To Pip A Bird Analysis

Unlike many other mainstream artists, Kendrick Lamar attaches great importance to the lyrics of his songs. Lamar’s song “DNA”, released last April, became a real breakthrough in the world of hip-hop music. In this song, Lamar reflects on various social issues faced by the modern African-American community of the USA. The song’s lyrics, as well as the music video, portrays the most common stereotypes and biases labeled to the African-American community. The central aim of the song is to sarcastically demonstrate the image of African-Americans as they are viewed by biased media. By the use of symbolical sarcasm and double meanings, Lamar underlines the acuteness of the race inequality that remains existing in the modern America.

Rap music has become one of the most distinctive and controversial music genres of the past few decades. A major part of hip hop culture, rap, discusses the experiences and standards of living of people in different situations ranging from racial stereotyping to struggle for survival in poor, violent conditions. Rap music is a vocal protest for the people oppressed by these things. Most people know that rap is not only music to dance and party to, but a significant form of expression. It is a source of information that describes the rage of people facing growing oppression, declining opportunities for advancement, changing moods on the streets, and everyday survival. Its distinct sound, images, and attitude are notorious to people of all

Kendrick Lamar’s third studio album, “To Pimp a Butterfly,” sheds light on the struggle of achieving rich and fame and the trials that come with. Rolling Stone and Billboard praised the album awarding it the best album of 2015. The album depicts the difficulties of fame by putting the trials and tribulations on display; the inability for those to adjust to their new lifestyle and the potential temptations that creep in. “To Pimp a Butterfly” has been both a divisive and uniting factor in its emergence in popular culture.

Molefi Asante is the author of It’s Bigger than Hip-Hop: The Rise of the Post Hip-Hop Generation. In this article, Asante predicts that the post-hip-hop generation will embrace social justice issues including women’s rights, gay’s rights, and the anti-war movement. To challenge these stereotypes, Asante speaks to the personification of the African-American ghetto and the need to stop glorifying black suffering. For Asante, the post-hip-hop generation no longer expects hip-hop to mobilize disenfranchised youth. Asante states, “The post-hip-hop generation shouldn’t wait for mainstream musicians to say what needs to be said…No movement is about beats and rhythms…. it must be bigger than hip-hop.” Because hip-hop is controlled by corporations, Asante says hip-hop will never be the focus of political change. Asante argues that “old white men” have dictated hip-hop, and by extension the actions of black youth, since 1991. “Allowing white executives, not from the hip-hop culture, to control and dictate the culture is tragic because the music, and ultimately the culture, as we can see today, has not only lost its edge, but its sense of rebellion and black movement- the very principles upon which it was founded.” Asante calls for the rise of “artivism,” a new social movement that uses art to improve community police relations, failing schools and the criminal justice system. Asante encourages the post-hip-hop generation to unite with Latino/Immigration Rights and Black Civil Rights

Cultural phenomenon, rapper Kendrick Lamar has embraced a growing minority centered culture in America through his album “To Pimp A butterfly” this album conveys themes of hardship for minorities and cultural uprising. One of the singles on this album “Alright” simply tells black audiences that with faith everything will be alright. He uses the Lyrics “Alls my life I has to fight, nigga .Alls my life I...Hard times like God. Bad trips like: ‘God!’ Nazareth, I 'm fucked up..Homie you fucked up..But if God got us then we gon ' be alright” These lyrics simply tell suppressed minorities that despite hardship there is hope within our communities. . Months prior to the release of Kendrick Lamar’s “Alright” several attacks from white police officers happened in the black community. A common case in this uproar was the “Mike Brown case”. In this case a black man was shot dead after allegedly robbing a local gas station. Kendrick simply responded to these seemingly racial attacks with his album to “Pimp a Butterfly”. To pimp a butterfly simply means to use your influence to the best of its ability to make a meaningful impact. With tracks like “Alright” Kendrick Lamar does just that. The Primary themes and issues conveyed in this song are white supremacy, racism and black uprising

Think of a poet. Who came to mind? Was it Shakespeare, Langston Hughes, Ralph Waldo Emerson? What about Eminem or Jay-Z? They are both poets too, but in a different way. They go by the title “rapper”, basically a synonym for poet, and Hip-Hop is their form of poetry is. Kevin Coval amusingly says that rap “dusted poetry off, took it out the closet, put Js on its feet, and told it to speak to the people, all the people,” and that hip-hop saved poetry from becoming “classical music,” meaning that rap prevented poetry from becoming an old, out-dated art form and renovated it for the next generation (20). Coval’s book, The BreakBeat Poets, says the creation of hip-hop music was by “latchkey kids in the crack era, left to their own devices to experiment wildly and make language and art new and meaningful,” and goes on to say its purpose is to, “move the crowd, relate to the crowd, and save the crowd,” and Kendrick Lamar does these things perfectly (18). Through the use of clever wordplay and rhyming skills mixed with great story telling, Kendrick is bringing rap music back to its “roots” while introducing a “style” of his own, which is why one can argue that Kendrick Lamar is the “savior” of the rap game and its listeners.

Hip-Hop Culture and race have had a complicated relationship in the past two decades. It has been commonly referred to as “black music” and a reflection of black culture. However, recent studies done by the Mediamark Research Inc. showed that 60% of rap music buyers are white. With the emergence of white, Latino, Asian, and other rappers with diverse backgrounds on the Hip Hop scene it is important recognize the changing color of the genre and the stereotype it holds as “black music”. Black culture has also been subject to appropriation because of the popularization of Hip-hop music. However, much of the discourse on the topic confuses cultural appropriation and cultural appreciation, and states that hip-hop music is strictly for African Americans or that it doesn’t belong to anyone at all. Hip-Hop is a black art form that transcends cultural boundaries and can be appreciated through the lenses of different cultures as long as those who enjoy it acknowledge its roots. The genre’s growing number of non-black rappers is not due to the appropriation of the genre by other cultures but as an expansion of it due to it’s growing popularity across the world.

As the decade of the 1970’s came to an end, a new Black music emerged like much of the others - wrapped in social realities of an genuinely Black experience. Rap/Hip Hop bursted on the seams relating many of the same political messages and ideologies heard decades before. Echoing the Black Power movement and using the musical culture as a way to rebuild Black communities constantly under attack, rap brought real life stories of an urban, younger

4. Kendrick Lamar is a hip-hop recording artist, and for the African American community he has been a huge social movement. I realized this during a pop culture class I took this semester. His new album, To Pimp A Butterfly specifically, shows his dedication to trying to bring positivity to his listeners. He recognizes that hip-hop has some responsibility for the systematic problems that the black community has faced. And according to, Music.Mic, Hip-hop could have played a huge role in the death of Michael Brown, with a New York Times obituary implying that Brown 's hip-hop aspirations somehow factored into Brown’s death.

Kendrick lamar’s award winning music video for his 2017 single Element shows the many experiences he faced growing up as a black man. The various symbols broadcasted throughout this music video show specific conflicts and struggle that he has dealt with throughout his life and also allowed black man that have been in his position something to relate to. He teamed up with director/photographer Jonas Lindstroem to help him convey his message but in a unique and creative way. The slow moving scenes show a softer depiction of his encounters. They give a sense of understanding which allows the viewer to be able to comprehend and absorb his message. As a whole, it was a collection of the pain, beauty, peace and violence that exists within his “element”.

Kendrick Lamar took the music industry by storm last year after his release of his sophomore album To Pimp A Butterfly. Immediately, the album quickly became critically acclaimed and resulted in multiple awards such as winning four grammys this past winter. The album goes deep into Kendrick’s personal struggles as new found celebrity, while also touching on subjects surrounding the black community. For this paper I took a look at the standout song off the album Institutionalized, that deals with the internal struggle people go through in life because of the barriers of thinking they are imprisoned to in their lives. Along with this, the song also has elements that tie

One challenge Kendrick Lamar faced was when his family was directly touched by the violence of the streets, He handled it by remaining thoughtful and safe, also he was a strong observer, even as a child. In 2015, Kendrick released his next album, To Pimp a Butterfly, including and featuring artists like Bilal, Snoop Dogg and Pharrell Williams, and others.

When was the last time an album was so unanimously praised? Kendrick Lamar was unescapable in 2015 and delivered with To Pimp A Butterfly not only the best album of the year, but also the most important. Kendrick isn’t the first to rap about what it’s like to be black in America, but his immaculate album struck the chord like very few before, especially in a post-Ferguson era. Released as a single this summer, Alright became an anthem sung coast to coast in every street, both by people in their cars and by protesters.

“The Blacker the Berry” by Kendrick Lamar was released February 9th, 2015. This incredibly racially motivated song has created controversy throughout America because it tackles racism, hypocrisy, and hatred head on. Although Stephen Best argues that the past defines the present without question, and Hartman believes that many important African American stories have been silenced due to lack of evidence, Kendrick Lamar’s song “The Blacker the Berry” complicates and adds to their arguments by introducing a certain level of hypocrisy that forces the listener to understand a much more complicated moral position than is generally allowed, perhaps an inevitable one.

On February 15, 2016, Kendrick Lamar took the stage at the 2016 Grammy Awards show. Shackled in chains, he moved lethargically across the stage in a prison uniform. Words began to stream out of his mouth and I imagined the elephant that filled the room as an unapologetically black male made a statement to the world about African American oppression in the United States. Kendrick Lamar’s showcase included an intricate set that addressed social issues such as mass incarceration with song, “The Blacker the Berry”, while keeping hope towards better days with song “Alright”. The elaborate performance on February 15, 2016 would be a performance that will go down in history. An artist used his platform to discuss important issues in the United States to a diverse audience. With so much passion invested into the song, it was almost impossible to pick any other song besides “The Blacker the Berry”, as it discusses a wide range of issues within the United States, especially related to the black body.