, the narrator moves into a decaying abbey to leave behind his lonesome house. Although he leaves the exterior of the house untouched, the narrator decorates the interior with strange but lavish furniture. “The furnishings take on the shapes and colors of his fantastic dreams” as he attempts to cope with his loss (Kincheloe). This supports the idea that the narrator would rather live in his own colorful fantasy (like the inside of his house), than engage in the dark reality (as represented by the outside of the house). Losing Ligeia meant the narrator lost his fulfillment in life; which is why his reality is now gloomy and undesirable. Not only does is the furniture an example of dream imagery, the walls of the desolate house also have a dream effect. The moving images on the walls cause the house itself to seem restless and alive. The narrator imagines this because it represents himself; always on the edge of monstrosity with each changing mood. As he hallucinates on opium, his sense of reality and fantasy is put together as one. With each furnishing, a looming memory of Ligeia haunts him as he reminances her during his opium dreams.

One of the important characters in the story that revolve around the theme of love with consequences is

In the movie The Notebook first released in 2004 that features actor Ryan Gosling and actress Rachel McAdams; Internet Movie DataBase (IMDB) best describes the plot by saying, “A poor yet passionate young man falls in love with a rich young woman, giving her a sense of freedom, but they are soon separated because of their social differences” (IMBd). At the start of the movie, an elderly man begins to read a love story from his notebook to a female patient. The love story takes place in 1940. He tells the story how Allie and Noah fall in love over a summer. Then, her parents disapprove of her seeing Noah. The two get into an argument and then decide to break up. The next day Allie is forced to go without saying goodbye to him, she later starts school in New York. Although Noah seemed fine when he left that night, he was devastated and ends up writing Allie a letter each day for a year. She never received the letters because of her mother. Noah ends up going to battle in WWII and Allie becomes a nurse for wounded soldiers. She ends up meets a more wealthy young man who later she becomes engaged to. Later, Allie reads in a

In The Notebook there are countless obstacles between the two main characters that are in love. This allows the movie to fit into the drama aspect of the genre, displaying the complexity of their love. Complex love includes the drama, and difficulties of a relationship, while still being closely connected to the romantic parts of a relationship. This is prevalent in The Notebook. Allie and Noah, played by well-known actors Rachel McAdams and Ryan Gosling, were two people from different social classes. Allie was from a wealthy, privileged upper-class family while Noah was making around 40 cents an hour at a lumber yard job. While love is not confined to the amount of money that each person has, in the 1940’s, which is the setting of the movie, social

Who would've thought time traveling was possible? I didn't, not until I found my dad's suitcase. It was a cold day in Los Angeles, my mom and I were cleaning the garage piling all of my dad's old stuff together. It would've been easier to deal with his death if he didn't passed away a year ago. No one knew about his death or anything that's why there was no news about it until now. I kept thinking to myself "man, I've only talked to him twice in my life and now he's gone forever. I wish I could just see him one more time." As i start to space out, my mom yelled "stop spacing out and help me with these boxes dude!" Panicking, "Ok, ok!" She lets out a huge sigh and pulls out a black suitcase, "Hm, I've never seen this suitcase

Today, divorce has become a common cultural and historical concern and “an American way of life” (Whitehead). This essay studies the relationship between divorce and love as presented in numerous realist literary works from the turn of the century, including A Modern Instance by William Dean Howells, Marry Me: A Romance by John Updike, and The Custom of the Country by Edith Wharton. Closely reviewing these novels, I examine love as well as divorce, which saw a remarkable increase between the years 1880 and 1920. Moving the topic of divorce to the forefront illuminates love in real life and helps us understand the ways in which these realists were actively participating in and engaging with the issues of society during their era, rather than exposing life as they saw it. In each of these novels, this old-fashioned subject of love or romance is presented with a sort of sympathetic disdain, creating a tension in these texts rendered thematically by the disruptive subject of divorce and informed by contradictory beautiful and social priorities that shape an analysis of the present and the past on which it depends. A closer glimpse at divorce in American literature is captivating because love has played a central role in the history of literature as a whole. It has been demonstrated that love has served as a complex conceptual formal function in the development of literature through each era. Love and marriage have been pivotal to the plot and shape of literary works, serving as