To Pip A Butterfly Album Analysis

If they see rappers calling females out of their name with big chains and expensive cars throwing all their money in videos, then they look up to the guys they see in those videos and are going to buy in to what their seeing and hearing on the radio, on TV, on the internet, on the streets and in school regardless if it’s true just like advertisement. Even though many of the rappers that rap about misogyny sound like they live what their saying, many don’t actually believe what they’re saying they’ll still say it anyway just to get a paycheck. Yet what a lot of the public fell to realize is that rap is about business and making money and they’ll do whatever it takes to increase their profit. Yes, a lot of what these big time record labels put out is wrong on many levels, but when their banks accounts have a lot of zero’s, they can care less about how their music is affecting young people. This situation is very multi-sided to say the least which is why I feel this article deserves to receive the Most Controversial Issue

One of the more prominent criticisms of hip that Rose points out is that there is a large amount of misplaced blame in the world of hip hop. She writes, “increasingly, too many of hip hop’s supporters point to structural racism to explain the origins of the problem but refuse to link these structural forces to individual action and to the power of media seduction” (p. 73). In this section of the second chapter, Rose is explaining that those who defend commercial hip hop are taking a more-or-less one-dimensional approach to their arguments by solely blaming structural racism and overlooking the

In the essay, “Hip-Hop’s Betrayal Of Black Women”(221), by Jennifer McLune, she vents her feelings regarding hip-hop songs that are rhythmically diminishing the value of black women. She provides example on how the lyrics are being voiced and how hip-hop artists do not seem to care. Kevin Powell in “Notes of a Hip Hop Head” writes, “Indeed, like rock and roll, hip-hop sometimes makes you think we men don’t like women much at all, except to objectify them as trophy pieces or, as contemporary vernacular mandates, as baby mommas, chicken heads, or bitches” (221). There have been apologizes for what the rappers have said but nothing to resolve the dehumanization of black women. McLune informs the readers that hip-hop singers belittle black women and make them invisible. Jay-Z, a popular hip-hop artist is brought to center stage by McLune. The essay shows the example of a part of Jay-Z song that says, “I pimp hard on a trick, look Fuck if your leg broke bitch hop on your good foot” (222). This lyric is a perfect example of how hip-hop artist have no remorse in the words they sing. The hurt feelings and loss of self-esteem black women suffer, is of no concern to the rappers. McLune expresses that those who are underground hip-hop artist follow the footsteps on being sexist and using crude words in their lyrics just because they yearn and dream of being in the spotlight. Upcoming rappers want to be loved like Jay-Z and other famous notorious rappers.

Millions of people in the world listen to music for all different reasons. Most people all over the world listen to different genres of music in order to relax, but not too many people pay attention to the actual lyrics of a song. If you listen to the lyrics of a song you will realize that many songs have important messages or themes to them. An example of this is the lyrics of the song “Changes” by Tupac Shakur. If you listen to this song, you will realize that Tupac raps about not only the problems that African Americans face from society, but also the struggles that poor people in society have to endure and overcome. Many

I am proposing my lyric and politics essay to an American rapper name Nick Cannon to his latest politics rap song called “Stand for What”. The song called “Stand for What” written by Nick cannon demonstrated a powerful message to the reality in the movement of end racial injustice and police brutality. His song support Colin Kaepernick kneeling down for a peaceful protest during the National Anthem, which made Trump not liking Colin’s action. The “Stand for What” lyrics portray an image of the reality of whites’ oppression against black people for all the wrong deeds that should been amended. His song speaks out the truth for the police brutality, Colin Kaepernick protest, and our history of American racial injustice. After Nick Cannon retires

Unlike many other mainstream artists, Kendrick Lamar attaches great importance to the lyrics of his songs. Lamar’s song “DNA”, released last April, became a real breakthrough in the world of hip-hop music. In this song, Lamar reflects on various social issues faced by the modern African-American community of the USA. The song’s lyrics, as well as the music video, portrays the most common stereotypes and biases labeled to the African-American community. The central aim of the song is to sarcastically demonstrate the image of African-Americans as they are viewed by biased media. By the use of symbolical sarcasm and double meanings, Lamar underlines the acuteness of the race inequality that remains existing in the modern America.

As the title of the paper suggests, I chose Kendrick Lamar’s song “Blacker the Berry” off the To Pimp A Butterfly album. When selecting a song, I actually took to Twitter to ask my followers what song I should write about. I personally do not listen to Kendrick Lamar so I decided to ask people who enjoy his music to recommend songs that an analysis should be written over. Several people mentioned “Blacker The Berry”. Although I did not hear the many rhymes and metaphors at first, after reading the lyrics along with listening to the song I was quick to realize how creative, witty and almost unintentional the rapping’s of Kendrick Lamar are. Another reason I decided on this song is because he raps about current violence of high profile crimes

Joan Morgan, a self proclaimed feminist, loves the power that rap and hip hop offers. Joan, also a music writer, is exceptionally troubled by the disrespect of women in not only in the musical lyrics but also the music videos. In the June 1990 edition of Ebony Magazine, Charles Whitaker wrote an editorial addressing the problems American culture brought on by the hip hop industry. Even though, his editorial was published in the 1990’s, it is extremely clear Charles Whitaker saw the negativity brought along with “The Hip Hop and Rap Revolution.” Both authors loved the powerful energy the new hip hop movement brought along with its beginnings, dating back to the mid to late 1970’s. With that being said, the two authors, both had one recurring theme within their respective works, the evolution of hip hop and rap. In other words, both Joan Morgan and Charles Whitaker addressed the issues brought on by the change in the rap and hip hop industry over its short exists. Change is the absolute most constant thing in our world, whether it is positive or negative change that is uncertain, in both of the articles that change in hip hop and rap is demonstrated

Kendrick Lamar’s third studio album, “To Pimp a Butterfly,” sheds light on the struggle of achieving rich and fame and the trials that come with. Rolling Stone and Billboard praised the album awarding it the best album of 2015. The album depicts the difficulties of fame by putting the trials and tribulations on display; the inability for those to adjust to their new lifestyle and the potential temptations that creep in. “To Pimp a Butterfly” has been both a divisive and uniting factor in its emergence in popular culture.

Molefi Asante is the author of It’s Bigger than Hip-Hop: The Rise of the Post Hip-Hop Generation. In this article, Asante predicts that the post-hip-hop generation will embrace social justice issues including women’s rights, gay’s rights, and the anti-war movement. To challenge these stereotypes, Asante speaks to the personification of the African-American ghetto and the need to stop glorifying black suffering. For Asante, the post-hip-hop generation no longer expects hip-hop to mobilize disenfranchised youth. Asante states, “The post-hip-hop generation shouldn’t wait for mainstream musicians to say what needs to be said…No movement is about beats and rhythms…. it must be bigger than hip-hop.” Because hip-hop is controlled by corporations, Asante says hip-hop will never be the focus of political change. Asante argues that “old white men” have dictated hip-hop, and by extension the actions of black youth, since 1991. “Allowing white executives, not from the hip-hop culture, to control and dictate the culture is tragic because the music, and ultimately the culture, as we can see today, has not only lost its edge, but its sense of rebellion and black movement- the very principles upon which it was founded.” Asante calls for the rise of “artivism,” a new social movement that uses art to improve community police relations, failing schools and the criminal justice system. Asante encourages the post-hip-hop generation to unite with Latino/Immigration Rights and Black Civil Rights

Many contradicting views surround rap music’s controversial subjects and use of language. While some consider it highly offensive, there is some validity to the rhetoric applied in political rap. In the 1990’s racial inequality is rampant with uprisings and segregated neighborhoods that condemn minorities and lower socioeconomic classes to inhumane living conditions. Specifically, Tupac Shakur’s posthumous song “I Wonder if Heaven Got a Ghetto” combines an emancipatory lyric with a hopeful and upbeat instrumental to assess the racial inequality in society and the possibility of a better future.

Hip-Hop Culture and race have had a complicated relationship in the past two decades. It has been commonly referred to as “black music” and a reflection of black culture. However, recent studies done by the Mediamark Research Inc. showed that 60% of rap music buyers are white. With the emergence of white, Latino, Asian, and other rappers with diverse backgrounds on the Hip Hop scene it is important recognize the changing color of the genre and the stereotype it holds as “black music”. Black culture has also been subject to appropriation because of the popularization of Hip-hop music. However, much of the discourse on the topic confuses cultural appropriation and cultural appreciation, and states that hip-hop music is strictly for African Americans or that it doesn’t belong to anyone at all. Hip-Hop is a black art form that transcends cultural boundaries and can be appreciated through the lenses of different cultures as long as those who enjoy it acknowledge its roots. The genre’s growing number of non-black rappers is not due to the appropriation of the genre by other cultures but as an expansion of it due to it’s growing popularity across the world.

Ralph Ellison’s The Invisible Man is a fascinating novel about a nameless black man and his struggle to become successful and find his true identity in a predominantly white society that refuses to see him as person. Taking place in Harlem in the 1930’s, the story accurately depicts the life of a black man and the many injustices he faces nearly every day. More than eighty-seven years later, African-Americans still encounter numerous challenges similar to the ones the Invisible man experienced. Today, many hip-hop artists bring awareness to these problems through their songs. Most notably, Kendrick Lamar’s album To Pimp a Butterfly (March 15, 2015) deals with the topics of black oppression, institutionalized racism, and an American system designed to destroy African Americans. Despite genre and time differences, Kendrick Lamar’s To Pimp a Butterfly and The Invisible Man are essential works of art in order to inspire, educate, empower, and promote social and political changes.

Kendrick Lamar took the music industry by storm last year after his release of his sophomore album To Pimp A Butterfly. Immediately, the album quickly became critically acclaimed and resulted in multiple awards such as winning four grammys this past winter. The album goes deep into Kendrick’s personal struggles as new found celebrity, while also touching on subjects surrounding the black community. For this paper I took a look at the standout song off the album Institutionalized, that deals with the internal struggle people go through in life because of the barriers of thinking they are imprisoned to in their lives. Along with this, the song also has elements that tie

Hip Hop music became one of the primary constructive outlets for Black Americans to release their thoughts, pain, and anguish about the injustices and mistreatments of Black people. Even though most of the pioneers in Hip-Hop either were not born in America or are 2nd generation immigrants that proves that common oppression can lead to unity. The fact that that these individuals were impoverished and felt marginalized is what brought them together and lead to the culture today. Deep rooted racism in the United States kept the genre of music suppressed for a while before it was allowed to even be played on the airwaves. Now, in 2011, the main consumers of byproducts of hip hop are White Americans.