Titania In 'A Midsummer Night's Dream'

Titania, before her bewitchment, warns Oberon that their own lovers' spat is causing havoc on earth. She speaks of "winds, piping to us in vain/As in revenge" (2.1 88, 90), of the moon, "pale in her anger" (104), and how the seasons "change/Their wonted liveries" (112-13). At first, Oberon cannot see beyond his jealousy of the little changeling Titania has adopted. He sets into motion fantastic spells that upend real love, mimicking the more serious complications wrought by human politics. Naturally, Titania's premonition bears fruit when Puck transforms Nick Bottom into an ass, and again when Lysander falls in love with Helena and forgets about Hermia. These turns of events eventually worry Oberon, too. He tells Puck to make sure to "lead these testy rivals so astray/As one come not within another's way" (3.2 358-59). He prescribes the potion to set things straight, calling the evening's pranks "a dream and fruitless vision," and declaring that with his corrective action, "all things shall be peace" (3.2 377).

Oberon, riddled with jealousy over his queen’s beloved “changeling”, plots to make a fool out of Titania with his magic potion so he may steal away the child. Oberon's love-potion has the same effect of that of the famed Cupid's arrows, it charms the sight of those it is anointed upon, and gets them to fall in “love” with the first creature they see. Oberon anoints the eyes of Titania and she ends up falling in “love” with the first creature she sees, Bottom, an actor who is rehearsing in the woods, who’s head has been turned into that of an ass by Puck. Oberon plan is successful, he is in fact able to steal away the child while his queen dotes upon Bottom, but then things start to get more complicated in the moonlit woods.

Although the root of most conflict in the play is the trouble of romance and the play involves many romantic elements, I could rightfully not tell you that is truly a love story. You see, my goal was to distance the audience from the emotional aspect of the play in order to make fun of those in love and suffering. The tone of this play is meant to be lighthearted to the point where the audience does not even doubt that all will end well and can thus freely enjoy the comedic aspect of the play without worrying about what might happen next. Once again, this is reflected in the play-within-a-play. Although the plot of Pyramus and Thisbe is meant to be one of tragedy and love, the product is quite comical and therefore the story does not seem quite as tragic to the

However, Shakespeare uses Bottom to draw the audience’s attention to serious themes, such as the relationship between reality and imagination. He is also the most down-to-earth character in the play as he does recognise that Titania's statements about him aren't true, when Titania devotes her love to him 'On the first view to say, to swear, I love thee.', Bottoms responds with 'Methinks, mistress, you should have little reason for that', also when Titania

Classical ideals of behavior between man and woman are presented in the play. Also Theseus seems to be noble and smart ruler, who cares about his nationals.

Throughout A Midsummer Night’s Dream, while the story involving Lysander, Demetrius, Hermia, Helena, Oberon and Titania is developing, the rustic gentlemen (Bottom and his friends) are shown rehearsing for a play that they will perform in honor of the upcoming wedding of Theseus (the Duke of Athens) and Hippolyta. The play, “Pyramus and Thisby,” is based on a story that was told by the ancient Roman writer Ovid and retold by Chaucer. The “Pyramus and Thisby” play is not performed until the fifth and final act of A Midsummer Night’s Dream. By then, as Barton points out, the major problems of Lysander, Demetrius and the rest have all been neatly resolved. As such, the “Pyramus and Thisby” play-within-a-play “seems, in effect, to take place beyond the normal, plot-defined boundaries of comedy” (Barton 110).

Right after Bottom scared all the people with his ass, he meets Titania (Applied to the love juice). Titania immediately falls in love with Bottom and his ass’s head. When she hears Bottom sing, she says "I pray thee, gentle mortal, sing again: Mine ear is much enamour'd of thy note; So is mine eye enthralled to thy shape; And thy fair virtue's force perforce doth move me. On the first view to say, to swear, I love thee." (Act 3 Scene 1 Line 121). She treats Bottom like her own child, she feeds him, she sleeps with him and pampers him. This is a comedy, as it is absurd to fall in love with a person with an ass. When Oberon takes the spell away from Titania, she also thinks that it is not possible and is startled. She says “My Oberon, what visions i have seen! Methought I was enamour’d of an ass.” (Act 4 Scene 1 Line 75). Titania is a the queen of fairies and has a lot of power and reputation amongst her people, In Act 3 Scene 1 Line 139, she was so powerful, she could just say “I’ll give thee fairies to attend on thee”, and Peaseblossom, Cobweb, Moth and Mustardseed immediately came to serve her. Titania should not be under a spell. Imagine Julius Caesar falling in love with a hippo, it just does not make

1. How does Oberon learn that Titania is in love with Bottom? How does he feel about that?

The above shows that Titania and Oberon share a relationship that is inseparable. They swallow their pride and come back together, planning to even bless the marriage of Theseus and Hippolyta even though those were the other two in the affairs. Hippolyta proceeds to call Oberon ‘my Lord’ and Oberon calls Hippolyta ‘my Queen’. This shows that their love is still prevalent. ‘True love’ is the baseline in the play and is the primary form of love.

Theseus, son of Athenian king Aegeus, was raised in a city near southern Greece. His mother was told by his father that if he was born a boy and became strong enough to move a boulder that guarded a sword and a pair of shoes, he could come back to Athens and claim that he is the son of Aegeus. Theseus accomplished this task easily and was ready to set off for Athens. His grandfather had a ship prepared to take him straight to Athens; however, just like his cousin Hercules, Theseus wanted to prove himself as a great hero and take risks. Theseus walked to Athens and killed every bandit in site; killing them in the ways that they killed their victims. Upon his arrival to Athens, Theseus was treated like a hero and caused the king to worry that this hero, who he didn't know was his son,

Next, to contradict with another view of Cutis, who asserts a similarity between the “Theseus-Hippolyta” relationship and the “Oberon-Titania relationship,” I will prove that the extreme meanness of Oberon to Titania is of another kind, in that Oberon is capable of sympathizing with Titania, and in that the meanness of Oberon comes from his overabundant love for Titania (Cutis 183). Under a fairy land setting, “a place of confused

The story Pyramus and Thisbe had many similarities and differences to the story The Tragedy of Romeo and Juliet. To start, Pyramus and Thisbe, written by Ovid, was about how the two lovers could not be together because of a literal wall created by their feuding families. Shakespeare’s play, The Tragedy of Romeo and Juliet, showed two children that wanted to be together, even though their parents refused to let them because of their feud. As you can see, the two stories have many similarities, but also a few differences. The characters of the two stories are love struck and will do anything to be with the other.

Titania refuses to give up the boy to Oberon feels that he must take things into his own hands. He tells Puck to go get him a flower that has special juice that if put into anyones eyes can make them fall in love with the next thing they see. After acquiring the flower he finds Titania and puts it in his wife's eyes saying ¨Whatever you see when you first wake up, think of it as your true love (Shakespeare 2.2.34-35¨). Titania wakes up and falls in love with Bottom the weaver. Oberon finds Titania in the woods and asks for the Indian child

Having experienced a punishment worse than death, Theseus aimlessly wanders around the roads of Athens. This is what I get for meddling with the gods. The Furies gnawing at his limbs, Peirithous screaming in agony, the dead calling out to their loved ones to find them; these memories filled his mind, and he carried this burden knowing that he could never go back to the life he once knew.

As the play opens, Theseus, Duke of Athens, and Hippolyta, his fiancée discuss their upcoming wedding. With the introduction of Theseus and