Timurid Book Of History Majuma Al-Tavarikh

A formal analysis, contextualizing, and compare and contrast of the Egyptian sculpture of Isis nurturing Horus and the Byzantine icon, The Virgin of Vladimir

The revised back side "... is taken up by a finely carved...raised relief showing a king, undoubtedly Narmer, ready to strike down a foe whom he grabs by the hair. This pose would become typical in Ancient Egyptian art. He wears a short skirt, an animal's tail and the crown that at least in later

What makes the sculpture different from others of this time period are two things; the subject matter, in that it depicts no god, nor Pharaoh only a mortal human writing in a mostly illiterate society. Secondly it demonstrates age shown in sagging muscles and rotund belly. Due to this relaxed style we can gather that the subject is not a Pharaoh as it was dishonourable to insinuate that they aged as they were supposed to be gods on earth.

The main purpose of this paper is to describe the visual analysis of the artwork. This paper examines an Egyptian half nude portrait art which is taken from Metropolitan Museum of Art (Fig.1). The statue characterized both male and female seated figure with a Braid hair. In this essay, I will present a complete visual description of this artwork (its preservation, costume and iconography), and then I will compare it to another artwork which is chosen from Textbook that is Akhenaten and his Family (Fig. 2).

When I visited the Orange County Museum of Art (OCMA), I was mesmerized by the beautiful sculptures, paintings, and many other works of art. This museum introduces many different exhibitions at different times and dates. The exhibition that I chose to visit is called the “Sandow Birk: American Qur’an”. The reason why I was very interested in this type of exhibition was because it displayed Middle Eastern artwork. Another reason was because I am Middle Eastern and that I can relate to it. Although I was so focused on this exhibition only, I did not realize the other works of art. However, as I walked deeper into the museum, another exhibition caught my attention. That exhibition is called the “Olga Lah: Amass and Swell”. If anyone decides to visit the Orange County Museum of Art (OCMA), I would recommend to look online about any appealing exhibitions that are being displayed as well as calling their office to plan a visit. Furthermore, in my opinion, there were some types of art that I did not fully analyze because they were not relatively fascinating as the rest. Moreover, the artworks that I examined displayed unique qualities and their messages were demonstrated in a significant, yet informative way.

“Akhenaton, Nefertiti, and Three Daughters,” is from the Amarna period in 18th dynasty ancient Egypt, which was around c. 1353-1335 BCE. This was a time where art in ancient Egypt was vastly different from anything that had come before it, mostly due to Akhenaton himself. The religion of the time was also very different, as it had become a monotheistic religion instead of a polytheistic one, where everyone now worships the life giving god Aton, represented here by the sun who is soaking them in life-giving rays and the ankh placed on the sun representing Aton. Pictured in this work is the Pharaoh Akhenaton and his family, yet it is not the stiff ceremonial

3. What artistic themes are regularly expressed in Islamic art and architecture? How are these themes explored? How has the Qur’an influenced the development of art in the Islamic world?

This stood out to me because not only was it in the middle of the exhibit, at first I thought it was a bible. But as I started to read the description I found out that it was a prayer book used by lay persons. It contains a series of prayers to the Virgin Mary. The owner of this book would read the prayers at certain times throughout the day, like in the morning and evening. The book has several colorful illustrations, and gold leaf or paint were often used for these illustrations. I thought this piece of work was cool because is similar to the daily devotionals that Christians use

The dimensions of the sculpture are not known from the research as the Saudi government has the polytheistic sculptures and work censored. Saudi Arabia only lends the sculptures to the Non-Muslim country museum with strict censorship deal with the loaned country. Most of the polytheistic sculptures were destroyed in Muhammad’s time when Islam started to grow. The relief is stone carved with written language which might say “Blessings to the tribe”. The line structures are both thick and thin.The contours are flat with rounded faces and triangular noses. The texture would have been smooth and detailed. There is no color in the sculpture; it would be left as natural white color of the limestone. This sculpture would have become

The art piece that caught my attention was at the Nelson-Atkins Museum of Art. The piece is called The Adoration of the Magi, painted by Girolamo de Carpi. The Holy Family and the Three Magi’s are illustrated in the painting. They seem to be sitting outside on the ground behind a home made of brick. A sense of space and perception is created because in the distance, behind the people in the painting there is a beautiful view of a mountain and the sun in the sky far from where the people are. In the artwork, de Carpi paints clothes on each person besides baby Christ, and the clothing differ in color; there is red, green, yellow, blue. The colors seemed somewhat bright, in a way indicating that the painting is representing a happy time. Also painted are horses depicted behind a short wall, next to the horses seems to be a servant giving one of the Magis a vessel of some sort.

This piece of art, regardless of the factual basis, was made to show some sort of union, and was made when King Narmer was ruling over Egypt. Many

The art work was created for an Egyptian Pharaoh named Nebamun. It was painted on a white wall panel in Nebamun’s tomb. It was made to decorate Nebamun’s tomb when he was still alive and to memorise Nebamun’s work and life. The Egyptians were skilled at farming for berries, grain, bread, crops and milk. They were also good at hunting wild animals for meat to supply food. They had a good supply of food and water because they had a lot of farming land along the Nile. The painting shows a funeral scene divided into two registers. The women and priests standing up are giving food to the women sitting on the chairs. The Egyptians had to make sure they had a good

Some people look at artwork in different ways it just depends on your opinion of the artwork and how you interpret. I found that Tu Tu the mummy very interesting she was only around five foot tall. Since she was a mommy she wasn't very wide because her organs were put into a jar. The body was during for around 40 days with the natural salt phone around the Desert Lakes. Her body was cleaned, rubbed with oils, stuff with spices in bundles and women her body was finally wrap with long strips of linen. it is a 70 day mummification process including the rituals and ceremonies. Her coffin is covered with gold leaf in the face represents her face as if she was alive her eyes are enlarge and also her ears are also. The coffins artwork that the money

I think that this piece of art work helps preserve some the most important things throughout history. For most of the tapestries that were mentioned in the article most display significant events

The Muqaddimah is a thirteenth century historical and sociological work that was written by one of the greatest historians at the time, Ibn Khaldun. His work was used all the way up until the 19th century because no other work has given so much in-depth detail to the history and society of the Middle East in the Middle Ages and prior to that. Ibn Khaldun has read more first-hand references to what really did happen, and understands how the Caliphates fell within the Middle East. He is very critical of other historians, but this is what makes him so accurate at this point in time. He comes up with theories