To The Virgins

     I really like this poem because it makes me want to get out of bed in the morning or turn off the television and do something productive like read a book, or go to the gym. It perfectly reveals the true meaning of carpe diem. The very first sentence alone tells me to get things done while I can. Now when I think of “To the Virgins, to Make Much of Time”, it will remind me of carpe diem, which will make me want to make every minute of my day account for something good whether it be reading a chapter

In this time period women don't have full rights. People, like Sara's father, think women can not live without a man to look after them. I think this is ironic because earlier in the novel he said that men can't survive without women caring and cooking for them, and now he is saying the complete opposite.

In the early 19th century, women were oppressed, and marriage was a social status, not a choice. Mrs. Mallard was a wife during 19th Century and her home was where she would spend most of her days. She also suffers from a heart condition. She learns of the tragic news on the first floor of her two story home. Her sister Josephine was the one to tell her “ in broken sentences, veiled hints that revealed in half concealing.”(287) The news was revealed as delicate as possible, due to Mrs. Mallard's heart condition. Mrs. Mallard heard the news, she wept, a sense of grief comes upon her. Once she removed herself from her sister Josephine's arms, she went off to her room. It reads, “ When the storm of grief had spent itself she went away to her room alone. No one to follow her”(287). During this time, women were looked down upon if they were not married. Most women were given away by their

During the 1800’s it was very rare for women to marry for love. Most marriages were arranged for financial gain. When in a marriage during this time period, the husbands were given most of the control over the household, the children and their wives. According to the article “Histories: Women in the 1800’s,” It stated that all of a women’s possession’s belonged to her husband, this included earnings (if she worked) and her property. It wasn’t uncommon for women to be unhappy within their marriages because with a lack of voice in a marriage can lead anyone to a mental breakdown. In Kate Chopin’s “The story of an hour” and Charlotte Perkins Gilman’s “The Yellow Wallpaper” both women felt trapped in their marriages. They both strived for freedom and independence.

In life especially, 2,000 years ago, there was a path that women were expected to take. Marriage being the number one decision and path they were supposed to endure. Today, women role in society has changed tremendously since the 1800s. Women are now a little more equal to men. In Chopin, Kate. The Story of an Hour and Hawthorne, Nathaniel. The Birth-mark, two stories about gender role and marriages, show how it was like in the 1800s. Their opinion of marriage was correct even though somethings were flawed.

Margarita Engle, a poet, and novelist, once said, “Marriage without love is just one more twisted form of slavery.” In the eighteenth century, marriage was the exit door of many women from their homes whether they believed in love and filled their hearts with hope, or had no choice, and they were sold to men as if they were cattle. In The Story of an Hour, Kate Chopin shows complex issues such as marriage, independence, symbols, and ironies. After hearing the news that Brently Mallard was dead in a railroad accident, Richards, Mr. Mallard’s friend, went to the house to be next to Mrs. Mallard and to help her at this difficult moment. Contrary to what everyone was worried about, Mrs. Mallard knew that she would lament her husband’s death, but she was full of hope, dreaming of her freedom, appreciating life beyond the window, and a new beginning. Unfortunately, Mrs. Mallard’s dreams faded when she went downstairs and her husband arrived alive, and she could not stand it and died. Focusing on The Story of an Hour, there are three main points related to women in the early eighteenth century, such as oppressive marriages, women’s new perspective and ways of liberation, and women’s submission and obedience that demonstrates how women survived, even though they were not heard.

Many people have believed that marriage validates a woman’s life and also defines her. Once this idealized milestone has been reached, she then begins to define herself through marital expectations. These stereotypical expectations include bearing children, maintaining a home, and living up to the preset standards that a woman should. Women have upheld this traditional role for centuries and have been reluctantly accepting while doing so. The problem with this traditional belief is that orienting a life around marriage—without experiencing the joys that exploring individuality brings beforehand—will only result in a woman’s unhappiness; Mrs. Mallard, the main character in “The story of an Hour,” experiences just this, for she is consumed by a severe depression that also effects the health of her tender heart. Her marriage becomes oppressive and renders disappointment and un-fulfillment in all that it entails, leaving her bereft of both metaphorical and physical life. She was never able to feel satisfied with her marriage because she never experienced life beforehand. In “The Story of an Hour,” Kate Chopin uses irony to illustrate that a traditional marriage harms a woman both physically and mentally.

Marriage is a union of two companions who are deeply in love with each other; however, this is not always the case. In Chopin “Story of an Hour” Louise weeps of her husband’s death, but then comes to the realization that she was now a free, independent women who no longer feels oppressed by marriage. Louise; however, never gave a specific way in which her husband oppressed her, which Chopin hints that marriage suppress both men and women. In Gilman “The Yellow Wallpaper” reveals that gender division had the effect of keeping a woman in an adolescent state of ignorance and prohibiting further development. Gilman critiques the position of women within the establishment of marriage and criticizes the traditional nineteenth century middle-class

The novel reads, “Janie waited a bloom time, and a green time and an orange time” (25). Here Hurston uses a metaphor to describe the changing season and demonstrate how long Janie has been waiting for her dream of love to come because she is not receiving the kind of love that she has imagined. Furthermore, Hurston personifies Janie’s dream. Her dream was alive but it died. Janie’s dream of love was dead because it was something that got destroyed and will never be able to come back, it is gone. She learned that marriage did not equal love. Janie had questioned if marriage equated love “Did marriage end the cosmic loneliness of the unmated? Did marriage compel love like the sun the day?” (21). She had since learned that being married to someone does not mean that you are going to fall in love with them and all your problems will be solved. Her ideal of marriage was shattered and the child in her could no longer dream. Becoming a woman for Janie meant to completely let go of her dream of love and to resign to the domestic role of being a wife. She can not find anything other than the routine of life. To Janie the routine life was what a woman did; took care of the house and her husband. Her grandmother lived a routine life and Janie considered her grandmother a woman. In addition, becoming a woman to Janie meant becoming like her grandmother, not believing in love and marry for

Death is the major speaker of this poem, its persona shows how cruel and violent it can be, however she also speaks of getting everything out of life you can before death. Starting with line twenty three of the poem she begins talking about living a full life before death, "When it 's over, I want to say all my life/I was a bride married to amazement/I was the bridegroom, taking the world into my arms." (23-25). Being a bride married to amazement is a comparison to commitment, being with the same person every day. However in this case with a lifestyle instead. Doing amazing and memorable things every possible day you can, not letting life pass you by. This also fits perfectly with the next few lines

Traditionally, women have been known as the less dominant sex. They have been stereotyped as being only housewives and bearers of the children. Many interesting characters in literature are conceived from the tension women have faced with men. This tension is derived from men; society, in general; and within a woman herself. Kate Chopin‘s short story, “The Story of an Hour”, focus on a woman’s dilemma near the turn of the 19th century. Contradicting the “normal” or sad assumption of death, “The Story of an Hour” illustrates the significance of death representing freedom. The Story narrates about an hour of Louise Mallard’s life, as she tries to understand, and deal with her feelings of her husbands death.

The Story of an Hour is short, yet, contains important examples of gender roles in marriage. They are important because they represent how women felt married in the 19th century due to male dominance that manifested throughout marriages all over the world. In The Story of an Hour, Mrs. Mallard is a wife that is, at first, seen as distraught, because of her husband’s death. She starts to cry and run to her room, to soon be lifted with the joy that she is now free. It is clear that she felt trapped in the marriage and is now happy that there is no one controlling her any longer. Mrs. Mallard is a prime example of women in marriages in the 19th century, and even some today. Unfortunately, they have to experience sexism from their husbands. Women are dominated by men in marriage and are expected to acquire the stereotypical gender roles.

From a feminist critical perspective, it is clear to perceive that her husband’s death was a release of freedom from her marriage. The text describes that at times, she did and did not love her husband. However, love had not mattered anymore because she was now free. Whether they loved each other or not, she would have still been his property. This restriction of freedom was no longer her cross to bear. The death of her husband would pave her a path for a new life.

Within the story The Story of an Hour there is a train wreck that Louise Mallard’s husband is thought to be on and so his name is on the list of people whom have passed. Mrs. Mallard’s sister and husband’s friend, knowing that she has “heart troubles,” try to keep the news from her before they can enlighten her of the harsh news lightly and smoothly, with much success. She shows a face of how she should react, but on her own she thinks of all of the possibilities that she can do now. She actually feels better about life and wishes for it to be longer than she had when her husband is alive. Through his death she gains a sense of identity for herself. During the time of Mrs. Mallard’s world, a good wife would be one that “accepts the conventions”